2024-03-29T09:55:07Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:50172024-03-28ycba:ps
YCBA/lido-TMS-5017
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300451718
religious and mythological subject
300033618
Painting
The Deluge
The deluge.
[1837, Royal Academy of Arts, London, exhibition catalogue]
Signed and dated, lower right: "J. Martin. | 1834"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1978.43.11
https://www.wikidata.org/wiki/Q20354594
Not on view
Yale Center for British Art
41.3080060, -72.9306282
66 1/4 x 101 3/4 inches (168.3 x 258.4 cm)
height
cm
168.3
width
cm
258.4
73 1/2 × 109 inches (186.7 × 276.9 cm)
height
cm
186.7
width
cm
276.9
Frame
5017
300054713
production
John Martin, 1789–1854, British
ycba_actor_26
http://vocab.getty.edu/ulan/500023063
http://id.loc.gov/authorities/names/n50040933
https://n2t.net/ark:/99166/w6183hc5
https://viaf.org/viaf/92133015
https://www.wikidata.org/wiki/Q937096
Martin, John, 1789-1854
John Martin I
John Martin
Martin John, 1789–1854
John Martin, 1789–1854
John Martin, 1789–1854
1029488
7011781
7003669
7012188
British
1789
1854
male
300025103
Artist
300253811
history painter
300025165
engraver (printmaker)
300025136
painter
300025164
printmaker
300025157
watercolorist
300111159
British
1834
1834
1834
24
19th century
Oil on canvas
300054216
painting (technique)
Travelling. J.M.W. Turner in Search of the Sublime and Picturesque (LWL - Museum für Kunst und Kultur, 2019-11-08 - 2020-01-26)
989
300054766
exhibition
Travelling. J.M.W. Turner in Search of the Sublime and Picturesque
Yale Center for British Art
LWL - Museum für Kunst und Kultur
ycba_actor_13436
LWL - Museum für Kunst und Kultur
0
0
2019-11-08 - 2020-01-26
2019-11-08
2020-01-26
LWL - Museum für Kunst und Kultur
ycba_actor_13436
LWL - Museum für Kunst und Kultur
Münster
7004445
Münster
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
851
https://media.art.yale.edu/content/lux/exb/3979.json
300054766
exhibition
The Critique of Reason : Romantic Art, 1760–1860
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
https://viaf.org/viaf/158793816
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2015-03-06 - 2015-07-26
2015-03-06
2015-07-26
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
239
300054766
exhibition
British Vision - Observation and Imagination in British Art
Yale Center for British Art
Museum of Fine Arts Ghent
ycba_actor_6962
Museum of Fine Arts Ghent
0
0
300311675
Borrower
2007-10-06 - 2008-01-13
2007-10-06
2008-01-13
Museum of Fine Arts Ghent
ycba_actor_6962
Museum of Fine Arts Ghent
Gent
7007887
Gent
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Tate Britain, 2003-02-06 - 2003-05-11)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
Tate Britain
ycba_actor_1284
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
http://id.loc.gov/authorities/names/n80046785
Tate Britain
The Board of Trustees of the Tate Gallery
0
0
300311675
Borrower
63
Organizer
2003-02-06 - 2003-05-11
2003-02-06
2003-05-11
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Minneapolis Institute of Arts, 2003-06-01 - 2003-08-27)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
Minneapolis Institute of Arts
ycba_actor_1640
http://vocab.getty.edu/ulan/500225381
http://www.wikidata.org/entity/Q1700481
https://viaf.org/viaf/157703898
http://id.loc.gov/authorities/names/n80024146
William M. Griswold
Minneapolis Institute of Arts
0
0
300311675
Borrower
2003-06-01 - 2003-08-27
2003-06-01
2003-08-27
Minneapolis Institute of Arts
ycba_actor_1640
http://id.loc.gov/authorities/names/n80024146
http://vocab.getty.edu/ulan/500225381
http://www.wikidata.org/entity/Q1700481
https://viaf.org/viaf/157703898
Minneapolis Institute of Arts
Minneapolis
7014080
Minneapolis
Constable to Delacroix : British Art and the French Romantics 1820-1840 (The Metropolitan Museum of Art, 2003-09-29 - 2004-01-04)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
The Metropolitan Museum of Art
ycba_actor_1593
https://n2t.net/ark:/99166/w6nx2pnk
http://www.wikidata.org/entity/Q160236
https://viaf.org/viaf/126238294
http://vocab.getty.edu/ulan/500125157
http://id.loc.gov/authorities/names/n79129629
