2024-03-28T13:00:32Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:48082024-03-27ycba:pd
YCBA/lido-TMS-4808
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300178376
planographic print
300108127
abstract art
300041273
Print
The Spirit of the Snake
As Is When
Inscribed in graphite, lower right: "36/65"
Image includes the words: 'Only remember that the spirit of the snake, of the lion, is your spirit. | For it is only from yourself that you are aquainted with spirit at all. | Now of course that question is why have I given a snake just this spirit. | And the answer can only lie in the psycho-physical parallelism: If I were to look like the snake and to do what it does than I should be such and such. | The same with the elephant, the fly, the wasp.
But the question arises even here, my body is not on the same level as that of the wasp and of the snake (and surely it is so), so that I have neither inferred from that of the wasp to mine nor from mine to that of the wasp.
Bendeke nur, das der Geist der Schlange, des Lowen, dein Geist ist. | Denn nur von dir her kennst du uberhaupt den Geist. | Es ist nun freiltch die Frage, warum habe ich der Schlange gerade diesen Geist gegeben. | Und die Antwort hierauf kann nur im psychophysichen Parallelis mus hegen: Wenn ich so assuhe wie dei Schlange und das tate, was se tut, so ware ich so und so. | Das Gleiche beim Elephanten, bei de Fliege, bei de Wespe. |
Es fragt sich aber, ob nicht eben auch hier weider (und gewis ist es so) mein Korper mit dem der Wespe un der Schlange auf einer Stufe steht, so das ich weder von dem der Wespe auf meinen, noch auch den der Wespe geschlossen habe.
Blind embossed chop mark: "ea"
Signed and dated in graphite, lower right: "Eduardo Paolozzi 1965"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1995.3.12
Not on view
Yale Center for British Art
41.3080060, -72.9306282
38 × 26 inches (96.5 × 66 cm)
width
cm
66.0
height
cm
96.5
Sheet
31 × 20 3/4 inches (78.7 × 52.7 cm)
height
cm
78.7
width
cm
52.7
Image
4808
300054713
production
Sir Eduardo Paolozzi, 1924–2005, British
ycba_actor_648
https://viaf.org/viaf/14809834
https://n2t.net/ark:/99166/w6tx4xkw
http://id.loc.gov/authorities/names/n50050217
http://vocab.getty.edu/ulan/500027981
http://www.oxforddnb.com/view/article/95757?docPos=1
https://www.wikidata.org/wiki/Q165397
Sir Eduardo Paolozzi
Estate of the Artist
Paolozzi, Eduardo, Sir, 1924–2005
Paolozzi Eduardo Sir, 1924–2005
Sir Eduardo Paolozzi, 1924–2005
Sir Eduardo Paolozzi, 1924–2005
British
1924
2005
male
300025103
Artist
Published by Editions Alecto Ltd.
ycba_actor_11980
Editions Alecto Ltd.
Editions Alecto Ltd.
Editions Alecto Ltd.
Published by Editions Alecto Ltd.
0
0
300025103
Artist
Published by
300111159
British
1965
1965
1965
26
20th century
Screen print on H.P. J. Green 133 lbs. white wove paper
300053281
screen printing
300014187
wove paper
Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09)
210
https://britishart.yale.edu/node/674
300054766
exhibition
Just what was it that made British Pop so different, so appealing?
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2004-01-26 - 2004-05-09
2004-01-26
2004-05-09
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The exhibition Richard Hamilton: Prints and Multiples, 1939–2002 was accompanied by Just what was it that made British Pop so different, so appealing?—an exhibition selected from the Center’s permanent collection of prints, drawings, rare books, and manuscripts. Tracing the development of British Pop from its original formulation by the Independent Group in the mid-1950s to its exuberant flowering in the sixties, Just what was it that made British Pop so different, so appealing? featured works by Hamilton’s contemporaries, including Peter Blake, David Hockney, John McHale, R. B. Kitaj, and Eduardo Paolozzi. The exhibition featured two of the most celebrated portfolios of the Pop era, Paolozzi’s As is When and Hockney’s Rake’s Progress, and also included rare material documenting the activities of the Independent Group, selected from the archive of John McHale, one of its founding members. — —
Two documentary films were screened in the exhibition. Fathers of Pop (1979, directed by Reyner Banham and Julian Cooper) charted the creation and activities of the Independent Group. James Scott collaborated closely with Richard Hamilton on the making of the seminal documentary Richard Hamilton (1969, directed by James Scott), and the artist even created the commentary; as Scott noted, “Hamilton was so involved in making the film, you could say it is as much by him as about him.” — —
Credits — —
Just what was it that made British Pop so different, so appealing? was organized by the Yale Center for British Art and curated by Gillian Forrester, Associate Curator of Prints and Drawings; with Sarah Cree and Eric Stryker, PhD candidates in the Department of the History of Art, Yale University. — —
Yale Center for British Art
4808
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1995
1995
1995
300417642
purchase
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Under Copyright
300435434
https://rightsstatements.org/vocab/InC/1.0/
4808
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:4808
oai:tms.ycba.yale.edu:4808
https://manifests.collections.yale.edu/v2/ycba/obj/4808
https://manifests.collections.yale.edu/ycba/obj/4808
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art