2024-03-28T22:44:00Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:126562024-03-27ycba:pd
YCBA/lido-TMS-12656
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300078925
watercolor
300139140
genre subject
300033973
Drawing & Watercolor
Fisherfolk with Baskets and Nets
Inscribed on verso in graphite, lower right: "[...] 26312AH (2"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1975.4.801
Not on view
Yale Center for British Art
41.3080060, -72.9306282
3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
height
cm
8.6
width
cm
14.9
Sheet
12656
300054713
production
Francis Wheatley, 1747–1801, British
ycba_actor_40
http://en.wikipedia.org/wiki/Francis_Wheatley_(painter)
http://d-nb.info/gnd/122390555
http://id.loc.gov/authorities/names/n85161126
http://www.idref.fr/157054691/id
http://isni-url.oclc.nl/isni/0000000066827060
http://vocab.getty.edu/ulan/500017459
http://viaf.org/viaf/50107566
https://n2t.net/ark:/99166/w6wj5f0p
https://www.wikidata.org/wiki/Q5482749
F. Wheatley R. A.
Francis Whately
Francis Wheatly
F. Wheatley Esq., R. A.
Francis Wheatley
Wheatley, Francis, 1747-1801
Wheatley Francis, 1747–1801
Francis Wheatley, 1747–1801
Francis Wheatley, 1747–1801
1000078
7011781
7011781
British
1747
1801
male
300025103
Artist
300112172
draftsman (artist)
300025136
painter (artist)
Royal Academician
300111159
British
undated
1762
1801
22
18th century
Watercolor with pen and black ink on medium, smooth, cream laid paper
300014184
laid paper
300015045
watercolor
black ink
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
240
https://britishart.yale.edu/node/666
300054766
exhibition
Francis Wheatley
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2005-08-31 - 2006-02-05
2005-08-31
2006-02-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Francis Wheatley (1747–1801) inhabited myriad artistic and social worlds: Georgian London and rural Ireland, the high life of his wealthy clients and the marginal world of the theater, the Royal Academy and the print shop. His artistic output was equally broad, encompassing printmaking, portraiture, genre painting, and history painting. — —
The first section of the exhibition explored The Oliver and Ward Families and The Browne Family, looking at how Wheatley responded to his clients’ needs by portraying middle-class merchants and bankers in the trappings of country gentlemen. His four years in Ireland comprised the second part of the exhibition. During this period of artistic freedom, Wheatley abandoned his focus on studio portraiture and created some of his most important works. Sketching and painting watercolors out-of-doors, he focused his attention on the peasants and rural poor living outside of Dublin, and in the process gathered material that would serve him for the rest of his career. Returning to London in 1783, Wheatley began to create paintings for the reproductive print market and consequently expanded his subject matter to include contemporary events and historical and literary scenes. Wheatley’s depictions of peasant life were tinged with morality and eroticism in equal measure, and they were immensely popular with the print-buying public. His greatest success in the print market was his series The Cries of London, and the exhibition ended with a comprehensive display of those works. — —
Credits — —
The Worlds of Francis Wheatley was organized by the Center and highlighted its rich holdings of Wheatley’s work in all genres and media. Featuring Wheatley’s oil paintings, his evocative and delicate watercolors and drawings, and prints after his work, the exhibition was curated by Angus Trumble, Curator of Paintings and Sculpture; and A. Cassandra Albinson, Assistant Curator of Paintings and Sculpture at the Center. It was organized to complement Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door.” — —
Yale Center for British Art
12656
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1975
1975
1975
300138913
gift
300025608
ycba_term_6648
fishermen (people)
300178749
ycba_term_26162
boats
300046065
ycba_term_21963
shoes (footwear)
300005433
ycba_term_18184
houses
300139140
ycba_term_2036211
genre subject
300230818
ycba_term_13539
nets (objects)
300225927
ycba_term_106445
jackets
300046142
ycba_term_37985
cloak
300046131
ycba_term_37981
apron (protective wear)
300008734
ycba_term_32380
coastline
300046106
ycba_term_21535
hats
300210720
ycba_term_142790
bonnet
300046159
ycba_term_142950
dress
300046088
ycba_term_21628
stockings
300000951
ycba_term_16139
masts
300212499
ycba_term_44485
shirt
300211926
ycba_term_105884
baskets
300185694
ycba_term_22638
sails
300209935
ycba_term_21508
trousers
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
12656
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:12656
oai:tms.ycba.yale.edu:12656
https://manifests.collections.yale.edu/v2/ycba/obj/12656
https://manifests.collections.yale.edu/ycba/obj/12656
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art