2024-03-29T11:54:36Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:402212024-03-28ycba:pd
YCBA/lido-TMS-40221
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300139140
genre subject
300041273
Print
The Amorous Sportsman
Collector's mark, verso: Paul Mellon
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.14506
https://www.wikidata.org/wiki/Q110060613
Not on view
Yale Center for British Art
41.3080060, -72.9306282
17 5/8 x 21 1/2in. (44.8 x 54.6cm)
height
cm
44.8
width
cm
54.6
Plate
40221
300054713
production
Print made by Charles Howard Hodges, 1764–1837, British
ycba_actor_2940
http://vocab.getty.edu/ulan/500008503
http://id.loc.gov/authorities/names/n83072632
https://viaf.org/viaf/44570557
https://www.wikidata.org/wiki/Q389547
Charles Howard Hodges
Hodges Charles Howard, 1764–1837
Charles Howard Hodges, 1764–1837
Print made by Charles Howard Hodges, 1764–1837
British
1764
1837
male
300025103
Artist
Print made by
after Francis Wheatley, 1747–1801, British
ycba_actor_40
http://viaf.org/viaf/50107566
http://d-nb.info/gnd/122390555
https://www.wikidata.org/wiki/Q5482749
http://id.loc.gov/authorities/names/n85161126
http://isni-url.oclc.nl/isni/0000000066827060
https://n2t.net/ark:/99166/w6wj5f0p
http://en.wikipedia.org/wiki/Francis_Wheatley_(painter)
http://www.idref.fr/157054691/id
http://vocab.getty.edu/ulan/500017459
F. Wheatley R. A.
Francis Whately
Francis Wheatly
F. Wheatley Esq., R. A.
Francis Wheatley
Wheatley, Francis, 1747-1801
Wheatley Francis, 1747–1801
Francis Wheatley, 1747–1801
after Francis Wheatley, 1747–1801
1000078
7011781
7011781
British
1747
1801
male
300025103
Artist
Royal Academician
300112172
draftsman (artist)
300025136
painter (artist)
after
300111159
British
1786
1786
1786
22
18th century
Mezzotint, printed in color and hand-colored
300053233
mezzotint
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
240
https://britishart.yale.edu/node/666
300054766
exhibition
Francis Wheatley
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2005-08-31 - 2006-02-05
2005-08-31
2006-02-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Francis Wheatley (1747–1801) inhabited myriad artistic and social worlds: Georgian London and rural Ireland, the high life of his wealthy clients and the marginal world of the theater, the Royal Academy and the print shop. His artistic output was equally broad, encompassing printmaking, portraiture, genre painting, and history painting. — —
The first section of the exhibition explored The Oliver and Ward Families and The Browne Family, looking at how Wheatley responded to his clients’ needs by portraying middle-class merchants and bankers in the trappings of country gentlemen. His four years in Ireland comprised the second part of the exhibition. During this period of artistic freedom, Wheatley abandoned his focus on studio portraiture and created some of his most important works. Sketching and painting watercolors out-of-doors, he focused his attention on the peasants and rural poor living outside of Dublin, and in the process gathered material that would serve him for the rest of his career. Returning to London in 1783, Wheatley began to create paintings for the reproductive print market and consequently expanded his subject matter to include contemporary events and historical and literary scenes. Wheatley’s depictions of peasant life were tinged with morality and eroticism in equal measure, and they were immensely popular with the print-buying public. His greatest success in the print market was his series The Cries of London, and the exhibition ended with a comprehensive display of those works. — —
Credits — —
The Worlds of Francis Wheatley was organized by the Center and highlighted its rich holdings of Wheatley’s work in all genres and media. Featuring Wheatley’s oil paintings, his evocative and delicate watercolors and drawings, and prints after his work, the exhibition was curated by Angus Trumble, Curator of Paintings and Sculpture; and A. Cassandra Albinson, Assistant Curator of Paintings and Sculpture at the Center. It was organized to complement Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door.” — —
Yale Center for British Art
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
580
300054766
exhibition
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
1982-07-14 - 1982-09-19
1982-07-14
1982-09-19
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
40221
580321
ND1388 G7 D48+ (YCBA)
9645556
145
300054686
publication event
Stephen Deuchar, ^Noble exercise : the sporting ideal in eighteenth-century British art, ^, Yale Center for British Art, New Haven, 1982, pp. 19-20, 46, no. 66, ND1388 G7 D48+ (YCBA)
Yale Center for British Art
Stephen Deuchar
ycba_actor_8223
Deuchar Stephen
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1982
1982
1982
New Haven
40221
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300265959
ycba_term_2036887
donkey
2436940
ycba_term_2036798
rabbit
300250130
ycba_term_2036347
dogs (animals)
300250452
ycba_term_8360
courtship
300139140
ycba_term_2036211
genre subject
300025619
ycba_term_34745
hunter
300025945
ycba_term_114139
children
Stephen Deuchar, Noble exercise : the sporting ideal in eighteenth-century British art, , Yale Center for British Art, New Haven, 1982, pp. 19-20, 46, no. 66, ND1388 G7 D48+ (YCBA)
580321
ND1388 G7 D48+ (YCBA)
9645556
145
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
40221
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:40221
oai:tms.ycba.yale.edu:40221
https://manifests.collections.yale.edu/v2/ycba/obj/40221
https://manifests.collections.yale.edu/ycba/obj/40221
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art