2024-03-28T21:42:44Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:45352024-03-27ycba:pd
YCBA/lido-TMS-4535
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300117546
marine art
300389974
military art
300041273
Print
Sweet William's Farewell to Black Eyed Susan
Lettered below image, lower left: "P. Monemie Pinxt. Publish'd according to Act of Parliament."; below: "O Susan, Susan Lovely Dear, | My Vows shall ever true remain; Let me Kifs off that falling Tear, | We only part to meet again; | Change as ye list ye Winds, my Heart shall be | The Faithful Compafs that still points to thee"; center: "Sweet William's Farewel | to | Black Eyed Sufan"; below: " London Printed for Bowles and Carver No. 69 St Pauls Church Yard & Robert Wilkinson No 58 Cornhill."; lower right: "Fourdrinier sculp from the Original in Vaux-hall Garden" ; below: "The Boatswain gave the dreadful Word, | Ths Sails their Swelling Bosom spread, | No longer must she stay aboard: | They kiss'd the Sigh'd, he hung his head: | Her lefs'ning Boat unwilling rows to Land, | Adieu; She cries, and wav'd her Lily Hand."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1995.13.141
https://www.wikidata.org/wiki/Q110657487
Not on view
Yale Center for British Art
41.3080060, -72.9306282
12 5/16 × 18 1/8 inches (31.2 × 46 cm)
height
cm
31.2
width
cm
46.0
Sheet
11 1/2 × 14 1/8 inches (29.2 × 35.9 cm)
height
cm
29.2
width
cm
35.9
Plate
10 1/4 × 13 3/4 inches (26 × 35 cm)
height
cm
26.0
width
cm
35.0
Image
4535
300054713
production
Print made by Paul Fourdrinier, 1698–1758, French
ycba_actor_1109
http://vocab.getty.edu/ulan/500009972
https://www.wikidata.org/wiki/Q7174048
Paul Fourdrinier
Philipp Fourdrinier
Pierre Fourdrinier
Peter Fourdrinier
Fourdrinier Paul, 1698–1758
Paul Fourdrinier, 1698–1758
Print made by Paul Fourdrinier, 1698–1758
French
1698
1758
male
300025103
Artist
Print made by
after Peter Monamy, 1681–1749, British
ycba_actor_96
http://vocab.getty.edu/ulan/500011814
https://www.wikidata.org/wiki/Q2012122
http://id.loc.gov/authorities/names/nr00036417
https://viaf.org/viaf/27960681
Peter Monami
Peter Monamie
Peter Monimi
Peter Mononry
Peter Monony
Peter Mundmy
Peter Monamy
Monamy Peter, 1681–1749
Peter Monamy, 1681–1749
after Peter Monamy, 1681–1749
7018905
7011781
British
1681
1749
male
300025103
Artist
marine painter
after
Published by Bowles & Carver, 1763–1830, British
ycba_actor_12181
https://www.wikidata.org/wiki/Q24203917
Bowles & Carver
Carington Bowles II
Henry Carington Bowles
Samuel Carver
Bowles & Carver, 1763–1830
Bowles & Carver, 1763–1830
Published by Bowles & Carver, 1763–1830
British
1763
1830
300025103
Artist
300025164
printmaker
300025732
printer (person)
Published by
Published by Robert Wilkinson, 1758–1825, British
ycba_actor_10841
https://www.wikidata.org/wiki/Q7351069
Robert Wilkinson
Wilkinson Robert, 1758–1825
Robert Wilkinson, 1758–1825
Published by Robert Wilkinson, 1758–1825
7011781
British
1758
1825
male
300025103
Artist
printseller
300025732
printer (person)
300025244
publisher
Published by
300111188
French
undated
1800
1830
24
19th century
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
300133555
hand coloring
300053231
line engraving
300014187
wove paper
300015045
watercolor
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
872
https://britishart.yale.edu/node/464
https://britishart.yale.edu/node/464
300054766
exhibition
Spreading Canvas - Eighteenth - Century British Marine Painting
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
YCBA
BAC
1977
0
2016-09-09 - 2016-12-04
2016-09-09
2016-12-04
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This was the first major exhibition to survey the tradition of marine painting that was inextricably linked to Britain’s rise to prominence as a maritime and imperial power, and to position the genre at the heart of the burgeoning British art world of the eighteenth century. — —
The demand for marine paintings—and the prints made after them—in the eighteenth century, from ship launches to shipwrecks, naval battles to serene coastal views, reflected Britain’s absolute dependence on the sea. In an age when Britain claimed to rule the waves, marine paintings found a new importance and helped the island nation tell its stories of triumph and disaster. — —
Arranged in thematic sections within a broadly chronological framework, Spreading Canvas spanned the period between the arrival in Greenwich of the Dutch marine painters Willem van de Velde the Elder and Younger, in the early 1670s, and J. M. W. Turner’s first responses to the Battle of Trafalgar, displayed at his gallery in 1806. Featuring works by artists such as Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, the exhibition contended that the marine painters who created images of the sea and shipping in eighteenth-century Britain were more than mere stylistic inheritors of a Dutch seventeenth-century tradition; rather, they forged a uniquely British approach to their subject. — —
