2024-03-28T18:29:22Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:395482024-03-27ycba:pd
YCBA/lido-TMS-39548
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300015636
landscape
300410510
literary theme
300041273
Print
Fingal's Cave, Staffa
Scott's Poetical Works
Inscribed in graphite, lower left: "R.512"; inscribed on verso in graphite, lower center: "1833 | Scotts' Poems 2nd state"
Lettered below image, lower left: "J.M.W. Turner R.A."; lower right: "E. Goodall"; lower center: "Staffa | EDINBURGH; PUBLISHED 1833, BY ROBERT CADELL, | AND MOON, BOYS & GRAVES, LONDON"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.13669
https://www.wikidata.org/wiki/Q110098307
Not on view
Yale Center for British Art
41.3080060, -72.9306282
R.512
14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
width
cm
26.7
height
cm
36.8
Sheet
8 1/4 × 6 inches (21 × 15.2 cm)
height
cm
21.0
width
cm
15.2
Plate
7 7/8 × 5 5/8 inches (20 × 14.3 cm)
height
cm
20.0
width
cm
14.3
Chine collé
4 3/4 × 3 1/4 inches (12.1 × 8.3 cm)
height
cm
12.1
width
cm
8.3
Image
39548
300054713
production
Print made by Edward Goodall, 1795–1870, British
ycba_actor_2605
http://vocab.getty.edu/ulan/500121565
http://id.loc.gov/authorities/names/nr93002424
https://www.wikidata.org/wiki/Q16065643
https://viaf.org/viaf/2743833
Edward Goodall
Goodall Edward, 1795–1870
Edward Goodall, 1795–1870
Print made by Edward Goodall, 1795–1870
British
1795
1870
male
300025103
Artist
Print made by
after Joseph Mallord William Turner, 1775–1851, British
ycba_actor_21
http://d-nb.info/gnd/11862475X
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX865570
http://libris.kb.se/resource/auth/277878
http://en.wikipedia.org/wiki/J._M._W._Turner
https://n2t.net/ark:/99166/w6057d6v
http://isni-url.oclc.nl/isni/0000000121454990
http://vocab.getty.edu/ulan/500026846
http://id.ndl.go.jp/auth/ndlna/00459271
http://www.idref.fr/027332446/id
http://id.loc.gov/authorities/names/n79060712
https://www.wikidata.org/wiki/Q159758
http://www.oxforddnb.com/index/27/101027854/
http://viaf.org/viaf/100900492
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Joseph Mallord William Turner
JMW Turner
J. M. W. Turner R. A.
Turner Joseph Mallord William, 1775–1851
Joseph Mallord William Turner, 1775–1851
after Joseph Mallord William Turner, 1775–1851
4012680
7011781
British
1775
1851
male
300025103
Artist
300236992
landscapist
300025136
painter (artist)
300112172
draftsman (artist)
300025157
watercolorist
after
300111159
British
1833
1833
1833
24
19th century
Etching and line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
300053231
line engraving
300053241
etching (printing process)
300014187
wove paper
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
199
300054766
exhibition
The Romantic Print in Britain - Yale Center for British Art
Yale Center for British Art
Carnegie Museum of Art
ycba_actor_2987
https://n2t.net/ark:/99166/w6hx588k
http://vocab.getty.edu/ulan/500260427
https://viaf.org/viaf/141998508
http://www.wikidata.org/entity/Q1043967
http://id.loc.gov/authorities/names/n88065070
Carnegie Museum of Art
Allison Revello Assoc Reg
Monika Tomko
Madeleine Grynsztein
Richard Armstrong
0
0
300311675
Borrower
2004-02-14 - 2004-05-09
2004-02-14
2004-05-09
Carnegie Museum of Art
ycba_actor_2987
http://id.loc.gov/authorities/names/n88065070
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://n2t.net/ark:/99166/w6hx588k
https://viaf.org/viaf/141998508
Carnegie Museum of Art
Pittsburgh
7013927
Pittsburgh
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
182
https://britishart.yale.edu/node/681
https://britishart.yale.edu/node/681
300054766
exhibition
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2003-01-23 - 2003-06-01
2003-01-23
2003-06-01
