2024-03-29T06:51:34Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:308412024-03-28ycba:pd
YCBA/lido-TMS-30841
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300015636
landscape
300041338
intaglio print
300041273
Print
Cader Idris
Liber Studiorum, 1838
Cader Idris, North Wales
Cadair Idris
Inscribed in graphite, on mount, lower left: "J. S. Cotman"; on mount, lower center: "Cader Idris"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.11302
https://www.wikidata.org/wiki/Q110096194
Not on view
Yale Center for British Art
41.3080060, -72.9306282
engraver's proof
5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
width
cm
18.9
height
cm
13.9
Sheet
4 7/8 x 6 15/16 inches (12.4 x 17.6 cm)
height
cm
12.4
width
cm
17.6
Plate
4 1/8 x 6 11/16 inches (10.4 x 17 cm)
height
cm
10.4
width
cm
17.0
Image
no border
30841
300054713
production
Print made by John Sell Cotman, 1782–1842, British
ycba_actor_122
https://viaf.org/viaf/34630247
http://id.loc.gov/authorities/names/n50018169
http://vocab.getty.edu/ulan/500014103
https://www.wikidata.org/wiki/Q1288248
https://n2t.net/ark:/99166/w6t75wdq
John Sell Cotman
John Sell Cotsman
John Sell Cottman
Cotman John Sell, 1782–1842
John Sell Cotman, 1782–1842
Print made by John Sell Cotman, 1782–1842
7012005
7013146
7002886
7011781
7012005
7008175
7011781
7002443
British
1782
1842
male
300025103
Artist
300025174
etcher
300025136
painter
300025164
printmaker
300025123
illustrator
Print made by
300111159
British
between 1824 and 1830
1824
1830
24
19th century
Soft-ground etching on moderately thick, slightly textured, brown wove paper
300053251
soft-ground etching
300014187
wove paper
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
640
300054766
exhibition
Fairest Isle - The Appreciation of British Scenery 1750-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
1989-04-12 - 1989-06-25
1989-04-12
1989-06-25
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
306
300054766
exhibition
Circa 1800 - The Beginnings of Modern Printmaking
Yale Center for British Art
Rutgers University Art Gallery
ycba_actor_7136
http://vocab.getty.edu/ulan/500303534
Rutgers University Art Gallery
0
0
300311675
Borrower
1981-03-08 - 1981-04-19
1981-03-08
1981-04-19
Rutgers University Art Gallery
ycba_actor_7136
http://vocab.getty.edu/ulan/500303534
Rutgers University Art Gallery
New Brunswick
7014199
New Brunswick
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
306
300054766
exhibition
Circa 1800 - The Beginnings of Modern Printmaking
Yale Center for British Art
The Baltimore Museum of Art
ycba_actor_2729
http://vocab.getty.edu/ulan/500306982
http://www.wikidata.org/entity/Q377579
https://viaf.org/viaf/139120204
http://id.loc.gov/authorities/names/n79079550
The Baltimore Museum of Art
0
0
300311675
Borrower
1981-05-12 - 1981-06-28
1981-05-12
1981-06-28
The Baltimore Museum of Art
ycba_actor_2729
http://id.loc.gov/authorities/names/n79079550
http://vocab.getty.edu/ulan/500306982
http://www.wikidata.org/entity/Q377579
https://viaf.org/viaf/139120204
The Baltimore Museum of Art
Baltimore
7013352
Baltimore
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
568
300054766
exhibition
English Landscape (Paul Mellon Collection) 1630-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
1977-04-19 - 1977-07-17
1977-04-19
1977-07-17
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
30841
818773
ND1354.4 F35 (YCBA)
20634286
372
300054686
publication event
Duncan Robinson, ^Fairest isle : the appreciation of British scenery, 1750-1850, ^, Yale Center for British Art, New Haven, 1989, p. 9, no. 61, ND1354.4 F35 (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1989
1989
1989
New Haven
30841
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
0
ycba_term_946626
Welsh
300250116
ycba_term_2036310
cattle
300015636
ycba_term_149705
landscape
1
ycba_term_2036302
animals
300008777
ycba_term_17558
hills
300132410
ycba_term_17587
trees
2441022
ycba_term_2036314
cows
300008795
ycba_term_17557
mountains
Caernarfonshire and Merionethshire
5000551
ycba_term_1872458
Caernarfonshire and Merionethshire
53.8300, -4.0000
Cymru
7002443
ycba_term_1872395
Cymru
52.5160, -3.5000
Cader Idris
1104108
ycba_term_1872530
Cader Idris
52.7000, -3.9000
Wales
7002443
ycba_term_1872394
Wales
52.5160, -3.5000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 9, no. 61, ND1354.4 F35 (YCBA)
818773
ND1354.4 F35 (YCBA)
20634286
372
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
30841
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:30841
oai:tms.ycba.yale.edu:30841
https://manifests.collections.yale.edu/v2/ycba/obj/30841
https://manifests.collections.yale.edu/ycba/obj/30841
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art