2024-03-28T16:33:41Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:308482024-03-27ycba:pd
YCBA/lido-TMS-30848
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300139140
genre subject
300417318
architectural subject
300041338
intaglio print
300041273
Print
Lakenham, near Norwich
Liber Studiorum, 1838
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.11305
https://www.wikidata.org/wiki/Q110096209
Not on view
Yale Center for British Art
41.3080060, -72.9306282
engraver's proof
Rienaecker 333
10 1/4 x 7 1/8 inches (26 x 18.1 cm)
width
cm
18.1
height
cm
26.0
Sheet
9 3/8 x 6 3/8 inches (23.8 x 16.2 cm)
height
cm
23.8
width
cm
16.2
Plate
9 x 6 1/4 inches (22.8 x 15.8 cm)
height
cm
22.8
width
cm
15.8
Image
30848
300054713
production
Print made by John Sell Cotman, 1782–1842, British
ycba_actor_122
https://www.wikidata.org/wiki/Q1288248
http://vocab.getty.edu/ulan/500014103
https://n2t.net/ark:/99166/w6t75wdq
https://viaf.org/viaf/34630247
http://id.loc.gov/authorities/names/n50018169
John Sell Cotman
John Sell Cotsman
John Sell Cottman
Cotman John Sell, 1782–1842
John Sell Cotman, 1782–1842
Print made by John Sell Cotman, 1782–1842
7002886
7008175
7012005
7002443
7012005
7013146
7011781
7011781
British
1782
1842
male
300025103
Artist
300025136
painter
300025164
printmaker
300025123
illustrator
300025174
etcher
Print made by
300111159
British
ca. 1808
1803
1813
24
19th century
Soft-ground etching on moderately thick, moderately textured, beige wove paper
300053251
soft-ground etching
300014187
wove paper
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
306
300054766
exhibition
Circa 1800 - The Beginnings of Modern Printmaking
Yale Center for British Art
Rutgers University Art Gallery
ycba_actor_7136
http://vocab.getty.edu/ulan/500303534
Rutgers University Art Gallery
0
0
300311675
Borrower
1981-03-08 - 1981-04-19
1981-03-08
1981-04-19
Rutgers University Art Gallery
ycba_actor_7136
http://vocab.getty.edu/ulan/500303534
Rutgers University Art Gallery
New Brunswick
7014199
New Brunswick
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
306
300054766
exhibition
Circa 1800 - The Beginnings of Modern Printmaking
Yale Center for British Art
The Baltimore Museum of Art
ycba_actor_2729
http://www.wikidata.org/entity/Q377579
https://viaf.org/viaf/139120204
http://vocab.getty.edu/ulan/500306982
http://id.loc.gov/authorities/names/n79079550
The Baltimore Museum of Art
0
0
300311675
Borrower
1981-05-12 - 1981-06-28
1981-05-12
1981-06-28
The Baltimore Museum of Art
ycba_actor_2729
http://id.loc.gov/authorities/names/n79079550
http://vocab.getty.edu/ulan/500306982
http://www.wikidata.org/entity/Q377579
https://viaf.org/viaf/139120204
The Baltimore Museum of Art
Baltimore
7013352
Baltimore
30848
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300005044
ycba_term_31185
fence
300003933
ycba_term_30868
chimney (architectural element)
300139140
ycba_term_2036211
genre subject
300229355
ycba_term_138746
rural
300004792
ycba_term_17956
buildings
300008057
ycba_term_19010
ruins
300004095
ycba_term_30913
courtyard
ycba_term_2036212
architectural subject
300247581
ycba_term_46631
girl
300011908
ycba_term_9955
straw
300025945
ycba_term_35298
child
300005433
ycba_term_31315
house
300250130
ycba_term_2036348
dog (animal)
ycba_term_2036477
hay
300379798
ycba_term_2036330
branches
300262820
ycba_term_2037211
bread
300132410
ycba_term_17587
trees
300375121
ycba_term_2042158
feeding
300005500
ycba_term_31338
cottage
Norwich
7012005
ycba_term_1878107
Norwich
52.6330, 1.3000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Lakenham
7028439
ycba_term_2042157
Lakenham
Norfolk
7008160
ycba_term_1877937
Norfolk
52.6660, 1.0000
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
30848
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:30848
oai:tms.ycba.yale.edu:30848
https://manifests.collections.yale.edu/v2/ycba/obj/30848
https://manifests.collections.yale.edu/ycba/obj/30848
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art