2024-03-28T13:34:17Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:317362024-03-27ycba:pd
YCBA/lido-TMS-31736
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300391003
figure study
300139140
genre subject
300041338
intaglio print
300041273
Print
Domestic Amusement: Playing on the Guitar
Domestic Amusement and Employment
Playing the Guitar
Inscribed on verso in graphite, lower left: "after Mercier"; lower right: "Engraved J Houston"; lower center: "Domestic amusement"; lower left: "CS 141 unrecorded state | before all letters"; in pen and brown ink, lower right: "S" or "JP" | "26"; lower left: "No. 198-05"
Collector's mark: Paul Mellon
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.11952
https://www.wikidata.org/wiki/Q110052775
Not on view
Yale Center for British Art
41.3080060, -72.9306282
12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)
height
cm
32.1
width
cm
24.9
Sheet
trimmed inside plate
11 11/16 × 9 13/16 inches (29.7 × 24.9 cm)
height
cm
29.7
width
cm
24.9
Image
31736
300054713
production
Print made by Richard Houston, ca. 1721–1775, British
ycba_actor_3080
https://n2t.net/ark:/99166/w6zb1wdg
http://id.loc.gov/authorities/names/nr2003012224
https://www.wikidata.org/wiki/Q2540800
https://viaf.org/viaf/71666359
http://vocab.getty.edu/ulan/500013630
Richard Houston
Houston Richard, ca. 1721–1775
Richard Houston, ca. 1721–1775
Print made by Richard Houston, ca. 1721–1775
British
1716
1775
male
300025103
Artist
Print made by
after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716)
ycba_actor_3
http://id.loc.gov/authorities/names/nb2008003238
https://viaf.org/viaf/7657501
http://vocab.getty.edu/ulan/500005005
https://www.wikidata.org/wiki/Q3380372
Philip Mercier
Pierre-Philippe Mercier
Phillipe Mercier
Philippe Mercier
Mercier Philippe, 1689 or 1691–1760
Philippe Mercier, 1689 or 1691–1760
after Philippe Mercier, 1689 or 1691–1760
7003712
7008653
7011781
Franco-German, active in Britain (from 1716)
1689
1760
male
300025103
Artist
300025174
etcher
300025136
painter
after
300111159
British
ca. 1760
1755
1765
22
18th century
Mezzotint on medium, moderately textured, cream laid paper
300053233
mezzotint
300014184
laid paper
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
644
300054766
exhibition
Pleasures and Pastimes
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
63
Organizer
300311675
Borrower
1990-02-21 - 1990-04-29
1990-02-21
1990-04-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
574
300054766
exhibition
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
1980-03-26 - 1980-06-22
1980-03-26
1980-06-22
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
31736
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 16, 18, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
31736
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 41], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
31736
10447558
N12 W35 +A1 OVERSIZE (YCBA)
5687720
1143
300054686
publication event
John Ingamells, ^A Catalogue of the Paintings, Drawings, and Etchings of Philip Mercier^, Volume of the Walpole Society, vol. 46, Walpole Society, 1976-8, p. 41, no. 147, N12 W35 +A1 OVERSIZE (YCBA)
Yale Center for British Art
John Ingamells
ycba_actor_8637
Ingamells John
300025492
Author
Robert Raines
ycba_actor_8615
Raines Robert
300025492
Author
Walpole Society
ycba_actor_11625
Walpole Society
300025574
Publisher
1976-8
1976
1978
31736
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300139140
ycba_term_2036211
genre subject
300138173
ycba_term_1008
leisure
300054146
ycba_term_7534
music
300042025
ycba_term_115304
guitar
300189808
ycba_term_2036237
figure study
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 16, 18, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 41], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
John Ingamells, A Catalogue of the Paintings, Drawings, and Etchings of Philip Mercier, Volume of the Walpole Society, vol. 46, Walpole Society, 1976-8, p. 41, no. 147, N12 W35 +A1 OVERSIZE (YCBA)
10447558
N12 W35 +A1 OVERSIZE (YCBA)
5687720
1143
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
31736
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:31736
oai:tms.ycba.yale.edu:31736
https://manifests.collections.yale.edu/v2/ycba/obj/31736
https://manifests.collections.yale.edu/ycba/obj/31736
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art