2024-03-28T09:38:05Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:151792024-03-27ycba:pd
YCBA/lido-TMS-15179
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300015636
landscape
300033973
drawing
300139140
genre subject
300033973
Drawing & Watercolor
A Pastoral Scene
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.5824
https://www.wikidata.org/wiki/Q28796425
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Lister 213
3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
height
cm
9.5
width
cm
11.4
Sheet
15179
300054713
production
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
ycba_actor_243
http://id.loc.gov/authorities/names/n50050276
https://viaf.org/viaf/7512746
http://vocab.getty.edu/ulan/500020452
https://www.wikidata.org/wiki/Q982251
https://n2t.net/ark:/99166/w62z1dz0
S. Palmer
Palmer, Samuel, 1805-1881
Samuel Palmer
Palmer Samuel, 1805–1881
Samuel Palmer, 1805–1881
Samuel Palmer, 1805–1881
1000080
1030618
7011781
7011736
British, active in Italy (1837–39)
1805
1881
male
300025103
Artist
landscape painter
300025174
etcher
300111159
British
1835
1835
1835
24
19th century
Brown wash on wove paper
300014187
wove paper
300015045
watercolor
brown wash
Rachel Rose: Goodnight Moon (SITE Santa Fe, 2023-06-02 - 2023-09-11)
1084
300054766
exhibition
Rachel Rose: Goodnight Moon
Yale Center for British Art
SITE Santa Fe
ycba_actor_14304
SITE Santa Fe
0
0
2023-06-02 - 2023-09-11
2023-06-02
2023-09-11
SITE Santa Fe
ycba_actor_14304
SITE Santa Fe
Santa Fe
7013950
Santa Fe
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
66
Lender
2008-06-09 - 2008-08-17
2008-06-09
2008-08-17
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
The State Hermitage Museum
ycba_actor_6557
Olga Ilmenkova
The State Hermitage Museum
0
0
300311675
Borrower
2007-10-23 - 2008-01-13
2007-10-23
2008-01-13
The State Hermitage Museum
ycba_actor_6557
The State Hermitage Museum
Sankt-Peterburg
7010273
Sankt-Peterburg
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
Virginia Museum of Fine Arts
ycba_actor_1286
http://vocab.getty.edu/ulan/500310718
https://viaf.org/viaf/148748621
http://www.wikidata.org/entity/Q4013975
https://n2t.net/ark:/99166/w6991x8v
http://id.loc.gov/authorities/names/n79046025
Virginia Museum of Fine Arts
0
0
300311675
Borrower
2007-07-11 - 2007-09-30
2007-07-11
2007-09-30
Virginia Museum of Fine Arts
ycba_actor_1286
http://id.loc.gov/authorities/names/n79046025
http://vocab.getty.edu/ulan/500310718
http://www.wikidata.org/entity/Q4013975
https://n2t.net/ark:/99166/w6991x8v
https://viaf.org/viaf/148748621
Virginia Museum of Fine Arts
Richmond
7013964
Richmond
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Samuel Palmer 1805-1881 Vision and Landscape (British Museum, 2005-10-21 - 2006-01-22)
231
300054766
exhibition
Samuel Palmer 1805-1881 Vision and Landscape
Yale Center for British Art
British Museum
ycba_actor_2666
http://vocab.getty.edu/ulan/500125180
https://viaf.org/viaf/134857252
http://www.wikidata.org/entity/Q6373
https://n2t.net/ark:/99166/w60w2228
http://id.loc.gov/authorities/names/n79107735
British Museum
British Museum
BM
The British Museum
1753
0
300311675
Borrower
63
Organizer
2005-10-21 - 2006-01-22
2005-10-21
2006-01-22
British Museum
ycba_actor_2666
http://id.loc.gov/authorities/names/n79107735
http://vocab.getty.edu/ulan/500125180
http://www.wikidata.org/entity/Q6373
https://n2t.net/ark:/99166/w60w2228
https://viaf.org/viaf/134857252
British Museum
London
7011781
London
15179
3569741
ND1354.4 P39 1993 (YCBA)
28148952
293
300054686
publication event
Christiana Payne, ^Toil and plenty : images of the agricultural landscape in England, 1780-1890, ^, Yale Center for British Art, New Haven, 1993, pp. 162-3, no. 69, ND1354.4 P39 1993 (YCBA)
Yale Center for British Art
Christiana Payne
ycba_actor_8257
Payne Christiana
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1993
1993
1993
New Haven
15179
7097161
Nj18 P19 V38 2005 OVERSIZE (YCBA)
61217648
1634
300054686
publication event
William Vaughan, ^Samuel Palmer, 1805-1881 : vision and landscape, ^, British Museum Press, London, 2005, pp. 164-65, no. 91, Nj18 P19 V38 2005 OVERSIZE (YCBA)
Yale Center for British Art
William Vaughan
ycba_actor_8282
Vaughan William
300025492
Author
Elizabeth E. Barker
ycba_actor_9342
Barker Elizabeth E.
