2024-03-29T14:37:33Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:4092024-03-28ycba:ps
YCBA/lido-TMS-409
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300139140
genre subject
300117546
marine art
300033618
Painting
A Married Sailor's Adieu
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.60
https://www.wikidata.org/wiki/Q23757658
Not on view
Yale Center for British Art
41.3080060, -72.9306282
6 3/4 x 10 inches (17.1 x 25.4 cm)
height
cm
17.1
width
cm
25.4
409
300054713
production
Julius Caesar Ibbetson, 1759–1817, British
ycba_actor_85
http://id.loc.gov/authorities/names/n86835111
https://viaf.org/viaf/45414973
https://n2t.net/ark:/99166/w6x36fq9
http://vocab.getty.edu/ulan/500008927
https://www.wikidata.org/wiki/Q12060656
Julius Caesar Ibbetson
Julius Caesar Ibbotson
Julius Caesar Ibbottson
Julius Caesar Ibbettson
Julius Caesar Ibbertson
Julius Caesar Ibbstson
Julius Caesar Ibitson
Julius Caesar Ibetson
Julius Caesar Ebetson
Julius Ibbetson
Ibbetson Julius Caesar, 1759–1817
Julius Caesar Ibbetson, 1759–1817
Julius Caesar Ibbetson, 1759–1817
4003838
1000956
1030000
7002443
British
1759
1817
male
300025103
Artist
landscape painter
300025164
printmaker
300025157
watercolorist
300111159
British
ca. 1800
1795
1805
24
19th century
Oil on panel
300014657
panel (wood)
300015050
oil paint
300054216
painting (technique)
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
872
https://britishart.yale.edu/node/464
https://britishart.yale.edu/node/464
300054766
exhibition
Spreading Canvas - Eighteenth - Century British Marine Painting
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
YCBA
BAC
1977
0
2016-09-09 - 2016-12-04
2016-09-09
2016-12-04
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This was the first major exhibition to survey the tradition of marine painting that was inextricably linked to Britain’s rise to prominence as a maritime and imperial power, and to position the genre at the heart of the burgeoning British art world of the eighteenth century. — —
The demand for marine paintings—and the prints made after them—in the eighteenth century, from ship launches to shipwrecks, naval battles to serene coastal views, reflected Britain’s absolute dependence on the sea. In an age when Britain claimed to rule the waves, marine paintings found a new importance and helped the island nation tell its stories of triumph and disaster. — —
Arranged in thematic sections within a broadly chronological framework, Spreading Canvas spanned the period between the arrival in Greenwich of the Dutch marine painters Willem van de Velde the Elder and Younger, in the early 1670s, and J. M. W. Turner’s first responses to the Battle of Trafalgar, displayed at his gallery in 1806. Featuring works by artists such as Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, the exhibition contended that the marine painters who created images of the sea and shipping in eighteenth-century Britain were more than mere stylistic inheritors of a Dutch seventeenth-century tradition; rather, they forged a uniquely British approach to their subject. — —
Drawn primarily from the collections of the Center, Spreading Canvas was augmented by spectacular loans from the National Maritime Museum in Greenwich, London, and other private and institutional collections. The exhibition included ship models, prints, paintings, sketchbooks, and letters, in order to reconstruct the full array of representational modes that were deployed throughout the century to represent the maritime exploits of the nation. Such variety also reflects the fact that marine paintings, and the artists who produced them, were fully embedded in the thriving and cosmopolitan artistic sphere of the period. — —
By including examples of the sketches, plans, and textual accounts that underlay the finished works, Spreading Canvas also revealed the processes through which marine painters constructed depictions of highly complex events that had taken place at great physical and temporal distances. But, far from functioning merely as skillful reportage, marine painting responded to and helped to shape Britain’s role on the global stage. Indeed, this exhibition demonstrated that marine painting was, from the age of tapestries to the advent of the modern panorama, both ubiquitous and fundamentally relevant to eighteenth-century British art and culture. — —
Credits — —
Spreading Canvas: Eighteenth-Century British Marine Painting was organized by the Yale Center for British Art in association with the National Maritime Museum, Greenwich, London, and curated by Eleanor Hughes, Deputy Director for Art & Program at the Walters Art Museum. The organizing curator at the Center was Matthew Hargraves, Chief Curator of Art Collections and Head of Collections Information and Access. — —
The exhibition was accompanied by a fully illustrated book, edited by Eleanor Hughes, with essays by Hughes, Richard Johns, Geoff Quilley, Christine Riding, and Catherine Roach, and contributions by Sophie Lynford, John McAleer, and Pieter van der Merwe. The volume was published by the Center in association with Yale University Press.
