2024-03-28T11:06:54Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:177472024-03-27ycba:pd
YCBA/lido-TMS-17747
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300033973
drawing
300139140
genre subject
300389974
military art
300033973
Drawing & Watercolor
Retreat Beating at Poona
Beating the retreat
Inscribed in pen and brown ink, upper left; "No. 8"; inscribed on mount in pen and brown ink, lower center: "Retreat beating at Poonah"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.22384
https://www.wikidata.org/wiki/Q110021341
Not on view
Yale Center for British Art
41.3080060, -72.9306282
4 1/8 × 5 1/4 inches (10.5 × 13.3 cm)
height
cm
10.5
width
cm
13.3
Image
5 1/4 × 6 1/4 inches (13.3 × 15.9 cm)
height
cm
13.3
width
cm
15.9
Mount
17747
300054713
production
Robert Mabon, died 1798, British
ycba_actor_1529
http://vocab.getty.edu/ulan/500155911
Robert Mabon
Mabon Robert, died 1798
Robert Mabon, died 1798
Robert Mabon, died 1798
British
1698
1798
male
300025103
Artist
300112172
draftsman (artist)
300237351
portrait painter
300185678
soldier
300111159
British
undated
1791
1798
22
18th century
Watercolor, graphite with pen and black ink on medium, slightly textured, cream laid paper
300011098
graphite
300015012
ink
300015045
watercolor
300022452
pens
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
993
https://britishart.yale.edu/node/450/
300054766
exhibition
Art in Focus : Blue
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
2019-04-05 - 2019-08-11
2019-04-05
2019-08-11
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This exhibition used the color blue to trace a visual and material history of British exploration, trade, and colonialism. Starting from a consideration of Britain’s growing control over maritime trade, this display proceeded to examine how blue was used to depict the landscapes and peoples of the “Orient” in the eighteenth and nineteenth centuries and concluded with a consideration of the postcolonial interventions of Anish Kapoor. --- ---
Credits --- ---
Art in Focus is an annual initiative for members of the Center’s Student Guide Program, providing Yale undergraduates with curatorial experience and an introduction to all aspects of exhibition practice. The student guide curators for Art in Focus: Blue were Merritt Barnwell, SY ’21; Sunnie Liu, JE ’21; Sohum Pal, BR ’20; Jordan Schmolka, SM ’20; and Muriel Wang, TC ’20. In researching and presenting the exhibition, the students were led by Linda Friedlaender, Senior Curator of Education, and Jennifer Reynolds-Kaye, Curator of Education and Academic Outreach. --- ---
This exhibition and the accompanying brochure were generously supported by the Marlene Burston Fund and the Dr. Carolyn M. Kaelin Memorial Fund.
Yale Center for British Art
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
752
https://britishart.yale.edu/node/623
300054766
exhibition
Adapting the Eye: an archive of the British in India, 1770-1830
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2011-10-11 - 2011-12-31
2011-10-11
2011-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Organized to complement the Center’s major exhibition on Johan Zoffany, who spent six productive years in India, Adapting the Eye explored the complex and multifaceted networks of British and Indian professional and amateur artists, patrons, and scholars in British India in the later eighteenth and early nineteenth centuries, and their drive to create and organize knowledge for both aesthetic and political purposes. Selected from the Center’s rich holdings, the exhibition included a diverse range of objects from both high art and popular culture, including albums, scrapbooks, prints, paintings, miniatures, and sculpture, demonstrating how collecting practices and artistic patronage in India during that period constituted a complex intersection of culture and power. — —
The starting point and central focus of the exhibition was a remarkable and little-known archive in the Center’s collection assembled by Charles Warre Malet and the British artist James Wales. Warre Malet was the East India Company’s Resident in Pune between 1785 and 1798. He and Wales commissioned over a hundred works on paper by British and Indian artists, which are included in the archive together with extensive manuscript material and vivid sketches of landscape, architectural sites, scenes from everyday life, and diplomatic ceremonial events. An extensive selection of drawings from the archive, complemented by other works from the collections, provided a unique window into central India at a critical historical moment. A pivotal figure in this rich cultural interchange was the highly accomplished Indian draftsman and sculptor Gangaram Tambat, who drew on both indigenous and European artistic conventions; his remarkable hybrid drawings were juxtaposed with works by British artists, including William Hodges, William and Thomas Daniell, Robert Mabon, and James Wales. — —
Credits — —
The curator for the exhibition was Holly Shaffer, Graduate Research Assistant at the Center and PhD candidate in History of Art at Yale, under the supervision of Gillian Forrester, the Center’s Curator of Prints and Drawings.
Yale Center for British Art
17747
579177
ND 1327 I44 A72 (YCBA)
6016871
1499
300054686
publication event
Mildred Archer, ^India and British Portraiture, 1770-1825^, Sotheby Parke Bernet, London, 1979, pp. 349-50, 510, fig. 254, ND 1327 I44 A72 (YCBA)
Yale Center for British Art
Mildred Archer
ycba_actor_9549
Archer Mildred
300025492
Author
Published by Sotheby Parke Bernet
ycba_actor_8243
Sotheby Parke Bernet
300025574
Publisher
Published by
1979
1979
1979
London
17747
10074658
V2359 (YCBA)
1878
300054686
publication event
Holly Shaffer, ^Adapting the eye, An archive of the British in India, 1770-1830 ^, Yale Center for British Art, New Haven, CT, 2011, p. 32, no. 97, V2359 (YCBA)
Yale Center for British Art
Holly Shaffer
ycba_actor_9552
Shaffer Holly
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2011
2011
2011
New Haven, CT
17747
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
ycba_term_2046827
military art
300139140
ycba_term_2036211
genre subject
300042339
ycba_term_25664
trumpets
300017437
ycba_term_111996
Indians
300004824
ycba_term_19126
huts
300007953
300007953
ycba_term_32112
retreat
India
7000198
ycba_term_1925121
India
20.0000, 77.0000
Maharashtra
1001895
ycba_term_1926958
Maharashtra
19.5000, 75.0000
Pune
7001512
ycba_term_1927336
Pune
18.5660, 73.9660
Bharat
7000198
ycba_term_1925119
Bharat
20.0000, 77.0000
Asia
1000004
ycba_term_1885380
Asia
43.8000, 87.6330
Mildred Archer, India and British Portraiture, 1770-1825, Sotheby Parke Bernet, London, 1979, pp. 349-50, 510, fig. 254, ND 1327 I44 A72 (YCBA)
579177
ND 1327 I44 A72 (YCBA)
6016871
1499
related to
Holly Shaffer, Adapting the eye, An archive of the British in India, 1770-1830, Yale Center for British Art, New Haven, CT, 2011, p. 32, no. 97, V2359 (YCBA)
10074658
V2359 (YCBA)
1878
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
17747
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:17747
oai:tms.ycba.yale.edu:17747
https://manifests.collections.yale.edu/v2/ycba/obj/17747
https://manifests.collections.yale.edu/ycba/obj/17747
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art