2024-03-29T06:36:42Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:127992024-03-28ycba:pd
YCBA/lido-TMS-12799
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300015571
cityscape
300417318
architectural subject
300139140
genre subject
300078925
watercolor
300033973
drawing
300033973
Drawing & Watercolor
The Porch, Reims Cathedral
Inscribed on verso in graphite, lower left: "No 2"
Signed in pen and brown ink, lower right: "S Prout"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1975.4.1360
https://www.wikidata.org/wiki/Q106860649
Not on view
Yale Center for British Art
41.3080060, -72.9306282
16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
width
cm
27.3
height
cm
42.2
Sheet
12799
300054713
production
Samuel Prout, 1783–1852, British
ycba_actor_727
https://n2t.net/ark:/99166/w6h998mc
http://vocab.getty.edu/ulan/500018332
http://id.loc.gov/authorities/names/n85301832
https://www.wikidata.org/wiki/Q2542408
https://viaf.org/viaf/20618735
Samuel Prout
Prout Samuel, 1783–1852
Samuel Prout, 1783–1852
Samuel Prout, 1783–1852
7011301
7011781
British
1783
1852
male
300025103
Artist
300025157
watercolorist
300025136
painter
300111159
British
ca. 1840
1835
1845
24
19th century
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
300014187
wove paper
300015045
watercolor
300022452
pen
300070114
gouache
300011098
graphite
scratching out
https://www.wikidata.org/wiki/Q58344150
brown ink
Unto this Last: Two Hundred Years of John Ruskin (Yale Center for British Art, 2019-09-05 - 2019-12-08)
969
https://britishart.yale.edu/node/465/
300054766
exhibition
Unto this Last: Two Hundred Years of John Ruskin
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2019-09-05 - 2019-12-08
2019-09-05
2019-12-08
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The year 2019 marked the bicentenary of the birth of the great nineteenth-century artist and critic John Ruskin. Drawing on the Center’s rich collection of Ruskin’s drawings and publications, with significant loans from the Beinecke Rare Book and Manuscript Library, the Metropolitan Museum of Art, and other institutions, this exhibition positioned Ruskin as a pioneering ecological thinker, social reformer, educator, and preservationist. Bringing together an array of diverse materials including paintings, drawings, literary manuscripts, mineral samples and memorabilia, the exhibition highlighted Ruskin’s impact in his own time and his enduring signi?cance today. ---
Unto This Last opened with a contemporary response to Ruskin’s seminal work The Ethics of the Dust by artist Jorge Otero-Pailos. --- ---
Credits
Unto This Last: Two Hundred Years of John Ruskin was organized by the Yale Center for British Art and curated by three PhD Candidates in Yale University’s Department of the History of Art: Tara Contractor, Victoria Hepburn, and Judith Stapleton; with Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Courtney Skipton Long, Acting Assistant Curator of Prints and Drawings at the Center. A version of this exhibition was later on view at the Watts Gallery in Compton, Surrey, UK. --- ---
A fully illustrated catalogue, with an introduction by Barringer, essays by Contractor, Hepburn, and Stapleton, and an epilogue by Long, accompanied the exhibition. The book Unto This Last: Two Hundred Years of John Ruskin was published by the Center in association with Yale University Press.
Yale Center for British Art
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
75
https://britishart.yale.edu/node/699
300054766
exhibition
Ruskin - Past: Present: Future
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
63
Organizer
2000-01-20 - 2000-02-27
2000-01-20
2000-02-27
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
John Ruskin (1819–1900) was one of the most significant figures of the Victorian age. Artist and art critic, teacher, social commentator, and environmentalist, his powerful influence on cultural and political thought has endured both in Europe and in North America throughout the twentieth century and continues to resonate profoundly today. — —
Organized to commemorate the centenary of his death, and part of a worldwide celebration of his remarkable achievements, this exhibition examined John Ruskin’s life and legacy. It included watercolors, drawings, prints, books, and manuscripts selected from the Center’s holdings and other collections at Yale. — —
Ruskin’s criticism and teaching influenced a generation of landscape watercolorists, and the exhibition evaluated the significance of this legacy. One of the Center’s acquisitions, Paul Naftel’s Head of Loch Lomond, with Ben Lomond in the Distance, which Ruskin highly praised, was on public display for the first time since it was originally shown in London in 1859. The exhibition also documented Ruskin’s investigation of the relationship between art and political and social issues—one of his most pervasive legacies to the twentieth century—as well as his active engagement with education and the museum, and his interest in the environment. — —
Credits — —
To complement the exhibition, quotations placed around the Center’s fourth-floor galleries provided a Ruskin-guided tour of the permanent collection. A one-day symposium on Ruskin with speakers from North America and Europe also took place at the Center at the time of the opening. — —
Yale Center for British Art
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
581
300054766
exhibition
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
1981-09-16 - 1981-11-22
1981-09-16
1981-11-22
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
12799
14545802
NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
1089484724
4464
300054686
publication event
Timothy J. Barringer, ^Unto this last : two hundred years of John Ruskin^, Yale University Press, New Haven, CT, p. 111, cat. 5, NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
0
0
New Haven, CT
12799
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1975
1975
1975
300138913
gift
300056028
ycba_term_64
sunlight
300000994
ycba_term_30069
arch
300015571
ycba_term_32654
cityscape
25245
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merchants
300194514
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barrels (containers)
300078131
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selling
300047600
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statues
300139140
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genre subject
300003312
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steps
300258453
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aprons (main garments)
300047090
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sculpture
300004792
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buildings
300210720
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bonnets
300194498
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baskets
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kiosks
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market (event)
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relief
300046159
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dresses
300076641
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portal
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men
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ycba_term_30923
porch
300025945
ycba_term_114139
children
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niches
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architectural subject
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cathedral
300025943
ycba_term_7002
women
300150791
ycba_term_6400
vendors
saints
300150555
ycba_term_6894
saints
France
1000070
ycba_term_1821421
France
46.0000, 2.0000
Champagne-Ardenne
7002880
ycba_term_1824118
Champagne-Ardenne
49.0000, 4.5000
Marne
7002967
ycba_term_1824334
Marne
48.9160, 4.2500
Reims
7011060
ycba_term_1824458
Reims
49.2500, 4.3300
Notre-Dame de Reims
ycba_term_2044108
Notre-Dame de Reims
Timothy J. Barringer, Unto this last : two hundred years of John Ruskin, Yale University Press, New Haven, CT, p. 111, cat. 5, NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
14545802
NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
1089484724
4464
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
12799
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:12799
oai:tms.ycba.yale.edu:12799
https://manifests.collections.yale.edu/v2/ycba/obj/12799
https://manifests.collections.yale.edu/ycba/obj/12799
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art