2024-03-29T07:14:07Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:138362024-03-28ycba:pd
YCBA/lido-TMS-13836
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300015636
landscape
300033973
drawing
300078925
watercolor
300417318
architectural subject
300033973
Drawing & Watercolor
Tintern Abbey
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.4102
https://www.wikidata.org/wiki/Q28798180
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Lister 234
10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
height
cm
26.4
width
cm
37.5
Sheet
23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
height
cm
59.1
depth
cm
2.5
width
cm
76.2
Frame
13836
300054713
production
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
ycba_actor_243
https://www.wikidata.org/wiki/Q982251
http://vocab.getty.edu/ulan/500020452
http://id.loc.gov/authorities/names/n50050276
https://n2t.net/ark:/99166/w62z1dz0
https://viaf.org/viaf/7512746
Palmer, Samuel, 1805-1881
S. Palmer
Samuel Palmer
Palmer Samuel, 1805–1881
Samuel Palmer, 1805–1881
Samuel Palmer, 1805–1881
1000080
1030618
7011736
7011781
British, active in Italy (1837–39)
1805
1881
male
300025103
Artist
300025174
etcher
landscape painter
300111159
British
1835
1835
1835
24
19th century
Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
300070114
gouache
300014187
wove paper
300015045
watercolor
300022452
pen
300011098
graphite
https://www.wikidata.org/wiki/Q58344150
brown ink
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
847
300054766
exhibition
Art in Focus : Wales
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
2014-04-04 - 2014-08-10
2014-04-04
2014-08-10
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
726
https://britishart.yale.edu/node/629
300054766
exhibition
Making History - Antiquaries in Britain 1707-2007
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300311675
Borrower
2012-02-02 - 2012-05-27
2012-02-02
2012-05-27
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Making History celebrated the achievement of the Society of Antiquaries of London, Britain’s oldest independent learned society concerned with the study of the past. The Society was established in 1707 with the aim of encouraging the pursuit of “the ingenious and curious” in the field of British antiquities. — —
The exhibition focused on the discovery, recording, preservation, and interpretation of Britain’s past through its material remains, revealing how new discoveries, technologies, and interpretations have transformed our understanding of the history of Britain since the eighteenth century. The Society was founded prior to the existence of national museums, libraries, and galleries, and it was regarded as the main repository in Britain for antiquities and historical objects until the British Museum gradually began to assume the role in the middle of the nineteenth century. Today the collections at Burlington House in London contain antiquities of international importance; the Society also owns Kelmscott Manor in Gloucestershire, the former home of William Morris, leader of the Arts and Crafts movement. — —
The exhibition featured one hundred works selected from the Society’s treasures with fifty additions from the Center’s collections and elsewhere at Yale. It was organized into eight sections: The Discovery of Britain focused on the period before the seventeenth century; The Earliest Antiquaries looked at antiquaries such as William Dugdale, who began to challenge previously held views of Britain’s past; and Founders and Fellows considered the formation of the Society itself. — —
Collecting for Britain was the heart of the exhibition. Highlights included an early copy of the Magna Carta (ca. 1225), a medieval processional cross reportedly recovered from the battlefield of Bosworth (1485), a forty-foot illuminated “roll chronicle” on parchment, and an extraordinary collection of early English royal portraits painted on panel. — —
Lost and Found focused on archaeological excavations of the eighteenth century, while The Art of Recording presented the work of artists such as J. M. W. Turner and Thomas Girtin, who were commissioned to record historic buildings, monuments, and objects. — —
The Society also embarked on several major engraving projects to bring its documentation work to a wider audience. Publishing the Past included the recording of early paintings and magnificent decorations in the medieval Palace of Westminster before it burned down. The exhibition ended with The Rediscovery of the Middle Ages, featuring the art of William Morris and his circle. — —
Credits — —
The exhibition was organized by the Society of Antiquaries of London in association with the Yale Center for British Art and the McMullen Museum of Art, Boston College. It was curated by Elisabeth Fairman, Senior Curator of Rare Books and Manuscripts, Yale Center for British Art, and Nancy Netzer, Professor of Art History and Director of the McMullen Museum, Boston College, in association with Heather Rowland, Head of Library and Collections, and Julia Dudkiewicz, Collections Manager, Society of Antiquaries of London. — —
The accompanying publication, Making History: Antiquaries in Britain, 1707–2007, was available for sale in the Center’s Museum Shop. — —
Venues — —
McMullen Museum of Art, Boston College: — —
September 9, 2011 to December 11, 2011 — —
Yale Center for British Art: February 2 to May 27, 2012 — —
Yale Center for British Art
Modern Gothic : The Revival of Medieval Art (Yale University Art Gallery, 2000-04-04 - 2000-07-30)
70
300054766
exhibition
Modern Gothic : The Revival of Medieval Art
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
https://viaf.org/viaf/158793816
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
300311675
Borrower
2000-04-04 - 2000-07-30
2000-04-04
2000-07-30
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
13836
11920709
V2519 (YCBA)
877855310
3388
300054686
publication event
Yale Center for British Art, ^Wales^, New Haven, 2014, pp. 10-11, 21, V2519 (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025492
Author
2014
2014
2014
New Haven
13836
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Walter de Clare founded Tintern Abbey in the twelfth century on the bank of the Wye River in south Wales. Following the publication of William Gilpin’s Observations on the River Wye in 1782, visitors flocked to Tintern. Many came through the Wye valley tour. Like many picturesque and Romantic views, this watercolor eliminates the Welsh people populating the area; in fact, local workers lived in the Abbey, but are edited out of Palmer’s image. While some visitors enjoyed the contrast with the ancient ruins, this view allows the enjoyment of the site in its ruined, imperfect state.
--- --- Gallery label for Art in Focus: Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
13836
300048722
Gallery label
2014
300000642
ycba_term_29947
abbey
300020756
ycba_term_5730
Medieval
300020775
ycba_term_4723
Gothic (Medieval)
ycba_term_2036212
architectural subject
300008057
ycba_term_19010
ruins
Tintern Abbey
1100066
ycba_term_1872695
Tintern Abbey
51.6830, -2.6830
Monmouthshire
5000560
ycba_term_1872672
Monmouthshire
51.8330, -2.7500
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Cymru
7002443
ycba_term_1872395
Cymru
52.5160, -3.5000
Wales
7002443
ycba_term_1872394
Wales
52.5160, -3.5000
Yale Center for British Art, Wales, New Haven, 2014, pp. 10-11, 21, V2519 (YCBA)
11920709
V2519 (YCBA)
877855310
3388
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
13836
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:13836
oai:tms.ycba.yale.edu:13836
https://manifests.collections.yale.edu/v2/ycba/obj/13836
https://manifests.collections.yale.edu/ycba/obj/13836
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art