2024-03-29T11:22:52Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:177022024-03-28ycba:pd
YCBA/lido-TMS-17702
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300417318
architectural subject
300033973
drawing
300078925
watercolor
300033973
Drawing & Watercolor
Front View of Bhuleshwar Temple
Front View of Bullishwur
Inscribed in pen and brown ink, upper right: "Front View of Bullishwur"; inscribed on verso in pen and brown ink, upper left: "Front Vier of Buliser or Bulishwar abt. 28 Miles E. of Poona."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.22354
https://www.wikidata.org/wiki/Q110020777
Not on view
Yale Center for British Art
41.3080060, -72.9306282
10 7/8 × 16 7/8 inches (27.6 × 42.9 cm)
width
cm
42.9
height
cm
27.6
Sheet
17702
300054713
production
Gangaram Chintaman Tambat, active 1790s, Indian
ycba_actor_2674
Gungaram Chitenden Navire Tambat
Gangaram Cintamani Tambat
Gangaram Cintaman Navgihe Tambat
Gangaram Chintaman Tambat
Gungaram Tambat
Tambat Gangaram Chintaman, active 1790s
Gangaram Chintaman Tambat, active 1790s
Gangaram Chintaman Tambat, active 1790s
Indian
1740
1840
male
300025103
Artist
300018863
Indian
undated
1790
1799
22
18th century
Watercolor, graphite, and gouache on medium, slightly textured, cream laid paper
300011098
graphite
300070114
gouache
300014184
laid paper
300014184
laid paper
300015045
watercolor
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
752
https://britishart.yale.edu/node/623
300054766
exhibition
Adapting the Eye: an archive of the British in India, 1770-1830
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2011-10-11 - 2011-12-31
2011-10-11
2011-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Organized to complement the Center’s major exhibition on Johan Zoffany, who spent six productive years in India, Adapting the Eye explored the complex and multifaceted networks of British and Indian professional and amateur artists, patrons, and scholars in British India in the later eighteenth and early nineteenth centuries, and their drive to create and organize knowledge for both aesthetic and political purposes. Selected from the Center’s rich holdings, the exhibition included a diverse range of objects from both high art and popular culture, including albums, scrapbooks, prints, paintings, miniatures, and sculpture, demonstrating how collecting practices and artistic patronage in India during that period constituted a complex intersection of culture and power. — —
The starting point and central focus of the exhibition was a remarkable and little-known archive in the Center’s collection assembled by Charles Warre Malet and the British artist James Wales. Warre Malet was the East India Company’s Resident in Pune between 1785 and 1798. He and Wales commissioned over a hundred works on paper by British and Indian artists, which are included in the archive together with extensive manuscript material and vivid sketches of landscape, architectural sites, scenes from everyday life, and diplomatic ceremonial events. An extensive selection of drawings from the archive, complemented by other works from the collections, provided a unique window into central India at a critical historical moment. A pivotal figure in this rich cultural interchange was the highly accomplished Indian draftsman and sculptor Gangaram Tambat, who drew on both indigenous and European artistic conventions; his remarkable hybrid drawings were juxtaposed with works by British artists, including William Hodges, William and Thomas Daniell, Robert Mabon, and James Wales. — —
Credits — —
The curator for the exhibition was Holly Shaffer, Graduate Research Assistant at the Center and PhD candidate in History of Art at Yale, under the supervision of Gillian Forrester, the Center’s Curator of Prints and Drawings.
Yale Center for British Art
17702
10074658
V2359 (YCBA)
1878
300054686
publication event
Holly Shaffer, ^Adapting the eye, An archive of the British in India, 1770-1830 ^, Yale Center for British Art, New Haven, CT, 2011, p. 27, no. 59, V2359 (YCBA)
Yale Center for British Art
Holly Shaffer
ycba_actor_9552
Shaffer Holly
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2011
2011
2011
New Haven, CT
17702
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
ycba_term_2036212
architectural subject
India
7000198
ycba_term_1925121
India
20.0000, 77.0000
Maharashtra
1001895
ycba_term_1926958
Maharashtra
19.5000, 75.0000
Holly Shaffer, Adapting the eye, An archive of the British in India, 1770-1830, Yale Center for British Art, New Haven, CT, 2011, p. 27, no. 59, V2359 (YCBA)
10074658
V2359 (YCBA)
1878
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
17702
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:17702
oai:tms.ycba.yale.edu:17702
https://manifests.collections.yale.edu/v2/ycba/obj/17702
https://manifests.collections.yale.edu/ycba/obj/17702
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art