2024-03-28T08:35:04Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:10472024-03-27ycba:ps
YCBA/lido-TMS-1047
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015636
landscape
300033618
Painting
Saint Vincents, near West Malling, Kent
Saint Vincent, Kent, the Seat of Capt. William Locker
Signed and dated in black paint, lower left: "D. Serres 177[...]"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.566
https://www.wikidata.org/wiki/Q23699795
Not on view
Yale Center for British Art
41.3080060, -72.9306282
12 1/2 x 18 inches (31.8 x 45.7 cm)
height
cm
31.8
width
cm
45.7
1047
300054713
production
Dominic Serres, 1722–1793, French, active in Britain (from the 1750s)
ycba_actor_422
http://vocab.getty.edu/ulan/500015057
https://www.wikidata.org/wiki/Q3035468
https://viaf.org/viaf/18126281
http://id.loc.gov/authorities/names/nr2001033993
https://n2t.net/ark:/99166/w6d83tr7
Dominick Serres
Dominic Serres R. A.
Dominic Serres I
Dominique Serres the elder
Dominique Serres
Old Serres
Dom. Serres
Dominic I Serres
Dominic Serres
Serres Dominic, 1722–1793
Dominic Serres, 1722–1793
Dominic Serres, 1722–1793
7008672
7011781
French, active in Britain (from the 1750s)
1722
1793
male
300025103
Artist
300025164
printmaker
300112172
draftsman (artist)
marine painter
ca. 1779
1774
1784
22
18th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
872
https://britishart.yale.edu/node/464
https://britishart.yale.edu/node/464
300054766
exhibition
Spreading Canvas - Eighteenth - Century British Marine Painting
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
Yale Center for British Art
YCBA
BAC
1977
0
2016-09-09 - 2016-12-04
2016-09-09
2016-12-04
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This was the first major exhibition to survey the tradition of marine painting that was inextricably linked to Britain’s rise to prominence as a maritime and imperial power, and to position the genre at the heart of the burgeoning British art world of the eighteenth century. — —
The demand for marine paintings—and the prints made after them—in the eighteenth century, from ship launches to shipwrecks, naval battles to serene coastal views, reflected Britain’s absolute dependence on the sea. In an age when Britain claimed to rule the waves, marine paintings found a new importance and helped the island nation tell its stories of triumph and disaster. — —
Arranged in thematic sections within a broadly chronological framework, Spreading Canvas spanned the period between the arrival in Greenwich of the Dutch marine painters Willem van de Velde the Elder and Younger, in the early 1670s, and J. M. W. Turner’s first responses to the Battle of Trafalgar, displayed at his gallery in 1806. Featuring works by artists such as Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, the exhibition contended that the marine painters who created images of the sea and shipping in eighteenth-century Britain were more than mere stylistic inheritors of a Dutch seventeenth-century tradition; rather, they forged a uniquely British approach to their subject. — —
Drawn primarily from the collections of the Center, Spreading Canvas was augmented by spectacular loans from the National Maritime Museum in Greenwich, London, and other private and institutional collections. The exhibition included ship models, prints, paintings, sketchbooks, and letters, in order to reconstruct the full array of representational modes that were deployed throughout the century to represent the maritime exploits of the nation. Such variety also reflects the fact that marine paintings, and the artists who produced them, were fully embedded in the thriving and cosmopolitan artistic sphere of the period. — —
By including examples of the sketches, plans, and textual accounts that underlay the finished works, Spreading Canvas also revealed the processes through which marine painters constructed depictions of highly complex events that had taken place at great physical and temporal distances. But, far from functioning merely as skillful reportage, marine painting responded to and helped to shape Britain’s role on the global stage. Indeed, this exhibition demonstrated that marine painting was, from the age of tapestries to the advent of the modern panorama, both ubiquitous and fundamentally relevant to eighteenth-century British art and culture. — —
Credits — —
Spreading Canvas: Eighteenth-Century British Marine Painting was organized by the Yale Center for British Art in association with the National Maritime Museum, Greenwich, London, and curated by Eleanor Hughes, Deputy Director for Art & Program at the Walters Art Museum. The organizing curator at the Center was Matthew Hargraves, Chief Curator of Art Collections and Head of Collections Information and Access. — —
The exhibition was accompanied by a fully illustrated book, edited by Eleanor Hughes, with essays by Hughes, Richard Johns, Geoff Quilley, Christine Riding, and Catherine Roach, and contributions by Sophie Lynford, John McAleer, and Pieter van der Merwe. The volume was published by the Center in association with Yale University Press.