Drawn primarily from the collections of the Center, Spreading Canvas was augmented by spectacular loans from the National Maritime Museum in Greenwich, London, and other private and institutional collections. The exhibition included ship models, prints, paintings, sketchbooks, and letters, in order to reconstruct the full array of representational modes that were deployed throughout the century to represent the maritime exploits of the nation. Such variety also reflects the fact that marine paintings, and the artists who produced them, were fully embedded in the thriving and cosmopolitan artistic sphere of the period. — —
By including examples of the sketches, plans, and textual accounts that underlay the finished works, Spreading Canvas also revealed the processes through which marine painters constructed depictions of highly complex events that had taken place at great physical and temporal distances. But, far from functioning merely as skillful reportage, marine painting responded to and helped to shape Britain’s role on the global stage. Indeed, this exhibition demonstrated that marine painting was, from the age of tapestries to the advent of the modern panorama, both ubiquitous and fundamentally relevant to eighteenth-century British art and culture. — —
Credits — —
Spreading Canvas: Eighteenth-Century British Marine Painting was organized by the Yale Center for British Art in association with the National Maritime Museum, Greenwich, London, and curated by Eleanor Hughes, Deputy Director for Art & Program at the Walters Art Museum. The organizing curator at the Center was Matthew Hargraves, Chief Curator of Art Collections and Head of Collections Information and Access. — —
The exhibition was accompanied by a fully illustrated book, edited by Eleanor Hughes, with essays by Hughes, Richard Johns, Geoff Quilley, Christine Riding, and Catherine Roach, and contributions by Sophie Lynford, John McAleer, and Pieter van der Merwe. The volume was published by the Center in association with Yale University Press.
Yale Center for British Art
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
4535
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 6-7, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
4535
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 19], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
4535
11170724
SB451.36.G7 P54 2013 (YCBA)
785870981
2724
300054686
publication event
Jonathan Conlin, ^The pleasure garden , from Vauxhall to Coney Island, ^, University of Pennsylvania Press, Philadelphia, 2013, pp. 89-91, fig. 3.4, SB451.36.G7 P54 2013 (YCBA) Also available online (ORBIS) [Project Muse]
Yale Center for British Art
Jonathan Conlin
ycba_actor_11525
Conlin Jonathan
300025526
editor
University of Pennsylvania Press
ycba_actor_8551
University of Pennsylvania Press
300025574
Publisher
2013
2013
2013
Philadelphia
4535
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
300054686
publication event
Eleanor Hughes, ^Spreading Canvas : Eighteenth-Century British Marine Painting^, Yale Center for British Art, New Haven, 2016, p. 161, 163, cat. 23, ND 1373.G74 S67 2016 (YCBA)
Yale Center for British Art
Eleanor Hughes
ycba_actor_7836
Hughes Eleanor
300025526
editor
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2016
2016
2016
New Haven
4535
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1995
1995
1995
300138913
gift
300232958
ycba_term_95516
rowboats
300185694
ycba_term_22638
sails
300008694
ycba_term_110086
sea
300082981
ycba_term_26163
ships
300235692
ycba_term_2036210
marine art
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 6-7, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 19], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
Jonathan Conlin, The pleasure garden , from Vauxhall to Coney Island, , University of Pennsylvania Press, Philadelphia, 2013, pp. 89-91, fig. 3.4, SB451.36.G7 P54 2013 (YCBA) Also available online (ORBIS) [Project Muse]
11170724
SB451.36.G7 P54 2013 (YCBA)
785870981
2724
related to
Eleanor Hughes, Spreading Canvas : Eighteenth-Century British Marine Painting, Yale Center for British Art, New Haven, 2016, p. 161, 163, cat. 23, ND 1373.G74 S67 2016 (YCBA)
12893333
ND 1373.G74 S67 2016 (YCBA)
945354556
3889
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
4535
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:4535
oai:tms.ycba.yale.edu:4535
https://manifests.collections.yale.edu/v2/ycba/obj/4535
https://manifests.collections.yale.edu/ycba/obj/4535
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art