2024-03-29T00:13:31Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:196922024-03-27ycba:pd
YCBA/lido-TMS-19692
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300391003
figure study
300033973
Drawing & Watercolor
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
Fowl, Lateral View, Study for Table X of 'A Comparative Anatomical Exposition…'
"1794 J Taylor" on primary support
500303557
Yale Center for British Art
http://britishart.yale.edu
B1980.1.10
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Doherty 10, Page 131
22 1/4 x 16 inches (56.5 x 40.6 cm)
width
cm
40.6
height
cm
56.5
Sheet
19692
300054713
production
George Stubbs, 1724–1806, British
ycba_actor_10
https://n2t.net/ark:/99166/w63r1txr
https://viaf.org/viaf/72187001
https://www.wikidata.org/wiki/Q381728
http://id.loc.gov/authorities/names/n50010543
http://vocab.getty.edu/ulan/500032263
George Stubbs
George Stubs
Stubbs, George, 1724-1806
Stubbs George, 1724–1806
George Stubbs, 1724–1806
George Stubbs, 1724–1806
7011781
1003614
1000080
British
1724
1806
male
300025103
Artist
300025136
painter
300025164
printmaker
300025165
engraver (printmaker)
300112172
draftsman (artist)
Royal Academician
300025807
anatomist
300111159
British
between 1795 and 1806
1795
1806
23
18th century-19th century
Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
300011098
graphite
300014187
wove paper
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)
961
https://britishart.yale.edu/node/444/
300054766
exhibition
William Hunter and the Anatomy of the Modern Museum
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
2019-02-14 - 2019-05-20
2019-02-14
2019-05-20
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
When the Royal Academy of Arts in London was founded in 1768, Dr. William Hunter (1718–1783) became its first professor of anatomy. A physician and obstetrician to royalty, Hunter amassed an extensive collection of objects that ultimately became the foundation for one of the first public museums, The Hunterian in Glasgow, Scotland. The range and diversity of the collection illuminates the artistic, medical, and intellectual pursuits of the Age of Enlightenment. — —
This exhibition features over three hundred objects from Hunter’s original collections, which were donated to the University of Glasgow upon his death. Bridging Hunter’s age with our own, the display also includes works by four contemporary artists—Selva Aparicio, Claire Barclay, Nate Lewis, and Maya Vivas—which provoke social and philosophical questions about the worlds of medicine and anatomical dissection, and about the understanding of the origin of life and the eventuality of death, which lie at the heart of Hunter’s researches into human pregnancy. The exhibition thus contemplates how objects of different kinds, perspectives on the body, and museums themselves have mediated, and continue to mediate, our understanding of one another and the world in which we live. — —
Hunter envisioned his collection to be used as a source of knowledge and instruction, encompassing outstanding paintings and works on paper, coins and medals, minerals and fossils, anatomical and zoological specimens, ethnographic material, shells, insects, medieval European and Eastern manuscripts, and rare books, along with one of the most important “working” libraries of eighteenth-century London, with publications by friends and contemporaries such as David Hume and Adam Smith. — —
Every piece of Hunter’s collection informed investigations into the nature of creation, helping to shape the scientific and artistic endeavors that would give rise to the structures of much of the modern world. Hunter’s investigations call to mind the cycle of life; they seek to understand the history of civilization (from an eighteenth-century perspective), and they focus at their heart on the nature and origins of life itself. At the same time, scrutiny of the collection reveals the socioeconomic inequalities and the colonialist, imperialist, and patriarchal imperatives of Hunter’s day, which were inextricable from the making of the museum. --- ---
Credits — —
William Hunter and the Anatomy of the Modern Museum has been a collaboration between The Hunterian at the University of Glasgow and the Center. The exhibition was first on display at The Hunterian from September 27, 2018, to January 6, 2019. The guest curator has been Mungo Campbell, Deputy Director of The Hunterian; and the organizing curator at the Center has been Nathan Flis, Head of Exhibitions and Publications, and Assistant Curator of Seventeenth-Century Paintings. They have been assisted by María Dolores Sánchez-Jáuregui, William Hunter Tercentenary Curator at The Hunterian.
Yale Center for British Art
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
757
300054766
exhibition
Connections
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
2011-05-26 - 2011-09-11
2011-05-26
2011-09-11
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment (Hall & Knight Ltd., 2000-01-20 - 2000-02-28)
69
300054766
exhibition
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment
Yale Center for British Art
Hall & Knight Ltd.
ycba_actor_1466
Hall & Knight Ltd.
Sheri Lawson Registrar(NY)
Nicholas H. J. Hall
Richard Knight
0
0
300311675
Borrower
2000-01-20 - 2000-02-28
2000-01-20
2000-02-28
Hall & Knight Ltd.
ycba_actor_1466
Hall & Knight Ltd.
