2024-03-29T09:10:39Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:17272024-03-27ycba:pd
YCBA/lido-TMS-1727
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300139140
genre subject
300078925
watercolor
300033973
Drawing & Watercolor
The Harmonious Family
Twelve Illustrations to Contemporary Life and Diversions
Inscribed in black ink, within margin, lower right: "Dighton- del"; in brown ink, within margin, upper right: "12;" in black ink, within margin, lower center: "The Harmenious Family"
Watermark: "JWhatman" (initials in monogram) (Heawood 3459)
Signed in pen and black ink, within margin, lower right: "Dighton- del-"; not dated
500303557
Yale Center for British Art
http://britishart.yale.edu
B1986.29.82
https://www.wikidata.org/wiki/Q109969753
Not on view
Yale Center for British Art
41.3080060, -72.9306282
6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
width
cm
27.6
height
cm
16.8
Sheet
1727
300054713
production
Robert Dighton, 1752–1814, British
ycba_actor_692
https://n2t.net/ark:/99166/w6s47c0j
https://viaf.org/viaf/95720413
http://id.loc.gov/authorities/names/n82078183
http://vocab.getty.edu/ulan/500006487
https://www.wikidata.org/wiki/Q7343545
Robert Dighton
Dighton Robert, 1752–1814
Robert Dighton, 1752–1814
Robert Dighton, 1752–1814
British
1752
1814
male
300025103
Artist
300111159
British
undated
1767
1814
23
18th century-19th century
Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
300014184
laid paper
gray wash
black ink
gray ink
black wash
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
644
300054766
exhibition
Pleasures and Pastimes
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
63
Organizer
300311675
Borrower
1990-02-21 - 1990-04-29
1990-02-21
1990-04-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
1727
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 16, 18, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
1727
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 45], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
1727
13078515
NJ18.G3845 A12 2017 (YCBA)
972328455
4028
300054686
publication event
Melanie Unseld, ^Delights of Harmony James Gillray als Karikaturist der englischen Musikkultur um 1800^, Bohlau Verlag Wien Koln Weimar, Wien, p. 57, fig. 7, NJ18.G3845 A12 2017 (YCBA)
Yale Center for British Art
Melanie Unseld
ycba_actor_13026
Unseld Melanie
300025492
Author
Bohlau Verlag Wien Koln Weimar
ycba_actor_13027
Bohlau Verlag Wien Koln Weimar
300025574
Publisher
0
0
Wien
1727
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1986
1986
1986
300138913
gift
300055474
ycba_term_38768
family
300010279
ycba_term_1367
interior
300025928
ycba_term_7001
men
300025943
ycba_term_7002
women
300205073
ycba_term_121442
orchestra
300024838
ycba_term_22805
instruments
300139140
ycba_term_2036211
genre subject
300015634
ycba_term_32664
caricature
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 16, 18, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 45], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
Melanie Unseld, Delights of Harmony James Gillray als Karikaturist der englischen Musikkultur um 1800, Bohlau Verlag Wien Koln Weimar, Wien, p. 57, fig. 7, NJ18.G3845 A12 2017 (YCBA)
13078515
NJ18.G3845 A12 2017 (YCBA)
972328455
4028
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
1727
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:1727
oai:tms.ycba.yale.edu:1727
https://manifests.collections.yale.edu/v2/ycba/obj/1727
https://manifests.collections.yale.edu/ycba/obj/1727
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art