2024-03-28T18:18:46Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:309632024-03-27ycba:pd
YCBA/lido-TMS-30963
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300117546
marine art
300041273
Print
The Eddystone Lighthouse
Marine Views
Inscribed in graphite, upper left: "R. 771"; lower left: "The Eddystone Lighthouse"
Lettered below image, lower left: "London, Published March 1, 1825 by W. B. Cooke 9. Soho Square"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.8297
https://www.wikidata.org/wiki/Q110060953
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.771
30963
300054713
production
Print made by Thomas Goff Lupton, 1791–1873, British
ycba_actor_2356
http://id.loc.gov/authorities/names/n87916358
http://vocab.getty.edu/ulan/500008469
https://www.wikidata.org/wiki/Q7790086
https://n2t.net/ark:/99166/w6q24kb2
https://viaf.org/viaf/1542294
Thomas Goff Lupton
Lupton Thomas Goff, 1791–1873
Thomas Goff Lupton, 1791–1873
Print made by Thomas Goff Lupton, 1791–1873
British
1791
1873
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://en.wikipedia.org/wiki/J._M._W._Turner
http://d-nb.info/gnd/11862475X
http://viaf.org/viaf/100900492
https://www.wikidata.org/wiki/Q159758
http://id.ndl.go.jp/auth/ndlna/00459271
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://www.idref.fr/027332446/id
http://id.loc.gov/authorities/names/n79060712
http://www.oxforddnb.com/index/27/101027854/
http://isni-url.oclc.nl/isni/0000000121454990
https://n2t.net/ark:/99166/w6057d6v
http://libris.kb.se/resource/auth/277878
http://vocab.getty.edu/ulan/500026846
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300236992
landscapist
300025136
painter (artist)
300025157
watercolorist
300112172
draftsman (artist)
after
300111159
British
1824-1825
1824
1825
24
19th century
Mezzotint; engraver's proof (Turner's copy)
300053233
mezzotint
Behold the Sea (Yale Center for British Art, 2003-06-14 - 2003-09-07)
185
https://britishart.yale.edu/node/678
300054766
exhibition
Behold the Sea
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-06-14 - 2003-09-07
2003-06-14
2003-09-07
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Behold, the sea itself, — —
And on its limitless, heaving breast, the ships; — —
See, where their white sails, bellying in the wind, — —
speckle the green and blue, — —
See, the steamers coming and going, steaming in — —
or out of port, — —
See, dusky and undulating, the long pennants of smoke. — —
—Walt Whitman, from “Song of the Exposition,” Leaves of Grass, 1900 — —
British Composer Ralph Vaughan Williams set these lines by Walt Whitman to music in his 1910 Sea Symphony. — —
As an island nation, Britain’s mercantile and imperial power, as well as its very survival, depended on naval prowess. Given its national importance, the sea has long been a favorite subject among British artists, writers, and musicians. Behold, the Sea Itself juxtaposed images of the sea and of ships with poetic texts. Spanning the late seventeenth through early twentieth centuries, this exhibition highlighted important themes in British maritime art, such as travel, trade and colonization, naval power, and the sublimity of storm and shipwreck. — —
Drawn from the Center’s collections of paintings, drawings, prints, and rare books, the exhibition featured works by Willem van de Velde the Elder, Charles Brooking, J. M. W. Turner, John Constable, and Richard Parkes Bonington. — —
Credits — —
The exhibition was curated by Zoë Kahr, PhD candidate in the History of Art, University College, London, and MBA candidate, Yale School of Management. — —
Yale Center for British Art
30963
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Eddystone Lighthouse
Q546122
ycba_term_2055002
Eddystone Lighthouse
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
Cornwall
7008116
ycba_term_1875691
Cornwall
50.4830, -4.6660
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
30963
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:30963
oai:tms.ycba.yale.edu:30963
https://manifests.collections.yale.edu/v2/ycba/obj/30963
https://manifests.collections.yale.edu/ycba/obj/30963
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art