Yale Center for British Art
409
N1 .A54 Oversize (YCBA)
4975
300054686
publication event
^Advertisement for sale at Christie's for Tuesday, November 9^, Apollo: The International Magazine for Collectors, vol. 97, 1971, p. 15, N1 .A54 Oversize (YCBA)
Yale Center for British Art
1971
1971
1971
409
30626
NJ18 Ib34 C53+ (YCBA)
01600517
4666
300054686
publication event
Rotha Mary Clay, ^Julius Caesar Ibbetson, 1759-1817^, Country Life, London, 1974, p. 62, NJ18 Ib34 C53+ (YCBA)
Yale Center for British Art
Rotha Mary Clay
ycba_actor_11976
Clay Rotha Mary
300025492
Author
Country Life
ycba_actor_8830
Country Life
300025574
Publisher
1974
1974
1974
London
409
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 126-127, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
409
129096
N5245 .G36 1977
1152960860
4974
300054686
publication event
Josephine Gear, ^Masters or servants? : a study of selected English painters and their patrons of the late eighteenth and early nineteenth centuries^, Garland Publishing, Inc., New York, 1977, p. 49, N5245 .G36 1977
Yale Center for British Art
Josephine Gear
ycba_actor_14461
Gear Josephine
300025492
Author
Garland Publishing, Inc.
ycba_actor_10970
Garland Publishing, Inc.
300025574
Publisher
1977
1977
1977
New York
409
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
300054686
publication event
Eleanor Hughes, ^Spreading Canvas : Eighteenth-Century British Marine Painting^, Yale Center for British Art, New Haven, 2016, p. 234, cat. 95, ND 1373.G74 S67 2016 (YCBA)
Yale Center for British Art
Eleanor Hughes
ycba_actor_7836
Hughes Eleanor
300025526
editor
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2016
2016
2016
New Haven
409
4007120
NJ18 Ib34 A12 1957
48594094
4782
300054686
publication event
^Julius Caesar Ibbetson, 1759-1817 : an exhibition of his works, assembled at the Iveagh Bequest, Kenwood, June to September, 1957.^, London County Council, London, p.12, NJ18 Ib34 A12 1957
Yale Center for British Art
London County Council
ycba_actor_9414
London County Council
300025574
Publisher
0
0
London
409
4495962
NJ18 Ib34 M57 1999
43530283
4781
300054686
publication event
James Mitchell, ^Julius Caesar Ibbetson, 1759-1817, "the Berchem of England" / by James Mitchell^, John Mitchell & Sons, London, p.38, NJ18 Ib34 M57 1999
Yale Center for British Art
James Mitchell
ycba_actor_14266
Mitchell James
300025492
Author
John Mitchell & Sons
ycba_actor_6967
John Mitchell & Sons
300025574
Publisher
0
0
London
409
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300247598
ycba_term_46640
boy
300216195
ycba_term_44838
handkerchief
300055166
ycba_term_72817
sadness
300025943
ycba_term_7002
women
300247581
ycba_term_7000
girls
300025932
ycba_term_35283
mother
300055474
ycba_term_38768
family
300025931
ycba_term_35279
father
300025928
ycba_term_7001
men
300257582
ycba_term_132044
pulling
300232958
ycba_term_148915
rowboat
300154348
ycba_term_6959
daughters
300154341
ycba_term_40732
husband
300014248
ycba_term_11817
rope
300154343
ycba_term_40735
wife
300178749
ycba_term_26162
boats
300154350
ycba_term_40742
son
300041872
ycba_term_148146
bell
300025945
ycba_term_114139
children
300082981
ycba_term_39604
ship
300136375
ycba_term_6817
seamen
300235692
ycba_term_2036210
marine art
300178802
ycba_term_21364
costume
300139140
ycba_term_2036211
genre subject
Advertisement for sale at Christie's for Tuesday, November 9, Apollo: The International Magazine for Collectors, vol. 97, 1971, p. 15, N1 .A54 Oversize (YCBA)
N1 .A54 Oversize (YCBA)
4975
related to
Rotha Mary Clay, Julius Caesar Ibbetson, 1759-1817, Country Life, London, 1974, p. 62, NJ18 Ib34 C53+ (YCBA)
30626
NJ18 Ib34 C53+ (YCBA)
01600517
4666
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 126-127, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Josephine Gear, Masters or servants? : a study of selected English painters and their patrons of the late eighteenth and early nineteenth centuries, Garland Publishing, Inc., New York, 1977, p. 49, N5245 .G36 1977
129096
N5245 .G36 1977
1152960860
4974
related to
Eleanor Hughes, Spreading Canvas : Eighteenth-Century British Marine Painting, Yale Center for British Art, New Haven, 2016, p. 234, cat. 95, ND 1373.G74 S67 2016 (YCBA)
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
related to
Julius Caesar Ibbetson, 1759-1817 : an exhibition of his works, assembled at the Iveagh Bequest, Kenwood, June to September, 1957., London County Council, London, p.12, NJ18 Ib34 A12 1957
4007120
NJ18 Ib34 A12 1957
48594094
4782
related to
James Mitchell, Julius Caesar Ibbetson, 1759-1817, "the Berchem of England" / by James Mitchell, John Mitchell & Sons, London, p.38, NJ18 Ib34 M57 1999
4495962
NJ18 Ib34 M57 1999
43530283
4781
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
409
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:409
oai:tms.ycba.yale.edu:409
https://manifests.collections.yale.edu/v2/ycba/obj/409
https://manifests.collections.yale.edu/ycba/obj/409
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art