2024-03-29T14:41:33Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:17062024-03-28ycba:pd
YCBA/lido-TMS-1706
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300015637
portrait
300033973
Drawing & Watercolor
Thomas Gainsborough, R.A.
Inscribed in graphite, lower right: "Gainsborough"; inscribed on verso in graphite, center: "14"; lower right: "12-1 9"; lower center: "portrait of Gainsborough | by H Fusili"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1986.29.61
https://www.wikidata.org/wiki/Q109969733
Not on view
Yale Center for British Art
41.3080060, -72.9306282
7 1/2 × 4 3/4 inches (19.1 × 12.1 cm)
width
cm
12.1
height
cm
19.1
Sheet
1706
300054713
production
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
ycba_actor_111
https://viaf.org/viaf/56879930
http://id.loc.gov/authorities/names/n83177731
https://n2t.net/ark:/99166/w6t16drq
http://vocab.getty.edu/ulan/500019411
https://www.wikidata.org/wiki/Q1970087
Philip James de Loutherbourg
Philipp James de Loutherbourg the Younger
Philip James De Loutherbourg
Philippe Jacques de Loutherbourg
Philippe Jacques de Loutherbourg II
Philippe de Loutherbourg
Philip de Loutherbourg
Philipp Jakob Loutherbourg II
Philipp Jakob Loutherbourg the Younger
Philip James De Loutherbourg Esq., R. A.
Philip James de Loutherberg
Philip James de Loutherborg
Philip James de Loutherbourgh
Philippe Jacques Loutherbourg
Philip James de Loutherburg
Philip James de Loutherburgh
Philip James de Loutherbourg R. A.
Philippe Jacques de Lutherbourg II
Philip James de Lutherberg
Philip James de Lutherburgh
Philippe Jacques de Lauterbourg
Loutherbourg R. A.
Philipp Jakob Loutherbourg
P. P. de Loutherbourch
P. L. de Lautherbourg
Philippe-Jacques de Loutherbourg
P. P. de Loutherbourg
Philippe Jacques De Loutherbourg
Philippe Jacques De Lauterbourg
Philip James Loutherbourg
Philippe-Jacques De Loutherbourg
Philippe-Jacques de Loutherbourg
Philippe Jacques De Lutherbourg II
Loutherbourg, Philippe-Jacques de, 1740-1812
Loutherbourg Philippe-Jacques de, 1740–1812
Philippe-Jacques de Loutherbourg, 1740–1812
Philippe-Jacques de Loutherbourg, 1740–1812
7012346
1004281
7011781
7008038
French, active in Britain (from 1771)
1740
1812
male
300025103
Artist
landscape painter
Royal Academician
300025681
scenographer
300111159
British
undated
1755
1799
22
18th century
Red chalk, graphite, black chalk, and white chalk on thin, slightly textured, brown wove paper
300011098
graphite
300080058
black chalk
300080064
red chalk
300014187
wove paper
white chalk
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
British Art Center
BAC
YCBA
1977
0
300311675
Borrower
66
Lender
2005-10-06 - 2005-12-31
2005-10-06
2005-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
http://vocab.getty.edu/ulan/500293829
http://id.loc.gov/authorities/names/n79049138
The Huntington Library, Art Collections, and Botanical Gardens
0
0
300311675
Borrower
66
Lender
2006-02-11 - 2006-05-14
2006-02-11
2006-05-14
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://id.loc.gov/authorities/names/n79049138
http://vocab.getty.edu/ulan/500293829
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
The Huntington Library, Art Collections, and Botanical Gardens
San Marino
7014461
San Marino
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
1706
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1986
1986
1986
300138913
gift
300025928
ycba_term_35274
man
300015637
ycba_term_32667
portrait
Gainsborough, Thomas (1727–1788), painter and printmaker
500115200
ycba_term_2037824
Gainsborough, Thomas (1727–1788), painter and printmaker
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
1706
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:1706
oai:tms.ycba.yale.edu:1706
https://manifests.collections.yale.edu/v2/ycba/obj/1706
https://manifests.collections.yale.edu/ycba/obj/1706
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art