2024-03-28T13:02:06Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:183452024-03-27ycba:pd
YCBA/lido-TMS-18345
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300410510
literary theme
300033973
Drawing & Watercolor
Study for The Wedding Feast of Sir Degrevaunt
The Wedding Feast of Sir Degrevant
Inscribed in graphite, verso, lower right: "EDW. C. BURNE-JONES : | Study for the Wedding Feast of Sir Degrevaunt"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1978.35
https://www.wikidata.org/wiki/Q106815714
Not on view
Yale Center for British Art
41.3080060, -72.9306282
15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
height
cm
38.7
width
cm
45.4
Mount
11 11/16 × 14 inches (29.7 × 35.6 cm)
width
cm
35.6
height
cm
29.7
Sheet
18345
300054713
production
Edward Burne-Jones, 1833–1898, British
ycba_actor_267
http://id.loc.gov/authorities/names/n79120945
http://vocab.getty.edu/ulan/500001381
https://n2t.net/ark:/99166/w6rx9h9m
https://viaf.org/viaf/59120251
https://www.wikidata.org/wiki/Q216406
Edward Burne-Jones
Edward Burne-Jones
Edward Coley Burne-Jones
Edward Coley Burne-Jones
Burne-Jones
Edward Coley Burne Jones
Burne-Jones Edward, 1833–1898
Edward Burne-Jones, 1833–1898
Edward Burne-Jones, 1833–1898
7005903
7006072
7018159
7000457
1004508
7008546
7010955
7000874
1000080
7011781
British
1833
1898
male
300025103
Artist
300025123
illustrator
300025190
designer
300025136
painter
300111159
British
undated
1848
1898
24
19th century
Pen and brown ink and graphite on thick, moderately textured, cream wove paper
300011098
graphite
300014187
wove paper
300022452
pen
https://www.wikidata.org/wiki/Q58344150
brown ink
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
726
https://britishart.yale.edu/node/629
300054766
exhibition
Making History - Antiquaries in Britain 1707-2007
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300311675
Borrower
2012-02-02 - 2012-05-27
2012-02-02
2012-05-27
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Making History celebrated the achievement of the Society of Antiquaries of London, Britain’s oldest independent learned society concerned with the study of the past. The Society was established in 1707 with the aim of encouraging the pursuit of “the ingenious and curious” in the field of British antiquities. — —
The exhibition focused on the discovery, recording, preservation, and interpretation of Britain’s past through its material remains, revealing how new discoveries, technologies, and interpretations have transformed our understanding of the history of Britain since the eighteenth century. The Society was founded prior to the existence of national museums, libraries, and galleries, and it was regarded as the main repository in Britain for antiquities and historical objects until the British Museum gradually began to assume the role in the middle of the nineteenth century. Today the collections at Burlington House in London contain antiquities of international importance; the Society also owns Kelmscott Manor in Gloucestershire, the former home of William Morris, leader of the Arts and Crafts movement. — —
The exhibition featured one hundred works selected from the Society’s treasures with fifty additions from the Center’s collections and elsewhere at Yale. It was organized into eight sections: The Discovery of Britain focused on the period before the seventeenth century; The Earliest Antiquaries looked at antiquaries such as William Dugdale, who began to challenge previously held views of Britain’s past; and Founders and Fellows considered the formation of the Society itself. — —
Collecting for Britain was the heart of the exhibition. Highlights included an early copy of the Magna Carta (ca. 1225), a medieval processional cross reportedly recovered from the battlefield of Bosworth (1485), a forty-foot illuminated “roll chronicle” on parchment, and an extraordinary collection of early English royal portraits painted on panel. — —
Lost and Found focused on archaeological excavations of the eighteenth century, while The Art of Recording presented the work of artists such as J. M. W. Turner and Thomas Girtin, who were commissioned to record historic buildings, monuments, and objects. — —
The Society also embarked on several major engraving projects to bring its documentation work to a wider audience. Publishing the Past included the recording of early paintings and magnificent decorations in the medieval Palace of Westminster before it burned down. The exhibition ended with The Rediscovery of the Middle Ages, featuring the art of William Morris and his circle. — —
Credits — —
The exhibition was organized by the Society of Antiquaries of London in association with the Yale Center for British Art and the McMullen Museum of Art, Boston College. It was curated by Elisabeth Fairman, Senior Curator of Rare Books and Manuscripts, Yale Center for British Art, and Nancy Netzer, Professor of Art History and Director of the McMullen Museum, Boston College, in association with Heather Rowland, Head of Library and Collections, and Julia Dudkiewicz, Collections Manager, Society of Antiquaries of London. — —
The accompanying publication, Making History: Antiquaries in Britain, 1707–2007, was available for sale in the Center’s Museum Shop. — —
Venues — —
McMullen Museum of Art, Boston College: — —
September 9, 2011 to December 11, 2011 — —
Yale Center for British Art: February 2 to May 27, 2012 — —
Yale Center for British Art
18345
14553911
NJ18.M847 W55 2018 (LC) Oversize (YCBA)
1050610892
4521
300054686
publication event
Tessa Wild, ^William Morris & his Palace of Art: Architecture, Interiors & Design at Red House^, Philip Wilson Publishers Ltd, London ; New York, p. 134, fig. 4.71, NJ18.M847 W55 2018 (LC) Oversize (YCBA)
Yale Center for British Art
Tessa Wild
ycba_actor_13837
Wild Tessa
300025492
Author
Philip Wilson Publishers Ltd
ycba_actor_8918
Philip Wilson Publishers Ltd
300025574
Publisher
0
0
London ; New York
18345
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1978
1978
1978
300138913
gift
300239500
ycba_term_8513
standing
300250130
ycba_term_2036347
dogs (animals)
300081053
ycba_term_39516
study (visual work)
ycba_term_2036262
sitting
ycba_term_2037043
crowd
300254496
ycba_term_12088
food
0
ycba_term_946668
Medieval
300046159
ycba_term_21371
dresses
ycba_term_2038764
talking
300137564
ycba_term_82707
entertainment
300025943
ycba_term_7002
women
300045627
ycba_term_24545
bottles
ycba_term_2036982
plates
300046106
ycba_term_21535
hats
ycba_term_2046880
literary theme
300043054
ycba_term_24478
chargers
300039548
ycba_term_141372
tables
Sir Degrevant (character in Sir Degrevant)
ycba_term_2044256
Sir Degrevant (character in Sir Degrevant)
Melydor (character in Sir Degrevant)
ycba_term_2044257
Melydor (character in Sir Degrevant)
300152441
300152441
ycba_term_40713
celebration
300069097
300069097
ycba_term_39122
feast
300069158
300069158
ycba_term_39131
wedding
epic
ycba_term_47083
Sir Degrevant (early 15th century), Middle English epic poem
ycba_term_2044261
Tessa Wild, William Morris & his Palace of Art: Architecture, Interiors & Design at Red House, Philip Wilson Publishers Ltd, London ; New York, p. 134, fig. 4.71, NJ18.M847 W55 2018 (LC) Oversize (YCBA)
14553911
NJ18.M847 W55 2018 (LC) Oversize (YCBA)
1050610892
4521
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
18345
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:18345
oai:tms.ycba.yale.edu:18345
https://manifests.collections.yale.edu/v2/ycba/obj/18345
https://manifests.collections.yale.edu/ycba/obj/18345
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art