The Metropolitan Museum of Art
The Metropolitan Museum of Art
0
0
300311675
Borrower
2003-09-29 - 2004-01-04
2003-09-29
2004-01-04
The Metropolitan Museum of Art
ycba_actor_1593
http://id.loc.gov/authorities/names/n79129629
http://vocab.getty.edu/ulan/500125157
http://www.wikidata.org/entity/Q160236
https://n2t.net/ark:/99166/w6nx2pnk
https://viaf.org/viaf/126238294
The Metropolitan Museum of Art
Manhattan Island
7022657
Manhattan Island
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
http://vocab.getty.edu/ulan/500267593
Art Gallery of New South Wales
Art Gallery of New South Wales
0
0
300311675
Borrower
1998-05-01 - 1998-07-05
1998-05-01
1998-07-05
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
Art Gallery of New South Wales
Sydney
7001923
Sydney
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Queensland Art Gallery
ycba_actor_1294
http://vocab.getty.edu/ulan/500305672
https://viaf.org/viaf/137221678
http://www.wikidata.org/entity/Q7270900
http://id.loc.gov/authorities/names/n81139357
Queensland Art Gallery
0
0
300311675
Borrower
1998-07-15 - 1998-09-06
1998-07-15
1998-09-06
Queensland Art Gallery
ycba_actor_1294
http://id.loc.gov/authorities/names/n81139357
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
Queensland Art Gallery
Brisbane
7001911
Brisbane
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of South Australia
ycba_actor_1295
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
http://vocab.getty.edu/ulan/500304440
http://id.loc.gov/authorities/names/n79007201
Art Gallery of South Australia
Art Gallery of South Australia
0
0
300311675
Borrower
1998-09-16 - 1998-11-15
1998-09-16
1998-11-15
Art Gallery of South Australia
ycba_actor_1295
http://id.loc.gov/authorities/names/n79007201
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
Art Gallery of South Australia
Adelaide
7001904
Adelaide
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
John Martin: Visions of the Biblical Flood (Fine Arts Museums of San Francisco, 1997-05-10 - 1997-08-03)
12
300054766
exhibition
John Martin: Visions of the Biblical Flood
Yale Center for British Art
Fine Arts Museums of San Francisco
ycba_actor_1335
https://viaf.org/viaf/150849489
http://www.wikidata.org/entity/Q1416890
http://vocab.getty.edu/ulan/500308548
http://id.loc.gov/authorities/names/n80051191
De Young Museum
Museum of the Legion of Honor
Fine Arts Museums of San Francisco
0
0
300025633
Curator
1997-05-10 - 1997-08-03
1997-05-10
1997-08-03
Fine Arts Museums of San Francisco
ycba_actor_1335
http://id.loc.gov/authorities/names/n80051191
http://vocab.getty.edu/ulan/500308548
http://www.wikidata.org/entity/Q1416890
https://viaf.org/viaf/150849489
Fine Arts Museums of San Francisco
San Francisco
7014456
San Francisco
John Martin: Visions of the Biblical Flood (Yale Center for British Art, 1997-09-17 - 1997-11-30)
12
300054766
exhibition
John Martin: Visions of the Biblical Flood
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
BAC
YCBA
British Art Center
Yale Center for British Art
1977
0
300311675
Borrower
66
Lender
1997-09-17 - 1997-11-30
1997-09-17
1997-11-30
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
5017
1796452
J10 +Ar8823 (LSF)
07718137
4600
300054686
publication event
^"Salon de 1835"^, L'Artiste, IX, Paris, p. 64, 97, J10 +Ar8823 (LSF)
Yale Center for British Art
0
0
Paris
5017
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
300054686
publication event
^Acquisitions : The First Decade 1977-1986, Yale Center for British Art ^, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 16, no. 38, N590.2 A7 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1986
1986
1986
New Haven, CT
5017
14046
NJ18 M39 B35 (YCBA)
31918508
578
300054686
publication event
Thomas Balston, ^John Martin, 1799-1854, his life and works.^, G. Duckworth, London, 1947, pp. 18, 56, 88-, NJ18 M39 B35 (YCBA)
Yale Center for British Art
Thomas Balston
ycba_actor_8658
Balston Thomas
300025492
Author
G. Duckworth
ycba_actor_8659
G. Duckworth
300025574
Publisher
1947
1947
1947
London
5017
11386995
N6756 .A78 2012 (YCBA)
820120145
2872
300054686
publication event
