2024-03-29T12:50:23Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:1862024-03-28ycba:ps
YCBA/lido-TMS-186
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015571
cityscape
300417318
architectural subject
300139140
genre subject
300033618
Painting
Indian Temple, Said to Be the Mosque of Abo-ul-Nabi, Muttra
A View of an Indian Temple said to be the Mosque of Abo-ul-Nabi, Muttra
[1985, Cormack, YCBA Concise Catalogue]
Signed and dated, lower right: "T. DANIELL | 1827"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1974.3.28
https://www.wikidata.org/wiki/Q23736000
Not on view
Yale Center for British Art
41.3080060, -72.9306282
42 1/2 x 56 1/4 inches (108 x 142.9 cm)
height
cm
108.0
width
cm
142.9
51 1/4 × 65 × 4 1/4 inches (130.2 × 165.1 × 10.8 cm)
height
cm
130.2
width
cm
165.1
depth
cm
10.8
Frame
186
300054713
production
Thomas Daniell, 1749–1840, British, active in India
ycba_actor_75
https://n2t.net/ark:/99166/w6xd5gdd
https://www.wikidata.org/wiki/Q708907
https://viaf.org/viaf/71525491
http://id.loc.gov/authorities/names/n50037796
http://vocab.getty.edu/ulan/500028064
Thomas Daniel
Thomas Daniels
Thomas Daniel Esq. R. A.
Thomas Daniell
Daniell, Thomas, 1749-1840
Daniell Thomas, 1749–1840
Thomas Daniell, 1749–1840
Thomas Daniell, 1749–1840
7000208
4012698
7011969
British, active in India
1749
1840
male
300025103
Artist
300025165
engraver (printmaker)
300025136
painter
landscape painter
300249564
aquatinter
300112172
draftsman (artist)
300025164
printmaker
Royal Academician
300111159
British
1827
1822
1832
24
19th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
On the Paths of Illumination. The Myth of India in Western Culture 1857-2017 (Museo d'Arte della Svizzera Italiana, Lugano, 2017-09-24 - 2018-01-21)
938
300054766
exhibition
On the Paths of Illumination. The Myth of India in Western Culture 1857-2017
Yale Center for British Art
Museo d'Arte della Svizzera Italiana, Lugano
ycba_actor_12206
Museo d'Arte della Svizzera Italiana, Lugano
0
0
2017-09-24 - 2018-01-21
2017-09-24
2018-01-21
Museo d'Arte della Svizzera Italiana, Lugano
ycba_actor_12206
Museo d'Arte della Svizzera Italiana, Lugano
Lugano
7007289
Lugano
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
198
https://britishart.yale.edu/node/676
300054766
exhibition
Company Culture
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
2003-09-16 - 2004-01-05
2003-09-16
2004-01-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Writing from late eighteenth-century London, Lord Chatham marveled that “the riches of Asia have been poured in upon us.” Tea, spices, fabrics, and other luxury goods from the Indian subcontinent transformed everyday life in Britain. These were the products of an aggressive and dynamic colonial endeavor spearheaded by “the Grandest Society of Merchants in the universe”—the East India Company. Founded in 1600, this powerful collective of London-based merchants controlled every aspect of British involvement in India until 1813. Although Parliament ended its commercial monopoly on all trade east of the southern tip of Africa in that year, the company continued as the governing bureaucratic and military presence on the subcontinent until 1857. — —
Among the “riches of Asia” exported to Europe were paintings, drawings, and prints produced by the many British artists, draftsmen, surveyors, engineers, and amateurs who traveled to the Indian subcontinent in search of patronage and aesthetic inspiration. Company Culture, organized to complement Traces of India: Photography, Architecture, and the Politics of Representation, examined the role played by visual artists in the late eighteenth and early nineteenth centuries in documenting the East India Company’s extraordinary imperial initiative and formulating the image of the British presence in India. Selected from the Center’s rich collection of paintings, works on paper, and rare books, the exhibition focused on the period from 1770 to 1830. It explored shared themes, such as strategies of representation, imperialism, and the formulation of national identity for British India. — —