Manhattan Island
7022657
Manhattan Island
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
34
https://britishart.yale.edu/node/705
300054766
exhibition
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
66
Lender
300311675
Borrower
63
Organizer
1999-04-30 - 1999-09-05
1999-04-30
1999-09-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Paul Mellon collected George Stubbs with a passion and an instinctual feel for his qualities. The very first painting Mellon ever purchased was Stubbs’s Pumpkin with a Stable-Lad (1774). He also collected Stubbs comprehensively, even systematically, acquiring drawings, prints, enamels, and Stubbs’s only publication, The Anatomy of the Horse. There is a range and a depth to this collection that no other public or private collection can rival. — —
The Center published a handsome, fully-illustrated book to accompany this exhibition. Designed by Greer Allen and Julie Lavorgna, it has an introductory essay by Malcolm Cormack, Paul Mellon Curator at the Virginia Museum of Fine Arts, and contributions by the curatorial staff of the Center. The book formed part of the Center’s tribute to its munificent founder and brought together for the first time the most remarkable and comprehensive collection of George Stubbs ever created. — —
Venues — —
Yale Center for British Art: April 30–September 1, 1999 — —
Virginia Museum of Fine Art: February 14–May 15, 2000
Yale Center for British Art
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06)
354
300054766
exhibition
George Stubbs (1724-1806) Tate Gallery
Yale Center for British Art
Tate Britain
ycba_actor_1284
https://viaf.org/viaf/155600523
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
http://id.loc.gov/authorities/names/n80046785
Tate Britain
The Board of Trustees of the Tate Gallery
0
0
300311675
Borrower
1984-10-17 - 1985-01-06
1984-10-17
1985-01-06
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07)
354
300054766
exhibition
George Stubbs (1724-1806) Tate Gallery
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
66
Lender
1985-02-13 - 1985-04-07
1985-02-13
1985-04-07
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
19692
582269
NJ18 St915 E43 (YCBA) +
123177144
671
300054686
publication event
Judy Egerton, ^George Stubbs, 1724-1806, [exhibition] Tate Gallery. ^, Tate Publishing, London, 1984, pp. 211-2, no. 162, NJ18 St915 E43 (YCBA) +
Yale Center for British Art
Judy Egerton
ycba_actor_6018
Egerton Judy
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
1984
1984
1984
London
19692
16729982
V2961 (YCBA)
62335892
5416
300054686
publication event
Ozias Humphry, ^A memoir of George Stubbs^, London, 2005, p.69, V2961 (YCBA)
Yale Center for British Art
Ozias Humphry, 1742–1810, British, active in Italy (1773–77) and India (1785–87)
ycba_actor_2086
http://id.loc.gov/authorities/names/n92073421
http://vocab.getty.edu/ulan/500002209
https://n2t.net/ark:/99166/w69k4w9s
https://viaf.org/viaf/18878493
https://www.wikidata.org/wiki/Q1413495
Humphry Ozias
300025492
Author
Joseph Mayer
ycba_actor_13292
Mayer Joseph
300025492
Author
Anthony Mould
ycba_actor_14103
Mould Anthony
300025492
Author
2005
2005
2005
London
19692
468310
NC1 M37 (YCBA)
01608040
1820
300054686
publication event
Patrick Noon, ^A Princely Amateur, Paul Mellon and his Collection of British Drawings ^, Master Drawings, vol. 38, no. 3, Master Drawings Association, Inc., Fall, 2000, pp. 339-40, fig. 1, NC1 M37 (YCBA) Another copy available as item VF 2329
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Master Drawings Association, Inc.
ycba_actor_9736
Master Drawings Association, Inc.
300025574
Publisher
Fall, 2000
2000
2000
19692
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1980-02-01
1980-02-01
1980-02-01
300138913
gift
300310287
ycba_term_2054435
Fowls
300010289
ycba_term_1356
side
300054465
ycba_term_7709
anatomy
300011809
ycba_term_134135
feathers
300189808
ycba_term_2036237
figure study
212
ycba_term_2036525
bird
ycba_term_2046839
anatomical study
Judy Egerton, George Stubbs, 1724-1806, [exhibition] Tate Gallery., Tate Publishing, London, 1984, pp. 211-2, no. 162, NJ18 St915 E43 (YCBA) +
582269
NJ18 St915 E43 (YCBA) +
123177144
671
related to
Ozias Humphry, A memoir of George Stubbs, London, 2005, p.69, V2961 (YCBA)
16729982
V2961 (YCBA)
62335892
5416
related to
Patrick Noon, A Princely Amateur, Paul Mellon and his Collection of British Drawings, Master Drawings, vol. 38, no. 3, Master Drawings Association, Inc., Fall, 2000, pp. 339-40, fig. 1, NC1 M37 (YCBA) Another copy available as item VF 2329
468310
NC1 M37 (YCBA)
01608040
1820
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
19692
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:19692
oai:tms.ycba.yale.edu:19692
https://manifests.collections.yale.edu/v2/ycba/obj/19692
https://manifests.collections.yale.edu/ycba/obj/19692
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art