Emma Barker, ^Art & visual culture, 1600-1850 : academy to avant-garde, ^, Tate Publishing, London, 2012, p. 213, pl. 5.32, N6756 .A78 2012 (YCBA)
Yale Center for British Art
Emma Barker
ycba_actor_11715
Barker Emma
300025526
editor
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
2012
2012
2012
London
5017
478917
Film S748 (SML)
219931366
1847
300054686
publication event
Julian Bell, ^Wonderland^, TLS, the Times Literary Supplement, Issue no. 5463, December 14, 2007, pp. 11-12, Film S748 (SML) Also Available Online in TLS Archive
Yale Center for British Art
Julian Bell
ycba_actor_9977
Bell Julian
300025492
Author
December 14, 2007
2007
2007
5017
8255329
Available online in British Periodicals II
74330594
1148
300054686
publication event
^British Institution: Exhibition of Ancient Masters^, Athenaeum, July 1854, p. 819, Available online in British Periodicals II Also available: A88 At421 + (SML) Available online in British Periodicals II
Yale Center for British Art
July 1854
1854
1854
5017
5966094
N7875 B88X 2002 (DIVINTY)
702180003
580
300054686
publication event
Thomas Buser, ^Religious art in the nineteenth century in Europe and America^, v. 28a-28b, Edwin Mellen Press, Lewiston, N.Y., 2002, no. 12, N7875 B88X 2002 (DIVINTY)
Yale Center for British Art
Thomas Buser
ycba_actor_8662
Buser Thomas
300025492
Author
Edwin Mellen Press
ycba_actor_8663
Edwin Mellen Press
300025574
Publisher
2002
2002
2002
Lewiston, N.Y.
5017
3980551
BS658 C64X 1996 (Bass)
34699485
581
300054686
publication event
Norman Cohn, ^Noah's flood, the Genesis story in Western thought ^, Yale University Press, New Haven, CT, 1996, no. 34, BS658 C64X 1996 (Bass)
Yale Center for British Art
Norman Cohn
ycba_actor_8664
Cohn Norman
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1996
1996
1996
New Haven, CT
5017
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 156-157, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
5017
14974364
Yale Internet Resource
82870197
1379
300054686
publication event
Holland Cotter, ^A Master of Biblical Floods and Final Days^, New York Times, 14 September 1997, p. AR33, Yale Internet Resource
Yale Center for British Art
Holland Cotter
ycba_actor_9409
Cotter Holland
300025492
Author
14 September 1997
1997
1997
5017
5461935
J447 Ex75X 856D (LSF)
17610931
4602
300054686
publication event
Etienne Delecluz, ^Les Beaux-arts dans les deux mondes en 1855. Architecture, sculpture, peinture, gravure.^, Charpentier, Paris, p.89, J447 Ex75X 856D (LSF)
Yale Center for British Art
Etienne Delecluz
ycba_actor_14067
Delecluz Etienne
300025492
Author
Charpentier
ycba_actor_14071
Charpentier
300025574
Publisher
0
0
Paris
5017
466829
NK1125 A3 (HAAS)
4063090
1153
300054686
publication event
^Deluge (mezzotint with etch, 1828)^, Magazine Antiques, vol. 120, November 1981, p. 1159?, NK1125 A3 (HAAS)
Yale Center for British Art
November 1981
1981
1981
5017
2537148
A88 F778 (SML)
3865146
1150
300054686
publication event
S. M. Ellis, ^Current Literature^, Fortnightly Review, vol. 116, July 1924, pp. 138-41, A88 F778 (SML) Available online in British Periodicals database.
Yale Center for British Art
S. M. Ellis
ycba_actor_9168
Ellis S. M.
300025492
Author
July 1924
1924
1924
5017
3177750
NJ18 M39 F43 (YCBA)
1993523
574
300054686
publication event
William Feaver, ^The Art of John Martin^, Clarendon Press, Oxford, 1975, NJ18 M39 F43 (YCBA)
Yale Center for British Art
William Feaver
ycba_actor_8654
Feaver William
300025492
Author
Clarendon Press
ycba_actor_8334
Clarendon Press
300025574
Publisher
1975
1975
1975
Oxford
5017
8255329
Available online: British Periodicals II
1147
300054686
publication event
^Fine Art Gossip^, Athenaeum, no. 1088, September 1848, p. 885, Available online: British Periodicals II Also available: .A88 At421 + (SML)
Yale Center for British Art
September 1848
1848
1848
5017
467625
J418 C65D (SML)
01554906
1152
300054686
publication event
Evan R. Firestone, ^John Linnell: The Eve of the Deluge^, Bulletin of the Cleveland Museum of Art, vol. 62, April 1975, pp. 131-9, J418 C65D (SML) Also available on line in JSTOR
Yale Center for British Art
Evan R. Firestone
ycba_actor_9169
Firestone Evan R.
