2024-03-29T05:29:03Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:370942024-03-27ycba:pd
YCBA/lido-TMS-37094
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300417318
architectural subject
300015636
landscape
300386044
animal art
300041338
intaglio print
300451718
religious and mythological subject
300041273
Print
Stone Henge
Picturesque Views in England and Wales
Inscribed in graphite, lower left: "R.235"; inscribed in graphite, lower center: "Second state"; inscribed in graphite, verso, lower left: "England & Wales"; inscribed in graphite, verso, lower center: "2nd state"; inscribed in graphite, verso, lower right: "27"
Lettered, lower left: "Drawn by J.M.W.Turner, R.A."; lettered, lower center: Stone Henge. | London, Published, 1829, for the Proprietor, by R. Jennings, Poultry, & by Giraldon Bovinet, Gallerie, Vivienne, Paris."; lettered, lower right: "Engraved by Robert Wallis. | Printed by McQueen."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.13346
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R235
10 1/2 × 14 9/16 inches (26.7 × 37 cm)
height
cm
26.7
width
cm
37.0
Sheet
9 15/16 × 12 1/4 inches (25.2 × 31.1 cm)
height
cm
25.2
width
cm
31.1
Plate
9 9/16 × 11 13/16 inches (24.3 × 30 cm)
height
cm
24.3
width
cm
30.0
Chine collé
6 9/16 × 9 1/4 inches (16.7 × 23.5 cm)
height
cm
16.7
width
cm
23.5
Image
37094
300054713
production
Print made by Robert Wallis, 1794–1878, British
ycba_actor_2575
http://id.loc.gov/authorities/names/nr93000692
https://n2t.net/ark:/99166/w6fx9pxz
https://viaf.org/viaf/62746819
http://vocab.getty.edu/ulan/500329670
https://www.wikidata.org/wiki/Q7350820
Robert Wallis
Wallis Robert, 1794–1878
Robert Wallis, 1794–1878
Print made by Robert Wallis, 1794–1878
British
1794
1878
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
https://n2t.net/ark:/99166/w6057d6v
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://www.idref.fr/027332446/id
http://www.oxforddnb.com/index/27/101027854/
https://www.wikidata.org/wiki/Q159758
http://en.wikipedia.org/wiki/J._M._W._Turner
http://d-nb.info/gnd/11862475X
http://viaf.org/viaf/100900492
http://isni-url.oclc.nl/isni/0000000121454990
http://id.loc.gov/authorities/names/n79060712
http://id.ndl.go.jp/auth/ndlna/00459271
http://libris.kb.se/resource/auth/277878
http://vocab.getty.edu/ulan/500026846
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300025136
painter (artist)
300112172
draftsman (artist)
300236992
landscapist
300025157
watercolorist
after
300111159
British
1829
1829
1829
24
19th century
Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
300053231
line engraving
300256021
chine collé
300053241
etching (printing process)
300014187
wove paper
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
199
300054766
exhibition
The Romantic Print in Britain - Yale Center for British Art
Yale Center for British Art
Carnegie Museum of Art
ycba_actor_2987
https://n2t.net/ark:/99166/w6hx588k
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://viaf.org/viaf/141998508
http://id.loc.gov/authorities/names/n88065070
Carnegie Museum of Art
Allison Revello Assoc Reg
Monika Tomko
Madeleine Grynsztein
Richard Armstrong
0
0
300311675
Borrower
2004-02-14 - 2004-05-09
2004-02-14
2004-05-09
Carnegie Museum of Art
ycba_actor_2987
http://id.loc.gov/authorities/names/n88065070
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://n2t.net/ark:/99166/w6hx588k
https://viaf.org/viaf/141998508
Carnegie Museum of Art
Pittsburgh
7013927
Pittsburgh
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
182
https://britishart.yale.edu/node/681
https://britishart.yale.edu/node/681
300054766
exhibition
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-01-23 - 2003-06-01
2003-01-23
2003-06-01
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Continuing the comprehensive exploration of British Romantic printmaking begun with The Romantic Landscape Print (September 25–December 29, 2002), this exhibition was selected from the Center’s collections to complement Romantics & Revolutionaries. The exhibition focused on portrait, subject, and narrative prints, investigating themes such as the cult of the hero in the Romantic period, the relationship between literature and the visual arts, and the depiction of contemporary historical events, such as the American and French Revolutions, and the Napoleonic Wars. Among the artists featured were Benjamin West, Henry Fuseli, and J. M. W. Turner, the great visionary artist-engravers William Blake and John Martin, and the subversive twenty-first century heirs of Romanticism, Jake and Dinos Chapman. Special emphasis was placed on techniques and processes. — —
Credits — —
The exhibition was organized by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
576
300054766
exhibition
Translations - Turner and Printmaking
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
1993-09-29 - 1993-12-05
1993-09-29
1993-12-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
66
Lender
1981-02-11 - 1981-04-19
1981-02-11
1981-04-19
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
British Museum
ycba_actor_2666
https://n2t.net/ark:/99166/w60w2228
http://vocab.getty.edu/ulan/500125180
https://viaf.org/viaf/134857252
http://www.wikidata.org/entity/Q6373
http://id.loc.gov/authorities/names/n79107735
The British Museum
BM
British Museum
British Museum
1753
0
1981-05-15 - 1981-09-20
1981-05-15
1981-09-20
British Museum
ycba_actor_2666
http://id.loc.gov/authorities/names/n79107735
http://vocab.getty.edu/ulan/500125180
http://www.wikidata.org/entity/Q6373
https://n2t.net/ark:/99166/w60w2228
https://viaf.org/viaf/134857252
British Museum
London
7011781
London
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
302
300054766
exhibition
Turner and the Sublime
Yale Center for British Art
Art Gallery of Ontario
ycba_actor_2772
http://www.wikidata.org/entity/Q670250
https://viaf.org/viaf/151879312
http://vocab.getty.edu/ulan/500245617
http://id.loc.gov/authorities/names/n81063191
Art Gallery of Ontario
Art Gallery of Ontario
0
0
300311675
Borrower
1980-11-01 - 1981-01-04
1980-11-01
1981-01-04
Art Gallery of Ontario
ycba_actor_2772
http://id.loc.gov/authorities/names/n81063191
http://vocab.getty.edu/ulan/500245617
http://www.wikidata.org/entity/Q670250
https://viaf.org/viaf/151879312
Art Gallery of Ontario
Toronto
7013284
Toronto
37094
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
300054686
publication event
Eric M. Lee, ^Translations : Turner and printmaking^, Yale Center for British Art, New Haven, 1993, p. 21, no. 64, NJ18 .T85 L44 1993 (YCBA)
Yale Center for British Art
Eric M. Lee
ycba_actor_14831
Lee Eric M.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1993
1993
1993
New Haven
37094
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 21, no. 64, NJ18 .T85 L44 1993 (YCBA)
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
37094
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:37094
oai:tms.ycba.yale.edu:37094
https://manifests.collections.yale.edu/v2/ycba/obj/37094
https://manifests.collections.yale.edu/ycba/obj/37094
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art