2024-03-28T14:49:15Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:364982024-03-27ycba:pd
YCBA/lido-TMS-36498
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
999
300041273
Print
A General Prospect of Vaux Hall Gardens
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.18695
https://www.wikidata.org/wiki/Q110657362
Not on view
Yale Center for British Art
41.3080060, -72.9306282
36498
300054713
production
John S. Muller, ca. 1715–1792, German, active in Britain
ycba_actor_4561
https://www.wikidata.org/wiki/Q3182444
http://id.loc.gov/authorities/names/n86815227
http://vocab.getty.edu/ulan/500033080
John S. Muller
Muller John S., ca. 1715–1792
John S. Muller, ca. 1715–1792
John S. Muller, ca. 1715–1792
German, active in Britain
1710
1792
male
300025103
Artist
after Samuel Wale, 1721–1786, British
ycba_actor_747
https://n2t.net/ark:/99166/w6j11fd8
https://viaf.org/viaf/88095982
http://vocab.getty.edu/ulan/500022805
http://id.loc.gov/authorities/names/nr99027366
https://www.wikidata.org/wiki/Q16859625
Samuel Wale
Wale Samuel, 1721–1786
Samuel Wale, 1721–1786
after Samuel Wale, 1721–1786
British
1721
1786
male
300025103
Artist
after
22
18th century
Hand colored engraving
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
36498
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 6-7, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
36498
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 17], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
36498
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 6-7, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 17], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
36498
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:36498
oai:tms.ycba.yale.edu:36498
https://manifests.collections.yale.edu/v2/ycba/obj/36498
https://manifests.collections.yale.edu/ycba/obj/36498
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art