2024-03-29T12:24:44Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:370922024-03-28ycba:pd
YCBA/lido-TMS-37092
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300117546
marine art
300015636
landscape
300015571
cityscape
300041338
intaglio print
300041273
Print
Great Yarmouth, Norfolk
Picturesque Views in England and Wales
Inscribed in graphite, verso, lower center: "England & Wales Third state"
Lettered, lower left: "Drawn by J.M.W.Turner, R.A."; lettered, lower center: "Great Yarmouth, | Norfolk. | London, Published 1829, for the Proprietor by R. Jennings, Poultry, & by Giraldon, Bovinet, Gallerie Vivienne, Paris."; lettered, lower right: "Engraved by W.Miller. | Printed by McQueen."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.13344
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.234
10 11/16 × 14 9/16 inches (27.1 × 37 cm)
height
cm
27.1
width
cm
37.0
Sheet
9 15/16 × 13 inches (25.2 × 33 cm)
height
cm
25.2
width
cm
33.0
Plate
7 1/16 × 10 inches (17.9 × 25.4 cm)
height
cm
17.9
width
cm
25.4
Image
37092
300054713
production
Print made by William Miller, 1796–1882, British
ycba_actor_2564
http://isni-url.oclc.nl/isni/0000000067087623
http://id.loc.gov/authorities/names/n82240733
http://vocab.getty.edu/ulan/500003200
http://en.wikipedia.org/wiki/William_Miller_(engraver)
http://www.idref.fr/140427643/id
http://viaf.org/viaf/75215312
https://www.wikidata.org/wiki/Q2580014
William Miller
Miller William, 1796–1882
William Miller, 1796–1882
Print made by William Miller, 1796–1882
British
1796
1882
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://isni-url.oclc.nl/isni/0000000121454990
https://n2t.net/ark:/99166/w6057d6v
http://d-nb.info/gnd/11862475X
https://www.wikidata.org/wiki/Q159758
http://vocab.getty.edu/ulan/500026846
http://id.ndl.go.jp/auth/ndlna/00459271
http://www.idref.fr/027332446/id
http://en.wikipedia.org/wiki/J._M._W._Turner
http://libris.kb.se/resource/auth/277878
http://id.loc.gov/authorities/names/n79060712
http://viaf.org/viaf/100900492
http://www.oxforddnb.com/index/27/101027854/
J. M. W. Turner R. A.
JMW Turner
Joseph Mallord William Turner
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300025157
watercolorist
300112172
draftsman (artist)
300025136
painter (artist)
300236992
landscapist
after
300111159
British
1829
1829
1829
24
19th century
Line-engraving and etching, 3rd state on medium, smooth, cream wove paper
300053231
line engraving
300053241
etching (printing process)
300014187
wove paper
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
37092
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
37092
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:37092
oai:tms.ycba.yale.edu:37092
https://manifests.collections.yale.edu/v2/ycba/obj/37092
https://manifests.collections.yale.edu/ycba/obj/37092
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art