2024-03-29T12:43:19Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:234402024-03-28ycba:pd
YCBA/lido-TMS-23440
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300139140
genre subject
300041273
Print
New Mackrel, New Mackrel
The Cries of London, plate 5
The Cries of London
Maquereux. Maquereux frais et Gros
Inscribed on verso in graphite, center top: "6"; lower left "12926 13" | encircled "10"
Lettered below image, lower left: "Painted by F. Wheatley R.A."; lower right: "Engraved by N. Schiavonetti Junr."; lower center" "CRIES | of | LONDON | Plate 5th | "New Mackerel, New Mackerel | Maquereux. Maquereux frais et Gros | London pub'd.as the Act Directs. Jan. 1, 1795 by Colnaghi & Co. No. 132 Pall Mall."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1974.12.6
https://www.wikidata.org/wiki/Q110185391
Not on view
Yale Center for British Art
41.3080060, -72.9306282
17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
height
cm
43.5
width
cm
34.3
Sheet
16 1/2 × 12 3/4 inches (41.9 × 32.4 cm)
height
cm
41.9
width
cm
32.4
Plate
13 7/8 × 10 7/8 inches (35.2 × 27.6 cm)
height
cm
35.2
width
cm
27.6
Image
23440
300054713
production
Print made by Niccoló Schiavonetti, 1771–1813, Italian
ycba_actor_3425
http://vocab.getty.edu/ulan/500354001
https://www.wikidata.org/wiki/Q18530478
https://viaf.org/viaf/10117381
http://id.loc.gov/authorities/names/nr2005009592
http://www.oxforddnb.com/view/article/24807/24808?back=,24807
Niccoló Schiavonetti
Schiavonetti Niccoló, 1771–1813
Niccoló Schiavonetti, 1771–1813
Print made by Niccoló Schiavonetti, 1771–1813
Italian
1771
1813
male
300025103
Artist
300025165
engraver (printmaker)
300025164
printmaker
Print made by
after Francis Wheatley, 1747–1801, British
ycba_actor_40
http://www.idref.fr/157054691/id
http://en.wikipedia.org/wiki/Francis_Wheatley_(painter)
http://id.loc.gov/authorities/names/n85161126
http://isni-url.oclc.nl/isni/0000000066827060
http://d-nb.info/gnd/122390555
https://www.wikidata.org/wiki/Q5482749
http://vocab.getty.edu/ulan/500017459
http://viaf.org/viaf/50107566
https://n2t.net/ark:/99166/w6wj5f0p
F. Wheatley R. A.
Francis Whately
Francis Wheatly
F. Wheatley Esq., R. A.
Francis Wheatley
Wheatley, Francis, 1747-1801
Wheatley Francis, 1747–1801
Francis Wheatley, 1747–1801
after Francis Wheatley, 1747–1801
1000078
7011781
7011781
British
1747
1801
male
300025103
Artist
Royal Academician
300112172
draftsman (artist)
300025136
painter (artist)
after
Published by Colnaghi, established 1760, active ca. 1785–1911, Italian, active in Britain
ycba_actor_6815
https://www.wikidata.org/wiki/Q19899797
https://viaf.org/viaf/154766517
http://id.loc.gov/authorities/names/n80139197
Colnaghi
P. & D. Colnaghi
Paul Colnaghi
Paolo Colnaghi
Colnaghi & Co.
Molteno, Colnaghi & Co.
Colnaghi and Co., Ltd.
Dominic Colnaghi & Co
Colnaghi & Son
Colnaghi & Sons
Paul Colnaghi and Son
Paul Colnaghi Son & Co
P & D Colnaghi
P. & D. Colnaghi & Co.
Colnaghi & Company
Colnaghi Senr. Dominic Colnaghi & Co.
Dominic Colnaghi, Son & Co
Colnaghi Son & Co.
Colnaghi & Triphook
Colnaghi & Obach
Colnaghi, Scott & Co
Colnaghi & Scott
Paul and Dominic Colnaghi & Co
Jean-Luc Baroni
Colnaghi Drawings
Martin Colnaghi
M. Colnaghi
Colnaghi, Martin Henry
Colnaghi, established 1760, active ca. 1785–1911
Colnaghi, established 1760, active ca. 1785–1911
Published by Colnaghi, established 1760, active ca. 1785–1911
7011781
7011781
Italian, active in Britain
1760
1911
300025103
Artist
300025236
art dealers
300025574
publisher
Published by
300111159
British
1795
1795
1795
22
18th century
Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
300133555
hand coloring
300053239
stipple engraving
300053242
aquatint
300053329
color printing
300053241
etching (printing process)
300053241
etching (printing process)
300015045
watercolor
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
240
https://britishart.yale.edu/node/666
300054766
exhibition
Francis Wheatley
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2005-08-31 - 2006-02-05
2005-08-31
2006-02-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Francis Wheatley (1747–1801) inhabited myriad artistic and social worlds: Georgian London and rural Ireland, the high life of his wealthy clients and the marginal world of the theater, the Royal Academy and the print shop. His artistic output was equally broad, encompassing printmaking, portraiture, genre painting, and history painting. — —
The first section of the exhibition explored The Oliver and Ward Families and The Browne Family, looking at how Wheatley responded to his clients’ needs by portraying middle-class merchants and bankers in the trappings of country gentlemen. His four years in Ireland comprised the second part of the exhibition. During this period of artistic freedom, Wheatley abandoned his focus on studio portraiture and created some of his most important works. Sketching and painting watercolors out-of-doors, he focused his attention on the peasants and rural poor living outside of Dublin, and in the process gathered material that would serve him for the rest of his career. Returning to London in 1783, Wheatley began to create paintings for the reproductive print market and consequently expanded his subject matter to include contemporary events and historical and literary scenes. Wheatley’s depictions of peasant life were tinged with morality and eroticism in equal measure, and they were immensely popular with the print-buying public. His greatest success in the print market was his series The Cries of London, and the exhibition ended with a comprehensive display of those works. — —
Credits — —
The Worlds of Francis Wheatley was organized by the Center and highlighted its rich holdings of Wheatley’s work in all genres and media. Featuring Wheatley’s oil paintings, his evocative and delicate watercolors and drawings, and prints after his work, the exhibition was curated by Angus Trumble, Curator of Paintings and Sculpture; and A. Cassandra Albinson, Assistant Curator of Paintings and Sculpture at the Center. It was organized to complement Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door.” — —
Yale Center for British Art
23440
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1974
1974
1974
300138913
gift
300139140
ycba_term_2036211
genre subject
300189808
ycba_term_2036237
figure study
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
23440
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:23440
oai:tms.ycba.yale.edu:23440
https://manifests.collections.yale.edu/v2/ycba/obj/23440
https://manifests.collections.yale.edu/ycba/obj/23440
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art