2024-03-28T22:47:16Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:158362024-03-27ycba:pd
YCBA/lido-TMS-15836
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300117546
marine art
300041338
intaglio print
300015636
landscape
300041273
Print
Lulworth Cove, Dorsetshire
Cooke's Picturesque Views of the Southern Coast of England
Inscribed in graphite, lower left: "First Published State. Thru Sails on night; white-[Scene] at beach altered in accordance with touched Proof."; inscribed in graphite, verso, lower left: "p/o/-"
Collector's mark: W. G. Rawlinson (Lugt 2624); stamped on verso: "16195"
Lettered, lower left: "J.M.W. Turner R.A. delt. 1811 | Lulworth Cove, Dorset"; lettered, lower right: "Engraved by W.B. Cooke, 1812"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.6596
https://www.wikidata.org/wiki/Q110111259
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.92
13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
height
cm
34.3
width
cm
44.8
Sheet
8 13/16 × 11 3/4 inches (22.4 × 29.8 cm)
height
cm
22.4
width
cm
29.8
Plate
7 × 9 5/16 inches (17.8 × 23.7 cm)
height
cm
17.8
width
cm
23.7
Chine collé
5 3/4 × 8 9/16 inches (14.6 × 21.7 cm)
height
cm
14.6
width
cm
21.7
Image
15836
300054713
production
Print made by William Bernard Cooke, 1778–1855, British
ycba_actor_1525
http://id.loc.gov/authorities/names/nr96038730
http://vocab.getty.edu/ulan/500012369
https://viaf.org/viaf/69203217
https://www.wikidata.org/wiki/Q8005455
William Bernard Cooke
Cooke William Bernard, 1778–1855
William Bernard Cooke, 1778–1855
Print made by William Bernard Cooke, 1778–1855
British
1778
1855
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://en.wikipedia.org/wiki/J._M._W._Turner
http://d-nb.info/gnd/11862475X
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://libris.kb.se/resource/auth/277878
http://id.loc.gov/authorities/names/n79060712
http://vocab.getty.edu/ulan/500026846
http://id.ndl.go.jp/auth/ndlna/00459271
http://viaf.org/viaf/100900492
https://n2t.net/ark:/99166/w6057d6v
http://isni-url.oclc.nl/isni/0000000121454990
http://www.idref.fr/027332446/id
https://www.wikidata.org/wiki/Q159758
http://www.oxforddnb.com/index/27/101027854/
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300025157
watercolorist
300236992
landscapist
300112172
draftsman (artist)
300025136
painter (artist)
after
300111159
British
1814
1814
1814
24
19th century
Line engraving and etching, first published state on thick, smooth, beige wove paper, with cream chine collé
300053231
line engraving
300256021
chine collé
300053241
etching (printing process)
300014187
wove paper
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
15836
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300132317
ycba_term_40167
cove
300015636
ycba_term_32666
landscape (representation)
300235692
ycba_term_2036210
marine art
Lulworth Cove
7458445
ycba_term_2054182
Lulworth Cove
50.6167, -2.2500
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
English Channel
7005239
ycba_term_1816379
English Channel
50.0000, -1.0000
Stair Hole
https://en.wikipedia.org/wiki/Stair_Hole
ycba_term_2054183
Stair Hole
Dorset
7011961
ycba_term_1879143
Dorset
50.7830, -2.3160
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
15836
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:15836
oai:tms.ycba.yale.edu:15836
https://manifests.collections.yale.edu/v2/ycba/obj/15836
https://manifests.collections.yale.edu/ycba/obj/15836
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art