2024-03-29T08:42:49Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:23072024-03-28ycba:pd
YCBA/lido-TMS-2307
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300410510
literary theme
300041338
intaglio print
300078925
watercolor
300033973
drawing
300041273
Print
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
The Complaint and The Consolation; or, Night Thoughts, by Edward Young
500303557
Yale Center for British Art
http://britishart.yale.edu
B1978.43.1384
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Bentley 515: Copy Q
16 3/4 inches (42.5 cm)
height
cm
42.5
Spine
16 1/2 x 12 7/8 inches (41.9 x 32.7 cm)
width
cm
32.7
height
cm
41.9
Sheet
16 1/4 x 12 7/8 inches (41.3 x 32.7 cm)
height
cm
41.3
width
cm
32.7
Plate
2307
300054713
production
Print made by William Blake, 1757–1827, British
ycba_actor_248
http://d-nb.info/gnd/118511513
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX853571
http://libris.kb.se/resource/auth/178705
http://isni-url.oclc.nl/isni/000000012096135X
http://en.wikipedia.org/wiki/William_Blake
https://www.wikidata.org/wiki/Q41513
http://id.ndl.go.jp/auth/ndlna/00433456
http://viaf.org/viaf/54144439
http://id.loc.gov/authorities/names/n78095331
http://vocab.getty.edu/ulan/500012489
http://www.idref.fr/026730626/id
https://n2t.net/ark:/99166/w6h132g2
Uil'iam Bleik
William Blake
Blake, William, 1757-1827
Blake William, 1757–1827
William Blake, 1757–1827
Print made by William Blake, 1757–1827
7011413
7011781
7011781
British
1757
1827
male
300025103
Artist
300025513
poet
300025123
illustrator
300025492
writer
300025569
philosopher
300025164
printmaker
300025165
engraver (printmaker)
300025136
painter
300025157
watercolorist
300112172
draftsman (artist)
Print made by
300111159
British
ca. 1797
1792
1802
22
18th century
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
300053231
line engraving
300053241
etching (printing process)
300014187
wove paper
300015045
watercolor
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
182
https://britishart.yale.edu/node/681
https://britishart.yale.edu/node/681
300054766
exhibition
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-01-23 - 2003-06-01
2003-01-23
2003-06-01
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Continuing the comprehensive exploration of British Romantic printmaking begun with The Romantic Landscape Print (September 25–December 29, 2002), this exhibition was selected from the Center’s collections to complement Romantics & Revolutionaries. The exhibition focused on portrait, subject, and narrative prints, investigating themes such as the cult of the hero in the Romantic period, the relationship between literature and the visual arts, and the depiction of contemporary historical events, such as the American and French Revolutions, and the Napoleonic Wars. Among the artists featured were Benjamin West, Henry Fuseli, and J. M. W. Turner, the great visionary artist-engravers William Blake and John Martin, and the subversive twenty-first century heirs of Romanticism, Jake and Dinos Chapman. Special emphasis was placed on techniques and processes. — —
Credits — —
The exhibition was organized by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
2307
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1978
1978
1978
300138913
gift
300025617
ycba_term_6660
shepherds
300189568
ycba_term_27168
nudes
300053845
ycba_term_131795
floating
300025943
ycba_term_7002
women
300203454
ycba_term_137665
crooks
ycba_term_2036684
sleeping
300025928
ycba_term_7001
men
ycba_term_2046880
literary theme
300250130
ycba_term_2036347
dogs (animals)
9531221
ycba_term_2036783
sheep
300040394
ycba_term_136543
ears
300198822
ycba_term_24580
vials
300250810
ycba_term_16788
text
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
2307
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:2307
oai:tms.ycba.yale.edu:2307
https://manifests.collections.yale.edu/v2/ycba/obj/2307
https://manifests.collections.yale.edu/ycba/obj/2307
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art