Credits — —
Company Culture was organized by the Center and curated by Morna O’Neill, PhD candidate in History of Art, Yale University. — —
Yale Center for British Art
186
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 82-83, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
186
6400439
V 1199 (YCBA)
79457806
1720
300054686
publication event
Morna O'Neill, ^Company Culture:, British Artists and the East India Company 1770-1830: October 16, 2003-January 11, 2004 ^, Yale Center for British Art, New Haven, 2003, no. 35, V 1199 (YCBA)
Yale Center for British Art
Morna O'Neill
ycba_actor_9449
O'Neill Morna
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2003
2003
2003
New Haven
186
13870122
N7305 .O58 2017 (LC) (YCBA)
1015202602
4419
300054686
publication event
Elio Schenini, ^On the Paths of Enlightenment: The Myth of India in Western Culture, 1808-2017^, Skira editore, Milano, Italy, p. 85, cat. 30, N7305 .O58 2017 (LC) (YCBA)
Yale Center for British Art
Elio Schenini
ycba_actor_13454
Schenini Elio
300025526
editor
Skira editore
ycba_actor_7518
Skira editore
300025574
Publisher
0
0
Milano, Italy
186
3298536
N8214.5 I5 B75 1978 (YCBA)
54243358
1905
300054686
publication event
Stuart Cary Welch, ^The British view of India, selected English paintings from the Paul Mellon collection ^, American Federation of Arts, New York, 1978, N8214.5 I5 B75 1978 (YCBA)
Yale Center for British Art
Stuart Cary Welch
ycba_actor_10642
Welch Stuart Cary
300025492
Author
American Federation of Arts
ycba_actor_2780
http://vocab.getty.edu/ulan/500303692
American Federation of Arts
300025574
Publisher
1978
1978
1978
New York
186
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1974
1974
1974
300138913
gift
This mosque is similar in appearance to one in Muttra, in the northwest of India, which Daniell recorded in Oriental Scenery (1795-1807). Published by Thomas and his nephew William, the enormous graphic project Oriental Scenery consisted of forty-four aquatints issued as a series for sale.
--- --- Gallery label for installation of YCBA collection, 2005
186
300048722
Gallery label
2005-08-03
300018863
ycba_term_5809
Indian
300024979
ycba_term_6204
people
9427
ycba_term_2036550
elephants (animals)
300003615
ycba_term_30800
tower (building division)
300003312
ycba_term_15717
steps
300139140
ycba_term_2036211
genre subject
300002230
ycba_term_15959
cupolas
300007535
ycba_term_19034
minarets
300007544
ycba_term_31972
mosque
ycba_term_2036212
architectural subject
300007595
ycba_term_18799
temples
300015571
ycba_term_32654
cityscape
300007595
ycba_term_31985
temple
300004824
ycba_term_19126
huts
India
7000198
ycba_term_1925121
India
20.0000, 77.0000
Muttra
1076200
ycba_term_1928726
Muttra
10.9500, 78.4500
Asia
1000004
ycba_term_1885380
Asia
43.8000, 87.6330
Bharat
7000198
ycba_term_1925119
Bharat
20.0000, 77.0000
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 82-83, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Morna O'Neill, Company Culture:, British Artists and the East India Company 1770-1830: October 16, 2003-January 11, 2004, Yale Center for British Art, New Haven, 2003, no. 35, V 1199 (YCBA)
6400439
V 1199 (YCBA)
79457806
1720
related to
Elio Schenini, On the Paths of Enlightenment: The Myth of India in Western Culture, 1808-2017, Skira editore, Milano, Italy, p. 85, cat. 30, N7305 .O58 2017 (LC) (YCBA)
13870122
N7305 .O58 2017 (LC) (YCBA)
1015202602
4419
related to
Stuart Cary Welch, The British view of India, selected English paintings from the Paul Mellon collection, American Federation of Arts, New York, 1978, N8214.5 I5 B75 1978 (YCBA)
3298536
N8214.5 I5 B75 1978 (YCBA)
54243358
1905
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
186
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:186
oai:tms.ycba.yale.edu:186
https://manifests.collections.yale.edu/v2/ycba/obj/186
https://manifests.collections.yale.edu/ycba/obj/186
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art