2024-03-28T14:45:27Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:458202024-03-27ycba:pd
YCBA/lido-TMS-45820
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
999
300041273
Print
Temples of New York
in pencil
500303557
Yale Center for British Art
http://britishart.yale.edu
B1999.30
Not on view
Yale Center for British Art
41.3080060, -72.9306282
7 3/4 x 6in. (19.7 x 15.2cm)
width
cm
15.2
height
cm
19.7
Sheet
45820
300054713
production
C. R. W. Nevinson, 1889–1946, British
ycba_actor_63
http://id.loc.gov/authorities/names/n86139912
http://vocab.getty.edu/ulan/500031355
https://viaf.org/viaf/44474596
https://n2t.net/ark:/99166/w6jt0t57
https://www.wikidata.org/wiki/Q185850
Christopher Richard Wynne Nevinson
Christopher Richard Nevinson
Christopher Nevinson
C. R. W. Nevinson
Nevinson Christopher Richard Wynne, 1889–1946
C. R. W. Nevinson, 1889–1946
C. R. W. Nevinson, 1889–1946
7007568
7008038
7011827
7011827
British
1889
1946
male
300025103
Artist
300025164
printmaker
300025501
journalist
300025136
painter
poster artist
300025181
sculptor
300111159
British
1919
1919
1919
26
20th century
Drypoint
C. R. W. Nevinson (Yale Center for British Art, 2000-02-25 - 2000-05-07)
63
https://britishart.yale.edu/node/697
300054766
exhibition
C. R. W. Nevinson
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
66
Lender
300311675
Borrower
2000-02-25 - 2000-05-07
2000-02-25
2000-05-07
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Painter, printmaker, and avant-garde controversialist, the British artist Christopher Richard Wynne Nevinson (1889–1946) is probably best known for his powerful and unflinching depictions of World War I, but this work is just one aspect of an extraordinarily diverse career. The first retrospective of Nevinson’s work held in the United States, this exhibition provided a long-overdue and comprehensive reassessment of his significant contribution to twentieth-century art. — —
Initially influenced by impressionism and post-impressionism, Nevinson affiliated himself in 1912 with the Italian futurist movement, attracted by its celebration of modernity, technology, and warfare. With characteristic independence, Nevinson developed his own distinctive hybrid futurist style of painting; the finest surviving work of this period, The Arrival, was included in this exhibition. — —
When World War I broke out, Nevinson went to France as an ambulance driver with the Red Cross. Nevinson’s futurist notion of “the beauty of strife” soon turned to disillusion as he experienced the grim reality of life in the trenches. Released from active service due to illness in 1916, he produced a series of stark and eloquent images which used the vocabulary of modernism to powerfully convey the bleakness and futility of twentieth-century warfare. In June 1917, Nevinson returned to the service as an official war artist. — —
After the war, Nevinson rejected modernism and turned to more conventional landscapes and cityscapes. Two visits to New York, in 1919 and 1920, resulted in a group of paintings and prints that convey the dynamism and vertiginous scale of the rapidly expanding city. As Fascism spread in Europe in the early 1930s, Nevinson responded to fears about the recurrence of world war with a group of brooding allegorical pictures. His most iconic late work, The Twentieth Century, provided a resonant conclusion to this exhibition. — —
Venues — —
Imperial War Museum, London: October 28, 1999–January 30, 2000 — —
Yale Center for British Art: February 25–May 7, 2000 — —
Credits — —
C. R. W. Nevinson: The Twentieth Century was organized by the Imperial War Museum, London, and curated at the Center by Gillian Forrester, Assistant Curator of Prints and Drawings at the Center. A full-color catalogue accompanied the exhibition. — —
Yale Center for British Art
45820
12285499
NJ18.N397 A12 B53 2014 OVERSIZE (YCBA)
879119436
3417
300054686
publication event
Jonathan Black, ^C.R.W. Nevinson : the complete prints^, Lund Humphries, Burlington, 2014, pp. 71, 72, 73, 85, 145, cat. no. 55, NJ18.N397 A12 B53 2014 OVERSIZE (YCBA)
Yale Center for British Art
Jonathan Black
ycba_actor_8917
Black Jonathan
300025492
Author
Lund Humphries
ycba_actor_9839
Lund Humphries
300025574
Publisher
2014
2014
2014
Burlington
45820
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
2000-01-18
2000-01-18
2000-01-18
300138913
gift
Jonathan Black, C.R.W. Nevinson : the complete prints, Lund Humphries, Burlington, 2014, pp. 71, 72, 73, 85, 145, cat. no. 55, NJ18.N397 A12 B53 2014 OVERSIZE (YCBA)
12285499
NJ18.N397 A12 B53 2014 OVERSIZE (YCBA)
879119436
3417
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Gift of Mr. and Mrs. John Keppel
300055598
Copyright Undetermined
300435434
http://rightsstatements.org/vocab/UND/1.0/
45820
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:45820
oai:tms.ycba.yale.edu:45820