2024-03-28T23:52:18Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:201042024-03-27ycba:pd
YCBA/lido-TMS-20104
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300015571
cityscape
300417318
architectural subject
300041273
Print
View of the Gate of St. Denis Taken from the Suburbs.
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
Vue de la Porte de St. Denis Prise du Faubourg
Lettered, below left: "Drawn & Etch'd by Tho's. Girtin. | View of the Gate of St. Denis | taken from the Suburbs. | Suscr. Print."; below right: "Aquatinted by F.C. Lewis. " Vue de la Porte St. Denis | Prise du Faubourg"; below center: "London: Pub'd. 1803 by Jon. Girtin, No. 330, Oxford Street."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.2601
https://www.wikidata.org/wiki/Q106837468
Not on view
Yale Center for British Art
41.3080060, -72.9306282
15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
height
cm
39.7
width
cm
62.2
Sheet
11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
height
cm
29.8
width
cm
56.5
Plate
9 × 19 1/4 inches (22.9 × 48.9 cm)
height
cm
22.9
width
cm
48.9
Image
20104
300054713
production
Print made by Thomas Girtin, 1775–1802, British
ycba_actor_254
http://viaf.org/viaf/39651268
http://d-nb.info/gnd/102481997
http://vocab.getty.edu/ulan/500009169
http://id.loc.gov/authorities/names/n85306897
http://en.wikipedia.org/wiki/Thomas_Girtin
http://www.idref.fr/058660267/id
http://isni-url.oclc.nl/isni/0000000083430751
https://www.wikidata.org/wiki/Q714243
Thomas Girton
Thomas Girtin
Girtin Thomas, 1775–1802
Thomas Girtin, 1775–1802
Print made by Thomas Girtin, 1775–1802
7012017
1030157
7012077
7011326
7012017
4004816
7012032
7002443
7010027
1030157
7012077
7011326
7010027
4004816
7011961
7002443
7011961
7011786
7012032
7008165
7011786
7008165
7011995
7011995
7008038
7008038
7010052
7010052
7011781
7011781
7008171
7008171
British
1775
1802
male
300025103
Artist
300025136
painter
300025164
printmaker
300112172
draftsman (artist)
300025157
watercolorist
Print made by
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
ycba_actor_1997
https://n2t.net/ark:/99166/w65f042d
http://vocab.getty.edu/ulan/500029664
https://viaf.org/viaf/56875391
http://id.loc.gov/authorities/names/no99022190
https://www.wikidata.org/wiki/Q3087098
Frederick Christian Lewis the Elder
Lewis Frederick Christian the Elder, 1779–1856
Frederick Christian Lewis the Elder, 1779–1856
Print made by Frederick Christian Lewis the Elder, 1779–1856
British
1779
1856
male
300025103
Artist
Print made by
after Thomas Girtin, 1775–1802, British
ycba_actor_254
http://viaf.org/viaf/39651268
http://d-nb.info/gnd/102481997
http://vocab.getty.edu/ulan/500009169
http://id.loc.gov/authorities/names/n85306897
http://en.wikipedia.org/wiki/Thomas_Girtin
http://www.idref.fr/058660267/id
http://isni-url.oclc.nl/isni/0000000083430751
https://www.wikidata.org/wiki/Q714243
Thomas Girton
Thomas Girtin
Girtin Thomas, 1775–1802
Thomas Girtin, 1775–1802
after Thomas Girtin, 1775–1802
7012017
1030157
7012077
7011326
7012017
4004816
7012032
7002443
7010027
1030157
7012077
7011326
7010027
4004816
7011961
7002443
7011961
7011786
7012032
7008165
7011786
7008165
7011995
7011995
7008038
7008038
7010052
7010052
7011781
7011781
7008171
7008171
British
1775
1802
male
300025103
Artist
300025136
painter
300025164
printmaker
300112172
draftsman (artist)
300025157
watercolorist
after
300111159
British
1803
1803
1803
24
19th century
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
300053242
aquatint
300053241
etching (printing process)
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
20104
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
Porte Saint-Denis
ycba_term_2036608
Porte Saint-Denis
Seine-Saint-Denis
7002989
ycba_term_1825525
Seine-Saint-Denis
48.9160, 2.5830
Saint-Denis
7009706
ycba_term_1825569
Saint-Denis
48.9500, 2.3830
France
1000070
ycba_term_1821421
France
46.0000, 2.0000
Île-de-France
7002883
ycba_term_1824978
Île-de-France
49.0000, 2.4160
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
20104
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:20104
oai:tms.ycba.yale.edu:20104
https://manifests.collections.yale.edu/v2/ycba/obj/20104
https://manifests.collections.yale.edu/ycba/obj/20104
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art