2024-03-19T07:22:02Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:306142024-03-18ycba:pd
YCBA/lido-TMS-30614
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300015636
landscape
300041273
Print
Ben Arthur, Scotland
Liber Studiorum
Inscribed in graphite, lower left: "69. I"; inscribed on verso in graphite, lower left: "69. I."; lower center: "Cotswold Gallery 1924, ex. G.E.Blood"
Collector’s mark: G. E. Blood (Lugt 265c)
Lettered above image: "M"; below image: "Drawn. & Etched by I.M.W. Turner Esq. R.A.P.P. | Engraved by T. Lupton | BEN ARTHUR. SCOTLAND | London. Pub. Jan.1. 1819. by I.M.W. Turner, Queen Anne Str West"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.8189
https://www.wikidata.org/wiki/Q110131309
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Finberg 69
11 × 16 1/4 inches (27.9 × 41.3 cm)
width
cm
41.3
height
cm
27.9
Sheet
8 1/4 × 11 3/8 inches (21 × 28.9 cm)
height
cm
21.0
width
cm
28.9
Plate
7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
height
cm
18.1
width
cm
26.7
Image
30614
300054713
production
Etched by Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://en.wikipedia.org/wiki/J._M._W._Turner
http://viaf.org/viaf/100900492
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://d-nb.info/gnd/11862475X
http://id.loc.gov/authorities/names/n79060712
http://www.idref.fr/027332446/id
http://isni-url.oclc.nl/isni/0000000121454990
http://vocab.getty.edu/ulan/500026846
http://id.ndl.go.jp/auth/ndlna/00459271
http://libris.kb.se/resource/auth/277878
https://n2t.net/ark:/99166/w6057d6v
http://www.oxforddnb.com/index/27/101027854/
https://www.wikidata.org/wiki/Q159758
JMW Turner
J. M. W. Turner R. A.
Joseph Mallord William Turner
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
Etched by Joseph Mallord William Turner, 1775–1851
4012680
7011781
4012680
7011781
British
1775
1851
male
300025103
Artist
300236992
landscapist
300025157
watercolorist
300112172
draftsman (artist)
300025136
painter (artist)
Etched by
Engraved by Thomas Goff Lupton, 1791–1873, British
ycba_actor_2356
http://id.loc.gov/authorities/names/n87916358
http://vocab.getty.edu/ulan/500008469
https://n2t.net/ark:/99166/w6q24kb2
https://www.wikidata.org/wiki/Q7790086
https://viaf.org/viaf/1542294
Thomas Goff Lupton
Lupton Thomas Goff, 1791–1873
Thomas Goff Lupton, 1791–1873
Engraved by Thomas Goff Lupton, 1791–1873
British
1791
1873
male
300025103
Artist
Engraved by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://en.wikipedia.org/wiki/J._M._W._Turner
http://viaf.org/viaf/100900492
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://d-nb.info/gnd/11862475X
http://id.loc.gov/authorities/names/n79060712
http://www.idref.fr/027332446/id
http://isni-url.oclc.nl/isni/0000000121454990
http://vocab.getty.edu/ulan/500026846
http://id.ndl.go.jp/auth/ndlna/00459271
http://libris.kb.se/resource/auth/277878
https://n2t.net/ark:/99166/w6057d6v
http://www.oxforddnb.com/index/27/101027854/
https://www.wikidata.org/wiki/Q159758
JMW Turner
J. M. W. Turner R. A.
Joseph Mallord William Turner
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
4012680
7011781
British
1775
1851
male
300025103
Artist
300236992
landscapist
300025157
watercolorist
300112172
draftsman (artist)
300025136
painter (artist)
after
300111159
British
1819
1819
1819
24
19th century
Etching and mezzotint, printed in brown ink,
First published state on medium, slightly textured, cream laid paper
300053233
mezzotint
300053241
etching (printing process)
300014184
laid paper
https://www.wikidata.org/wiki/Q58344150
brown ink
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
576
300054766
exhibition
Translations - Turner and Printmaking
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
63
Organizer
1993-09-29 - 1993-12-05
1993-09-29
1993-12-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
640
300054766
exhibition
Fairest Isle - The Appreciation of British Scenery 1750-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
63
Organizer
1989-04-12 - 1989-06-25
1989-04-12
1989-06-25
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
66
Lender
1981-02-11 - 1981-04-19
1981-02-11
1981-04-19
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
British Museum
ycba_actor_2666
http://vocab.getty.edu/ulan/500125180
http://www.wikidata.org/entity/Q6373
https://viaf.org/viaf/134857252
https://n2t.net/ark:/99166/w60w2228
http://id.loc.gov/authorities/names/n79107735
The British Museum
BM
British Museum
British Museum
1753
0
1981-05-15 - 1981-09-20
1981-05-15
1981-09-20
British Museum
ycba_actor_2666
http://id.loc.gov/authorities/names/n79107735
http://vocab.getty.edu/ulan/500125180
http://www.wikidata.org/entity/Q6373
https://n2t.net/ark:/99166/w60w2228
https://viaf.org/viaf/134857252
British Museum
London
7011781
London
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
Art Gallery of Ontario
ycba_actor_2772
http://vocab.getty.edu/ulan/500245617
http://www.wikidata.org/entity/Q670250
https://viaf.org/viaf/151879312
http://id.loc.gov/authorities/names/n81063191
Art Gallery of Ontario
Art Gallery of Ontario
0
0
300311675
Borrower
1980-11-01 - 1981-01-04
1980-11-01
1981-01-04
Art Gallery of Ontario
ycba_actor_2772
http://id.loc.gov/authorities/names/n81063191
http://vocab.getty.edu/ulan/500245617
http://www.wikidata.org/entity/Q670250
https://viaf.org/viaf/151879312
Art Gallery of Ontario
Toronto
7013284
Toronto
30614
14545802
NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
1089484724
4464
300054686
publication event
Timothy J. Barringer, ^Unto this last : two hundred years of John Ruskin^, Yale University Press, New Haven, CT, p. 187, fig. 93, NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
0
0
New Haven, CT
30614
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
300054686
publication event
Eric M. Lee, ^Translations : Turner and printmaking^, Yale Center for British Art, New Haven, 1993, p. 16, no. 30, NJ18 .T85 L44 1993 (YCBA)
Yale Center for British Art
Eric M. Lee
ycba_actor_14831
Lee Eric M.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1993
1993
1993
New Haven
30614
818773
ND1354.4 F35 (YCBA)
20634286
372
300054686
publication event
Duncan Robinson, ^Fairest isle : the appreciation of British scenery, 1750-1850, ^, Yale Center for British Art, New Haven, 1989, p. 19, no. 153, ND1354.4 F35 (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1989
1989
1989
New Haven
30614
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Timothy J. Barringer, Unto this last : two hundred years of John Ruskin, Yale University Press, New Haven, CT, p. 187, fig. 93, NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
14545802
NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
1089484724
4464
related to
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 16, no. 30, NJ18 .T85 L44 1993 (YCBA)
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
related to
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 19, no. 153, ND1354.4 F35 (YCBA)
818773
ND1354.4 F35 (YCBA)
20634286
372
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
30614
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:30614
oai:tms.ycba.yale.edu:30614
https://manifests.collections.yale.edu/v2/ycba/obj/30614
https://manifests.collections.yale.edu/ycba/obj/30614
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art