Yale Center for British Art
50th Anniversary Exhibition (Winterthur Museum, Garden and Library, 2001-09-01 - 2002-05-31)
110
300054766
exhibition
50th Anniversary Exhibition
Yale Center for British Art
Winterthur Museum, Garden and Library
ycba_actor_6317
http://vocab.getty.edu/ulan/500444083
Winterthur Museum, Garden and Library
0
0
300311675
Borrower
2001-09-01 - 2002-05-31
2001-09-01
2002-05-31
Winterthur Museum, Garden and Library
ycba_actor_6317
http://vocab.getty.edu/ulan/500444083
Winterthur Museum, Garden and Library
Winterthur
7007543
Winterthur
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
577
300054766
exhibition
Country Houses in Great Britain - Yale Center for British Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
1979-10-10 - 1980-01-29
1979-10-10
1980-01-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
1047
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 200-201, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
1047
579168
N6764 Y34 1979 (YCBA)
5990875
156
300054686
publication event
^Country houses in Great Britain.^, Yale Center for British Art, New Haven, 1979, pp. 47-48, 113, no. 25, pl. 25, N6764 Y34 1979 (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1979
1979
1979
New Haven
1047
579513
N6764 H36 + (YCBA)
6199514
186
300054686
publication event
John Harris, ^The artist and the country house, a history of country house and garden view painting in Britain, 1540-1870 ^, Sotheby Parke Bernet, London Totowa, N.J., 1979, pp. 252, 281, no. 305, fig. 305, N6764 H36 + (YCBA)
Yale Center for British Art
John Harris
ycba_actor_8275
Harris John
300025492
Author
Sotheby Parke Bernet
ycba_actor_8243
Sotheby Parke Bernet
300025574
Publisher
1979
1979
1979
London Totowa, N.J.
1047
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
300054686
publication event
Eleanor Hughes, ^Spreading Canvas : Eighteenth-Century British Marine Painting^, Yale Center for British Art, New Haven, 2016, p. 248-249, cat. 110, ND 1373.G74 S67 2016 (YCBA)
Yale Center for British Art
Eleanor Hughes
ycba_actor_7836
Hughes Eleanor
300025526
editor
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2016
2016
2016
New Haven
1047
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
300002726
ycba_term_30554
pediment
300250116
ycba_term_2036310
cattle
300008635
ycba_term_17418
pastures
300008090
ycba_term_32163
garden
300025928
ycba_term_7001
men
300011689
ycba_term_10827
gravel
300008777
ycba_term_17558
hills
300025943
ycba_term_35295
woman
300025945
ycba_term_114139
children
300132410
ycba_term_17587
trees
300055474
ycba_term_38768
family
300008110
ycba_term_32172
kitchen garden
300015636
ycba_term_149705
landscape
ycba_term_2036642
grazing
300008889
ycba_term_32431
lawn
300005567
ycba_term_31358
country house
300005425
ycba_term_31314
dwelling
300008888
ycba_term_19556
hedges
300005044
ycba_term_31185
fence
300193636
ycba_term_42326
field
300015424
ycba_term_32641
view
ycba_term_2036321
livestock
300263485
300263485
ycba_term_2037264
burial
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
Addington
7012151
ycba_term_1877434
Addington
51.3000, 0.3830
West Malling
1031061
ycba_term_1877334
West Malling
51.3000, 0.4160
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Kent
7008153
ycba_term_1877131
Kent
51.2160, 0.6500
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 200-201, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Country houses in Great Britain., Yale Center for British Art, New Haven, 1979, pp. 47-48, 113, no. 25, pl. 25, N6764 Y34 1979 (YCBA)
579168
N6764 Y34 1979 (YCBA)
5990875
156
related to
John Harris, The artist and the country house, a history of country house and garden view painting in Britain, 1540-1870, Sotheby Parke Bernet, London Totowa, N.J., 1979, pp. 252, 281, no. 305, fig. 305, N6764 H36 + (YCBA)
579513
N6764 H36 + (YCBA)
6199514
186
related to
Eleanor Hughes, Spreading Canvas : Eighteenth-Century British Marine Painting, Yale Center for British Art, New Haven, 2016, p. 248-249, cat. 110, ND 1373.G74 S67 2016 (YCBA)
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
1047
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:1047
oai:tms.ycba.yale.edu:1047
https://manifests.collections.yale.edu/v2/ycba/obj/1047
https://manifests.collections.yale.edu/ycba/obj/1047
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art