2024-03-29T06:11:29Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:39192024-03-28ycba:pd
YCBA/lido-TMS-3919
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300451718
religious and mythological subject
300033973
drawing
300078925
watercolor
300041391
relief print
300410510
literary theme
300041273
Print
The First Book of Urizen, Plate 4 (Bentley 24)
The First Book of Urizen, Bentley Copy A
Inscribed in graphite upper right: "4"; in red ink upper right: "2"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1992.8.5(4)
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Bentley Copy A
Bentley plate #24
10 x 7 1/8 inches (25.4 x 18.1 cm)
height
cm
25.4
width
cm
18.1
Sheet
6 x 4 1/8 inches (15.2 x 10.5 cm)
height
cm
15.2
width
cm
10.5
Plate
10 1/4 inches (26 cm)
height
cm
26.0
Spine
3919
300054713
production
Print made by William Blake, 1757–1827, British
ycba_actor_248
http://viaf.org/viaf/54144439
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX853571
http://d-nb.info/gnd/118511513
http://id.ndl.go.jp/auth/ndlna/00433456
http://vocab.getty.edu/ulan/500012489
http://id.loc.gov/authorities/names/n78095331
http://libris.kb.se/resource/auth/178705
http://isni-url.oclc.nl/isni/000000012096135X
http://en.wikipedia.org/wiki/William_Blake
https://www.wikidata.org/wiki/Q41513
http://www.idref.fr/026730626/id
https://n2t.net/ark:/99166/w6h132g2
Uil'iam Bleik
William Blake
Blake, William, 1757-1827
Blake William, 1757–1827
William Blake, 1757–1827
Print made by William Blake, 1757–1827
7011413
7011781
7011781
British
1757
1827
male
300025103
Artist
300025569
philosopher
300025164
printmaker
300025123
illustrator
300025136
painter
300025157
watercolorist
300112172
draftsman (artist)
300025492
writer
300025165
engraver (printmaker)
300025513
poet
Print made by
300111159
British
1794
1794
1794
22
18th century
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
300053329
color printing
300178614
relief etching
300014187
wove paper
300015045
watercolor
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
182
https://britishart.yale.edu/node/681
https://britishart.yale.edu/node/681
300054766
exhibition
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-01-23 - 2003-06-01
2003-01-23
2003-06-01
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Continuing the comprehensive exploration of British Romantic printmaking begun with The Romantic Landscape Print (September 25–December 29, 2002), this exhibition was selected from the Center’s collections to complement Romantics & Revolutionaries. The exhibition focused on portrait, subject, and narrative prints, investigating themes such as the cult of the hero in the Romantic period, the relationship between literature and the visual arts, and the depiction of contemporary historical events, such as the American and French Revolutions, and the Napoleonic Wars. Among the artists featured were Benjamin West, Henry Fuseli, and J. M. W. Turner, the great visionary artist-engravers William Blake and John Martin, and the subversive twenty-first century heirs of Romanticism, Jake and Dinos Chapman. Special emphasis was placed on techniques and processes. — —
Credits — —
The exhibition was organized by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
67
300054766
exhibition
William Blake
Yale Center for British Art
Tate Britain
ycba_actor_1284
https://viaf.org/viaf/155600523
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
http://id.loc.gov/authorities/names/n80046785
Tate Britain
The Board of Trustees of the Tate Gallery
0
0
300311675
Borrower
2000-11-02 - 2001-02-04
2000-11-02
2001-02-04
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
3919
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1992
1992
1992
300138913
gift
300189568
ycba_term_27168
nudes
300011772
ycba_term_10082
water
ycba_term_2046880
literary theme
300009910
ycba_term_1759
flames
300008795
ycba_term_17557
mountains
300025928
ycba_term_7001
men
ycba_term_2046879
religious and mythological subject
ycba_term_2036483
kneeling
300068986
300068986
ycba_term_39104
fire
300054733
300054733
ycba_term_72720
waves, tidal
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
3919
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:3919
oai:tms.ycba.yale.edu:3919
https://manifests.collections.yale.edu/v2/ycba/obj/3919
https://manifests.collections.yale.edu/ycba/obj/3919
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art