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Continuing the comprehensive exploration of British Romantic printmaking begun with The Romantic Landscape Print (September 25–December 29, 2002), this exhibition was selected from the Center’s collections to complement Romantics & Revolutionaries. The exhibition focused on portrait, subject, and narrative prints, investigating themes such as the cult of the hero in the Romantic period, the relationship between literature and the visual arts, and the depiction of contemporary historical events, such as the American and French Revolutions, and the Napoleonic Wars. Among the artists featured were Benjamin West, Henry Fuseli, and J. M. W. Turner, the great visionary artist-engravers William Blake and John Martin, and the subversive twenty-first century heirs of Romanticism, Jake and Dinos Chapman. Special emphasis was placed on techniques and processes. — —
Credits — —
The exhibition was organized by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
576
300054766
exhibition
Translations - Turner and Printmaking
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
1993-09-29 - 1993-12-05
1993-09-29
1993-12-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
640
300054766
exhibition
Fairest Isle - The Appreciation of British Scenery 1750-1850
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
1989-04-12 - 1989-06-25
1989-04-12
1989-06-25
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
39548
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 23, 28, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
39548
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [ p. 63], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
39548
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
300054686
publication event
Eric M. Lee, ^Translations : Turner and printmaking^, Yale Center for British Art, New Haven, 1993, p. 34, 48, no. 130, NJ18 .T85 L44 1993 (YCBA)
Yale Center for British Art
Eric M. Lee
ycba_actor_14831
Lee Eric M.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1993
1993
1993
New Haven
39548
12382639
Available online (Orbis)
2941
300054686
publication event
Sebastian Mitchell, ^Celtic Postmodernism : Ossian and Contemporary Art, ^, Translation and Literature, vol. 22, November 2013, pp. 422, 424, Available online (Orbis) Edinburgh Unisersity Press
Yale Center for British Art
Sebastian Mitchell
ycba_actor_9737
Mitchell Sebastian
300025492
Author
November 2013
2013
2013
39548
818773
ND1354.4 F35 (YCBA)
20634286
372
300054686
publication event
Duncan Robinson, ^Fairest isle : the appreciation of British scenery, 1750-1850, ^, Yale Center for British Art, New Haven, 1989, p. 17, no. 134, ND1354.4 F35 (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1989
1989
1989
New Haven
39548
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300011222
ycba_term_10592
basalt
300008746
ycba_term_32385
cave
300011772
ycba_term_10082
water
300008694
ycba_term_32367
sea
300008687
ycba_term_32363
ocean
300404733
ycba_term_2053004
rocks (landforms)
300015636
ycba_term_149705
landscape
300008791
ycba_term_32400
island
300054546
ycba_term_7779
geology
300054733
ycba_term_2036259
waves (natural events)
Staffa
1009251
ycba_term_1874808
Staffa
56.4160, -6.3330
Argyll and Bute
7019094
ycba_term_1874707
Argyll and Bute
56.1660, -5.1660
Scotland
7002444
ycba_term_1873182
Scotland
57.0000, -4.0000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 23, 28, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [ p. 63], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 34, 48, no. 130, NJ18 .T85 L44 1993 (YCBA)
3563689
NJ18 .T85 L44 1993 (YCBA)
29346160
5051
related to
Sebastian Mitchell, Celtic Postmodernism : Ossian and Contemporary Art, , Translation and Literature, vol. 22, November 2013, pp. 422, 424, Available online (Orbis) Edinburgh Unisersity Press
12382639
Available online (Orbis)
2941
related to
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 17, no. 134, ND1354.4 F35 (YCBA)
818773
ND1354.4 F35 (YCBA)
20634286
372
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
39548
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:39548
oai:tms.ycba.yale.edu:39548
https://manifests.collections.yale.edu/v2/ycba/obj/39548
https://manifests.collections.yale.edu/ycba/obj/39548
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art