2024-03-29T12:47:03Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:20192024-03-28ycba:pd
YCBA/lido-TMS-2019
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300139140
genre subject
300033973
drawing
300417318
architectural subject
300033973
Drawing & Watercolor
The Summer Room in the Artist's House at Patna
The Summer Room in the Artist's House at Patna, September 11, 1824
Inscribed on verso in pen and brown ink, center: "For Mrs. Snow | Langton | near Blandford |drawn by her affe. Brother".
Signed and dated on verso in pen and brown ink, center: "C D'Oyly | Patna | 11th Sept 1824"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1986.29.378
https://www.wikidata.org/wiki/Q110028779
Not on view
Yale Center for British Art
41.3080060, -72.9306282
7 × 13 1/2 inches (17.8 × 34.3 cm)
width
cm
34.3
height
cm
17.8
Sheet
9 7/8 × 16 7/16 inches (25.1 × 41.8 cm)
height
cm
25.1
width
cm
41.8
Mount
2019
300054713
production
Sir Charles D'Oyly, 1781–1845, British, active in India
ycba_actor_330
https://www.wikidata.org/wiki/Q7526198
http://vocab.getty.edu/ulan/500001007
http://id.loc.gov/authorities/names/n89260660
https://viaf.org/viaf/7739292
Charles D'Oyly
Charles D'Oyly
D'Oyly
D'Oyly, Charles, 1781-1845
Sir Charles D'Oyly
The Behar Amateur Lithographic Press
D'Oyly Charles Sir, 1781–1845
Sir Charles D'Oyly, 1781–1845
Sir Charles D'Oyly, 1781–1845
1076286
7006074
7000198
British, active in India
1781
1845
male
300025103
Artist
300025157
watercolorist
300025427
administrator
300112172
draftsman (artist)
300025136
painter
300111159
British
1824
1824
1824
24
19th century
Watercolor and graphite on medium, slightly textured, cream wove paper
300011098
graphite
300014187
wove paper
300015045
watercolor
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
752
https://britishart.yale.edu/node/623
300054766
exhibition
Adapting the Eye: an archive of the British in India, 1770-1830
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2011-10-11 - 2011-12-31
2011-10-11
2011-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Organized to complement the Center’s major exhibition on Johan Zoffany, who spent six productive years in India, Adapting the Eye explored the complex and multifaceted networks of British and Indian professional and amateur artists, patrons, and scholars in British India in the later eighteenth and early nineteenth centuries, and their drive to create and organize knowledge for both aesthetic and political purposes. Selected from the Center’s rich holdings, the exhibition included a diverse range of objects from both high art and popular culture, including albums, scrapbooks, prints, paintings, miniatures, and sculpture, demonstrating how collecting practices and artistic patronage in India during that period constituted a complex intersection of culture and power. — —
The starting point and central focus of the exhibition was a remarkable and little-known archive in the Center’s collection assembled by Charles Warre Malet and the British artist James Wales. Warre Malet was the East India Company’s Resident in Pune between 1785 and 1798. He and Wales commissioned over a hundred works on paper by British and Indian artists, which are included in the archive together with extensive manuscript material and vivid sketches of landscape, architectural sites, scenes from everyday life, and diplomatic ceremonial events. An extensive selection of drawings from the archive, complemented by other works from the collections, provided a unique window into central India at a critical historical moment. A pivotal figure in this rich cultural interchange was the highly accomplished Indian draftsman and sculptor Gangaram Tambat, who drew on both indigenous and European artistic conventions; his remarkable hybrid drawings were juxtaposed with works by British artists, including William Hodges, William and Thomas Daniell, Robert Mabon, and James Wales. — —
Credits — —
The curator for the exhibition was Holly Shaffer, Graduate Research Assistant at the Center and PhD candidate in History of Art at Yale, under the supervision of Gillian Forrester, the Center’s Curator of Prints and Drawings.
Yale Center for British Art
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
2019
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 16, 19, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
2019
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 49], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
2019
10074658
V2359 (YCBA)
1878
300054686
publication event
Holly Shaffer, ^Adapting the eye, An archive of the British in India, 1770-1830 ^, Yale Center for British Art, New Haven, CT, 2011, p. 32, no. 95, V2359 (YCBA)
Yale Center for British Art
Holly Shaffer
ycba_actor_9552
Shaffer Holly
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2011
2011
2011
New Haven, CT
2019
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1986
1986
1986
300138913
gift
300380156
ycba_term_2036742
smoking (activity)
ycba_term_2036827
furniture
300025945
ycba_term_35298
child
ycba_term_2036212
architectural subject
300033618
ycba_term_27226
paintings
300042909
ycba_term_115481
piano
300139140
ycba_term_2036211
genre subject
300259151
ycba_term_47601
hookah
300028051
ycba_term_28356
books
300042114
ycba_term_115322
lyre
300037622
ycba_term_36715
chandelier
300054146
ycba_term_7534
music
300185749
ycba_term_41839
rug
300189814
ycba_term_19609
frames (furnishings)
300248178
ycba_term_8507
reading
300010279
ycba_term_1367
interior
300068986
ycba_term_39104
fire
300138173
ycba_term_1008
leisure
300052267
ycba_term_38236
fireplace
India
7000198
ycba_term_1925121
India
20.0000, 77.0000
Patna
7001575
ycba_term_1925915
Patna
25.6160, 85.2000
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 16, 19, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 49], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
Holly Shaffer, Adapting the eye, An archive of the British in India, 1770-1830, Yale Center for British Art, New Haven, CT, 2011, p. 32, no. 95, V2359 (YCBA)
10074658
V2359 (YCBA)
1878
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
2019
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:2019
oai:tms.ycba.yale.edu:2019
https://manifests.collections.yale.edu/v2/ycba/obj/2019
https://manifests.collections.yale.edu/ycba/obj/2019
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art