300025492
Author
Colin Harrison
ycba_actor_9664
Harrison Colin
300025492
Author
David Bindman
ycba_actor_1353
Bindman David
300025492
Author
British Museum Press, British
ycba_actor_8974
British Museum Publications
300025574
Publisher
2005
2005
2005
London
15179
7842306
ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
71833360
4877
300054686
publication event
Yale Center for British Art, ^Great British watercolors : from the Paul Mellon Collection^, Yale University Press, New Haven, 2007, pp. 178-79, no. 78, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025492
Author
Matthew Hargraves
ycba_actor_7112
Hargraves Matthew
300025492
Author
Scott Wilcox
ycba_actor_1252
Wilcox Scott
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2007
2007
2007
New Haven
15179
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Samuel Palmer remains best known for his early landscapes of Kent, which present a strikingly original vision of an idyllic country life. This small watercolor, derived from the second of two tours of Devon in the early 183os, reveals a similar sense of natural wonder. The scene shows harvesting by night, with laborers tying up sheaves of corn for loading on the wagon in the foreground. In this image of plenitude and fecundity, Palmer’s crescent moon illuminates the cornfield, allowing the laborers extra time to gather in the abundant harvest.
--- --- Gallery label for Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
15179
300048722
Gallery label
2008-06-24
ycba_term_2039218
sheaf
300132410
ycba_term_40196
tree
ycba_term_2037262
harvest
ycba_term_2036311
oxen
300024979
ycba_term_6204
people
300212695
ycba_term_26248
carts
300015636
ycba_term_149705
landscape
ycba_term_2036326
moon
300139140
ycba_term_2036211
genre subject
300250491
ycba_term_693
pastoral
300404733
ycba_term_2053004
rocks (landforms)
Christiana Payne, Toil and plenty : images of the agricultural landscape in England, 1780-1890, , Yale Center for British Art, New Haven, 1993, pp. 162-3, no. 69, ND1354.4 P39 1993 (YCBA)
3569741
ND1354.4 P39 1993 (YCBA)
28148952
293
related to
William Vaughan, Samuel Palmer, 1805-1881 : vision and landscape, , British Museum Press, London, 2005, pp. 164-65, no. 91, Nj18 P19 V38 2005 OVERSIZE (YCBA)
7097161
Nj18 P19 V38 2005 OVERSIZE (YCBA)
61217648
1634
related to
Yale Center for British Art, Great British watercolors : from the Paul Mellon Collection, Yale University Press, New Haven, 2007, pp. 178-79, no. 78, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
7842306
ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
71833360
4877
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
15179
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:15179
oai:tms.ycba.yale.edu:15179
https://manifests.collections.yale.edu/v2/ycba/obj/15179
https://manifests.collections.yale.edu/ycba/obj/15179
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art