2024-03-28T11:22:09Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:4672024-03-27ycba:ps
YCBA/lido-TMS-467
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015636
landscape
300139140
genre subject
300033618
Painting
View on the Medway
500303557
Yale Center for British Art
http://britishart.yale.edu
B1977.14.130
https://www.wikidata.org/wiki/Q23758089
Not on view
Yale Center for British Art
41.3080060, -72.9306282
25 x 30 inches (63.5 x 76.2 cm)
height
cm
63.5
width
cm
76.2
467
300054713
production
Francis Wheatley, 1747–1801, British
ycba_actor_40
http://id.loc.gov/authorities/names/n85161126
http://d-nb.info/gnd/122390555
http://en.wikipedia.org/wiki/Francis_Wheatley_(painter)
http://isni-url.oclc.nl/isni/0000000066827060
http://viaf.org/viaf/50107566
http://www.idref.fr/157054691/id
http://vocab.getty.edu/ulan/500017459
https://n2t.net/ark:/99166/w6wj5f0p
https://www.wikidata.org/wiki/Q5482749
F. Wheatley R. A.
Francis Whately
Francis Wheatly
F. Wheatley Esq., R. A.
Francis Wheatley
Wheatley, Francis, 1747-1801
Wheatley Francis, 1747–1801
Francis Wheatley, 1747–1801
Francis Wheatley, 1747–1801
1000078
7011781
7011781
British
1747
1801
male
300025103
Artist
300112172
draftsman (artist)
300025136
painter (artist)
Royal Academician
300111159
British
1776
1776
1776
22
18th century
Oil on canvas
300054216
painting (technique)
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
240
https://britishart.yale.edu/node/666
300054766
exhibition
Francis Wheatley
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2005-08-31 - 2006-02-05
2005-08-31
2006-02-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Francis Wheatley (1747–1801) inhabited myriad artistic and social worlds: Georgian London and rural Ireland, the high life of his wealthy clients and the marginal world of the theater, the Royal Academy and the print shop. His artistic output was equally broad, encompassing printmaking, portraiture, genre painting, and history painting. — —
The first section of the exhibition explored The Oliver and Ward Families and The Browne Family, looking at how Wheatley responded to his clients’ needs by portraying middle-class merchants and bankers in the trappings of country gentlemen. His four years in Ireland comprised the second part of the exhibition. During this period of artistic freedom, Wheatley abandoned his focus on studio portraiture and created some of his most important works. Sketching and painting watercolors out-of-doors, he focused his attention on the peasants and rural poor living outside of Dublin, and in the process gathered material that would serve him for the rest of his career. Returning to London in 1783, Wheatley began to create paintings for the reproductive print market and consequently expanded his subject matter to include contemporary events and historical and literary scenes. Wheatley’s depictions of peasant life were tinged with morality and eroticism in equal measure, and they were immensely popular with the print-buying public. His greatest success in the print market was his series The Cries of London, and the exhibition ended with a comprehensive display of those works. — —
Credits — —
The Worlds of Francis Wheatley was organized by the Center and highlighted its rich holdings of Wheatley’s work in all genres and media. Featuring Wheatley’s oil paintings, his evocative and delicate watercolors and drawings, and prints after his work, the exhibition was curated by Angus Trumble, Curator of Paintings and Sculpture; and A. Cassandra Albinson, Assistant Curator of Paintings and Sculpture at the Center. It was organized to complement Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door.” — —
Yale Center for British Art
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
448
300054766
exhibition
Life in England 1750 - 1850
Yale Center for British Art
Paul Mellon Arts Center
ycba_actor_7200
Paul Mellon Arts Center
0
0
300311675
Borrower
1990-03-27 - 1990-05-21
1990-03-27
1990-05-21
Paul Mellon Arts Center
ycba_actor_7200
Paul Mellon Arts Center
Wallingford
2017494
Wallingford
467
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 244-245, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
467
580032
ND466 G67 (YCBA)
7500731
2775
300054686
publication event
Catherine M. Gordon, ^British paintings Hogarth to Turner^, Frederick Warne, London, 1981, p 72, ND466 G67 (YCBA)
Yale Center for British Art
Catherine M. Gordon
ycba_actor_11569
Gordon Catherine M.
300025492
Author
Frederick Warne
ycba_actor_11570
Frederick Warne
300025574
Publisher
1981
1981
1981
London
467
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1977
1977
1977
300138913
gift
300230818
ycba_term_134962
net
300194498
ycba_term_42390
basket
300008707
ycba_term_32373
river
300015636
ycba_term_149705
landscape
300025943
ycba_term_7002
women
300239470
ycba_term_8526
fishing
300008321
ycba_term_32257
path
300178802
ycba_term_21364
costume
300230852
ycba_term_6657
peasants
300004792
ycba_term_17956
buildings
300005500
ycba_term_31338
cottage
300139140
ycba_term_2036211
genre subject
300178749
ycba_term_26162
boats
300025886
ycba_term_6215
workers
300008057
ycba_term_19010
ruins
300025608
ycba_term_6648
fishermen (people)
300025928
ycba_term_7001
men
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Kent
7008153
ycba_term_1877131
Kent
51.2160, 0.6500
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
Medway
1127032
ycba_term_1880234
Medway
51.4500, 0.7330
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 244-245, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p 72, ND466 G67 (YCBA)
580032
ND466 G67 (YCBA)
7500731
2775
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
467
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:467
oai:tms.ycba.yale.edu:467
https://manifests.collections.yale.edu/v2/ycba/obj/467
https://manifests.collections.yale.edu/ycba/obj/467
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art