2024-03-29T00:09:20Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:389162024-03-27ycba:pd
YCBA/lido-TMS-38916
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300139140
genre subject
300015636
landscape
300386044
animal art
300041273
Print
Opening the Fold
Early Morning
Opening the Fold or Early Morning
Inscribed in graphite, lower right: "05/M [?17]/[?18] | [?48]" (very faint); inscribed in graphite, lower left: "a 13 iii"; inscribed in graphite, lower center: "opening the Fold; with the Remarque;"; inscribed in graphite, lower right: "[...] 8" (very faint)
Remarque consisting of a spray of harebells, lower left below image within plate marks
Lettered lower left within image: "S.PALMER. INV + FEC"; lettered lower center below image within plate marks: "Published by The Fine Art Society, 148, New Bond St. London, W. 1880."
Signed in graphite, lower right: "S.Palmer"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1994.4.1304
Not on view
Yale Center for British Art
41.3080060, -72.9306282
4th of 10 published states
Lister 1988 E13
7 15/16 x 10 5/8 inches (20.2 x 27 cm)
width
cm
27.0
height
cm
20.2
Sheet
6 3/8 x 9 inches (16.2 x 22.9 cm)
height
cm
16.2
width
cm
22.9
Plate
4 5/8 x 6 15/16 inches (11.7 x 17.6 cm)
height
cm
11.7
width
cm
17.6
Image
38916
300054713
production
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
ycba_actor_243
https://viaf.org/viaf/7512746
http://id.loc.gov/authorities/names/n50050276
http://vocab.getty.edu/ulan/500020452
https://n2t.net/ark:/99166/w62z1dz0
https://www.wikidata.org/wiki/Q982251
S. Palmer
Palmer, Samuel, 1805-1881
Samuel Palmer
Palmer Samuel, 1805–1881
Samuel Palmer, 1805–1881
Print made by Samuel Palmer, 1805–1881
1000080
1030618
7011781
7011736
British, active in Italy (1837–39)
1805
1881
male
300025103
Artist
300025174
etcher
landscape painter
Print made by
300111159
British
1880
1880
1880
24
19th century
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
300053228
drypoint
300053241
etching (printing process)
300014184
laid paper
plate tone
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
757
300054766
exhibition
Connections
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
2011-05-26 - 2011-09-11
2011-05-26
2011-09-11
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
199
300054766
exhibition
The Romantic Print in Britain - Yale Center for British Art
Yale Center for British Art
Carnegie Museum of Art
ycba_actor_2987
https://n2t.net/ark:/99166/w6hx588k
http://www.wikidata.org/entity/Q1043967
https://viaf.org/viaf/141998508
http://vocab.getty.edu/ulan/500260427
http://id.loc.gov/authorities/names/n88065070
Carnegie Museum of Art
Allison Revello Assoc Reg
Monika Tomko
Madeleine Grynsztein
Richard Armstrong
0
0
300311675
Borrower
2004-02-14 - 2004-05-09
2004-02-14
2004-05-09
Carnegie Museum of Art
ycba_actor_2987
http://id.loc.gov/authorities/names/n88065070
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://n2t.net/ark:/99166/w6hx588k
https://viaf.org/viaf/141998508
Carnegie Museum of Art
Pittsburgh
7013927
Pittsburgh
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
549
300054766
exhibition
The Creative Printmaker
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
66
Lender
63
Organizer
1985-07-09 - 1985-09-01
1985-07-09
1985-09-01
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
549
300054766
exhibition
The Creative Printmaker
Yale Center for British Art
Joseph and Margaret Muscarelle Museum of Art
ycba_actor_7230
Joseph and Margaret Muscarelle Museum of Art
0
0
300311675
Borrower
1986-03-05 - 1986-04-20
1986-03-05
1986-04-20
Joseph and Margaret Muscarelle Museum of Art
ycba_actor_7230
Joseph and Margaret Muscarelle Museum of Art
Williamsburg
7014629
Williamsburg
38916
9958101
NJ18 P19 C36 2011 (YCBA)
708327209
1911
300054686
publication event
Rachel Campbell-Johnston, ^Mysterious wisdom, the life and work of Samuel Palmer ^, Bloomsbury, London; New York, 2011, pp. 322, 328, NJ18 P19 C36 2011 (YCBA)
Yale Center for British Art
Rachel Campbell-Johnston
ycba_actor_10668
Campbell-Johnston Rachel
300025492
Author
Bloomsbury
ycba_actor_10669
Bloomsbury
300025574
Publisher
2011
2011
2011
London; New York
38916
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1994
1994
1994
300417644
transfer
300386044
ycba_term_2036638
animal art
300008795
ycba_term_17557
mountains
ycba_term_2036437
labor
ycba_term_2037614
pipe
0
ycba_term_947636
town
ycba_term_2036258
sky
ycba_term_2036449
sunrise
212
ycba_term_2036524
birds
300025617
ycba_term_34740
shepherd
300008707
ycba_term_32373
river
ycba_term_2036317
herd
300343840
ycba_term_2036248
clouds
300008777
ycba_term_17558
hills
9531221
ycba_term_2036783
sheep
300011826
ycba_term_12841
horn
300053687
ycba_term_131688
thatch
300042296
ycba_term_153287
bugle
300132410
ycba_term_17587
trees
300002098
ycba_term_30376
roof
300073252
ycba_term_12026
smoke
300046106
ycba_term_37964
hat
300192802
ycba_term_8185
farming
300056024
ycba_term_525
light
300139140
ycba_term_2036211
genre subject
300015636
ycba_term_149705
landscape
Rachel Campbell-Johnston, Mysterious wisdom, the life and work of Samuel Palmer, Bloomsbury, London; New York, 2011, pp. 322, 328, NJ18 P19 C36 2011 (YCBA)
9958101
NJ18 P19 C36 2011 (YCBA)
708327209
1911
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
38916
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:38916
oai:tms.ycba.yale.edu:38916
https://manifests.collections.yale.edu/v2/ycba/obj/38916
https://manifests.collections.yale.edu/ycba/obj/38916
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art