2024-03-28T22:52:23Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:343152024-03-27ycba:pd
YCBA/lido-TMS-34315
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300015636
landscape
300417318
architectural subject
300041338
intaglio print
300041273
Print
Nicol's Farm
Inscribed in graphite, lower left: "4th State. No. 54. | A. K."; on back, lower left: "20 (encircled)"
Lettered in black ink, within image, lower right: "P. D. 1925."
Signed and dated in graphite, lower right: "Paul Drury (underlined). '25. fec. et imp."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1994.4.154
Not on view
Yale Center for British Art
41.3080060, -72.9306282
fifth published state
7 9/16 x 10 1/8 inches (19.2 x 25.7 cm)
width
cm
25.7
height
cm
19.2
Sheet
4 5/16 x 7 9/16 inches (11 x 19.2 cm)
height
cm
11.0
width
cm
19.2
Plate
to image
34315
300054713
production
Print made by Paul Drury, 1903–1987, British
ycba_actor_2876
http://vocab.getty.edu/ulan/500015593
http://id.loc.gov/authorities/names/n94006543
https://n2t.net/ark:/99166/w6vb12gh
https://viaf.org/viaf/60768387
https://www.wikidata.org/wiki/Q7150379
Paul Drury
(Alfred) Paul (Dalou) Drury
Drury Paul, 1903–1987
Paul Drury, 1903–1987
Print made by Paul Drury, 1903–1987
British
1903
1987
male
300025103
Artist
Print made by
after Paul Drury, 1903–1987, British
ycba_actor_2876
http://vocab.getty.edu/ulan/500015593
http://id.loc.gov/authorities/names/n94006543
https://n2t.net/ark:/99166/w6vb12gh
https://viaf.org/viaf/60768387
https://www.wikidata.org/wiki/Q7150379
Paul Drury
(Alfred) Paul (Dalou) Drury
Drury Paul, 1903–1987
Paul Drury, 1903–1987
after Paul Drury, 1903–1987
British
1903
1987
male
300025103
Artist
after
300111159
British
1925
1925
1925
26
20th century
Etching on medium, slightly textured, cream laid paper
300053241
etching (printing process)
300014184
laid paper
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
34315
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1994
1994
1994
300138913
gift
300122241
ycba_term_22005
equipment
300000226
ycba_term_29798
farmyard
300192802
ycba_term_120624
agriculture
300008321
ycba_term_32257
path
ycba_term_2036321
livestock
300212695
ycba_term_26248
carts
300006411
ycba_term_18873
sheds
300132410
ycba_term_17587
trees
300004792
ycba_term_17956
buildings
300005574
ycba_term_19278
farmhouses
300015636
ycba_term_149705
landscape
300250491
ycba_term_693
pastoral
2441213
ycba_term_2036771
pigs
300000206
ycba_term_29792
farm
300024841
ycba_term_23111
tools
300229355
ycba_term_138746
rural
ycba_term_2036212
architectural subject
300008688
ycba_term_32364
pond
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
300055598
© Estate Of The Artist
300435434
https://rightsstatements.org/vocab/InC/1.0/
34315
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:34315
oai:tms.ycba.yale.edu:34315