2024-03-28T17:12:56Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:392222024-03-27ycba:pd
YCBA/lido-TMS-39222
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300117546
marine art
300389974
military art
300386045
historical subject
300041273
Print
The Battle of Trafalgar
The Turner Gallery
Inscribed in graphite, lower left: "R. 698"; lower right: "1824. PAINTED FOR GEORGE 4TH"
Lettered below image, lower left: "J.M.W. TURNER, R.A. PINXT."; lower center: "THE DEATH OF NELSON. | FROM THE PICTURE IN THE HALL OF GREENWICH HOSPITAL"; lower right: "W. MILLER SCULPT"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.13835
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.698
9 × 12 3/4 inches (22.9 × 32.4 cm)
height
cm
22.9
width
cm
32.4
Sheet
7 1/4 × 10 1/4 inches (18.4 × 26 cm)
height
cm
18.4
width
cm
26.0
Image
39222
300054713
production
Print made by William Miller, 1796–1882, British
ycba_actor_2564
http://id.loc.gov/authorities/names/n82240733
http://en.wikipedia.org/wiki/William_Miller_(engraver)
http://isni-url.oclc.nl/isni/0000000067087623
http://viaf.org/viaf/75215312
http://www.idref.fr/140427643/id
http://vocab.getty.edu/ulan/500003200
https://www.wikidata.org/wiki/Q2580014
William Miller
Miller William, 1796–1882
William Miller, 1796–1882
Print made by William Miller, 1796–1882
British
1796
1882
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://d-nb.info/gnd/11862475X
http://id.ndl.go.jp/auth/ndlna/00459271
http://en.wikipedia.org/wiki/J._M._W._Turner
http://isni-url.oclc.nl/isni/0000000121454990
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://libris.kb.se/resource/auth/277878
http://id.loc.gov/authorities/names/n79060712
http://viaf.org/viaf/100900492
https://n2t.net/ark:/99166/w6057d6v
http://www.idref.fr/027332446/id
http://vocab.getty.edu/ulan/500026846
https://www.wikidata.org/wiki/Q159758
http://www.oxforddnb.com/index/27/101027854/
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300236992
landscapist
300025157
watercolorist
300112172
draftsman (artist)
300025136
painter (artist)
after
300111159
British
between 1859 and 1861
1859
1861
24
19th century
Etching and line engraving on medium, slightly textured, cream wove paper
300053231
line engraving
300053241
etching (printing process)
300014187
wove paper
Behold the Sea (Yale Center for British Art, 2003-06-14 - 2003-09-07)
185
https://britishart.yale.edu/node/678
300054766
exhibition
Behold the Sea
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-06-14 - 2003-09-07
2003-06-14
2003-09-07
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Behold, the sea itself, — —
And on its limitless, heaving breast, the ships; — —
See, where their white sails, bellying in the wind, — —
speckle the green and blue, — —
See, the steamers coming and going, steaming in — —
or out of port, — —
See, dusky and undulating, the long pennants of smoke. — —
—Walt Whitman, from “Song of the Exposition,” Leaves of Grass, 1900 — —
British Composer Ralph Vaughan Williams set these lines by Walt Whitman to music in his 1910 Sea Symphony. — —
As an island nation, Britain’s mercantile and imperial power, as well as its very survival, depended on naval prowess. Given its national importance, the sea has long been a favorite subject among British artists, writers, and musicians. Behold, the Sea Itself juxtaposed images of the sea and of ships with poetic texts. Spanning the late seventeenth through early twentieth centuries, this exhibition highlighted important themes in British maritime art, such as travel, trade and colonization, naval power, and the sublimity of storm and shipwreck. — —
Drawn from the Center’s collections of paintings, drawings, prints, and rare books, the exhibition featured works by Willem van de Velde the Elder, Charles Brooking, J. M. W. Turner, John Constable, and Richard Parkes Bonington. — —
Credits — —
The exhibition was curated by Zoë Kahr, PhD candidate in the History of Art, University College, London, and MBA candidate, Yale School of Management. — —
Yale Center for British Art
39222
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
39222
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:39222
oai:tms.ycba.yale.edu:39222
https://manifests.collections.yale.edu/v2/ycba/obj/39222
https://manifests.collections.yale.edu/ycba/obj/39222
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art