2024-03-28T09:40:27Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:372982024-03-27ycba:pd
YCBA/lido-TMS-37298
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300417318
architectural subject
300015636
landscape
300041338
intaglio print
300041273
Print
Harlech Castle, North Wales
Picturesque Views in England and Wales
Inscribed in graphite, lower left: R.291"; inscribed in graphite, lower center: "Second state"; inscribed in graphite, verso, lower left: "Picturesque Views in England & Wales"; inscribed in graphite, verso, lower center: "2nd state"; inscribed in graphite, verso, lower right: "83"
Lettered, lower left: "Drawn by J.M.W. Turner R.A."; lettered, lower center: "Harlech Castle, North Wales. | London, Published 1836, for the Proprietor, by Longman & Co. Paternoster Row"; lettered, lower right: "Engraved by W.R. Smith | Printed by Mc Queen."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.13408
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.291
11 1/8 × 15 inches (28.3 × 38.1 cm)
height
cm
28.3
width
cm
38.1
Sheet
10 × 13 1/8 inches (25.4 × 33.3 cm)
height
cm
25.4
width
cm
33.3
Plate
9 5/8 × 12 11/16 inches (24.4 × 32.2 cm)
height
cm
24.4
width
cm
32.2
Chine collé
6 3/8 × 9 5/8 inches (16.2 × 24.4 cm)
height
cm
16.2
width
cm
24.4
Image
37298
300054713
production
Print made by W. R. Smith, active 1819–1851
ycba_actor_2562
W. R. Smith
Smith William R., active 1819–1851
W. R. Smith, active 1819–1851
Print made by W. R. Smith, active 1819–1851
1785
1885
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
https://n2t.net/ark:/99166/w6057d6v
http://vocab.getty.edu/ulan/500026846
http://en.wikipedia.org/wiki/J._M._W._Turner
http://d-nb.info/gnd/11862475X
https://www.wikidata.org/wiki/Q159758
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://libris.kb.se/resource/auth/277878
http://id.loc.gov/authorities/names/n79060712
http://isni-url.oclc.nl/isni/0000000121454990
http://viaf.org/viaf/100900492
http://www.oxforddnb.com/index/27/101027854/
http://id.ndl.go.jp/auth/ndlna/00459271
http://www.idref.fr/027332446/id
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300025157
watercolorist
300025136
painter (artist)
300112172
draftsman (artist)
300236992
landscapist
after
300111159
British
1836
1836
1836
24
19th century
Line-engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
300053231
line engraving
300256021
chine collé
300014187
wove paper
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
199
300054766
exhibition
The Romantic Print in Britain - Yale Center for British Art
Yale Center for British Art
Carnegie Museum of Art
ycba_actor_2987
https://viaf.org/viaf/141998508
http://www.wikidata.org/entity/Q1043967
http://vocab.getty.edu/ulan/500260427
https://n2t.net/ark:/99166/w6hx588k
http://id.loc.gov/authorities/names/n88065070
Carnegie Museum of Art
Allison Revello Assoc Reg
Monika Tomko
Madeleine Grynsztein
Richard Armstrong
0
0
300311675
Borrower
2004-02-14 - 2004-05-09
2004-02-14
2004-05-09
Carnegie Museum of Art
ycba_actor_2987
http://id.loc.gov/authorities/names/n88065070
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://n2t.net/ark:/99166/w6hx588k
https://viaf.org/viaf/141998508
Carnegie Museum of Art
Pittsburgh
7013927
Pittsburgh
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
640
300054766
exhibition
Fairest Isle - The Appreciation of British Scenery 1750-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
1989-04-12 - 1989-06-25
1989-04-12
1989-06-25
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
37298
818773
ND1354.4 F35 (YCBA)
20634286
372
300054686
publication event
Duncan Robinson, ^Fairest isle : the appreciation of British scenery, 1750-1850, ^, Yale Center for British Art, New Haven, 1989, p. 11, no. 83, ND1354.4 F35 (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1989
1989
1989
New Haven
37298
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 11, no. 83, ND1354.4 F35 (YCBA)
818773
ND1354.4 F35 (YCBA)
20634286
372
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
37298
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:37298
oai:tms.ycba.yale.edu:37298
https://manifests.collections.yale.edu/v2/ycba/obj/37298
https://manifests.collections.yale.edu/ycba/obj/37298
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art