300025492
Author
April 1975
1975
1975
5017
6667036
QE 705 G7 F74 2004 (YCBA)
54929622
528
300054686
publication event
Michael Freeman, ^Victorians and the prehistoric, tracks to a lost world ^, Yale University Press, New Haven, 2004, p. 171, no. 90, QE 705 G7 F74 2004 (YCBA)
Yale Center for British Art
Michael Freeman
ycba_actor_8611
Freeman Michael
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2004
2004
2004
New Haven
5017
3412232
N1 M34 + (YCBA)
720067463
1386
300054686
publication event
Joseph Grego, ^Art on the Queen's Accession^, Magazine of Art, January 1887, p. 368, N1 M34 + (YCBA) Available online in the British Periodicals Database
Yale Center for British Art
Joseph Grego
ycba_actor_9411
Grego Joseph
300025492
Author
January 1887
1887
1887
5017
721683
Film S2228 (SML)
6292815
1149
300054686
publication event
^Gustave Dore^, London Review of Politics, Society, Literature, Art and Science, vol. 11, September 1865, p. 668, Film S2228 (SML) Available online in British Periodicals database.
Yale Center for British Art
September 1865
1865
1865
5017
8044288
N6767 B78 2007 + OVERSIZE (YCBA)
183914451
527
300054686
publication event
Robert Hoozee, ^British vision : observation and imagination in British art, 1750-1950, ^, Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 313, 318, 319-23, 362, no. 256, color detail, p. 318fig. 256, N6767 B78 2007 + OVERSIZE (YCBA)
Yale Center for British Art
Robert Hoozee
ycba_actor_8609
Hoozee Robert
300025492
Author
Mercatorfonds Museum voor Schone Kunsten
ycba_actor_8610
Mercatorfonds Museum voor Schone Kunsten
300025574
Publisher
2007
2007
2007
Brussels , Ghent
5017
3880234
A88 H76 (LSF)
702707907
1146
300054686
publication event
^John Martin - The Dante-Milton of Painters^, Hood's Magazine, July 1846, p. 91, A88 H76 (LSF) Available online in British Periodicals Database.
Yale Center for British Art
July 1846
1846
1846
5017
3613616
NJ18 M39 H39 (YCBA)
2132240
575
300054686
publication event
^John Martin, 1789-1854, loan exhibition [of] oil paintings, watercolours, prints [held] 30th October-21st November 1975 [at] Hazlitt, Gooden & Fox. ^, Hazlitt, Gooden & Fox, Ltd., London, 1975, pp. 46-7., no. 53, NJ18 M39 H39 (YCBA)
Yale Center for British Art
Hazlitt, Gooden & Fox, Ltd.
ycba_actor_6390
http://vocab.getty.edu/ulan/500233171
Hazlitt, Gooden & Fox, Ltd.
300025574
Publisher
1975
1975
1975
London
5017
9093234
NJ18 M39 A12 2009 (YCBA)
474755892
1265
300054686
publication event
^John Martin^, Editions Treville Co., Ltd. , Tokyo, 2009, p. 33, cat. 15, NJ18 M39 A12 2009 (YCBA)
Yale Center for British Art
Editions Treville Co., Ltd.
ycba_actor_9278
Editions Treville Co., Ltd.
300025574
Publisher
2009
2009
2009
Tokyo
5017
4106913
NJ18 M39 S74 1997 (YCBA)
54257746
571
300054686
publication event
^John Martin, visions of the biblical flood. ^, Fine Arts Museums of San Francisco, San Francisco, 1997, pp. 2-4, NJ18 M39 S74 1997 (YCBA)
Yale Center for British Art
Fine Arts Museums of San Francisco
ycba_actor_1335
http://id.loc.gov/authorities/names/n80051191
http://vocab.getty.edu/ulan/500308548
http://www.wikidata.org/entity/Q1416890
https://viaf.org/viaf/150849489
Fine Arts Museums of San Francisco
300025574
Publisher
1997
1997
1997
San Francisco
5017
3613626
NJ18 M39 +J65 Oversize (YCBA)
1103659
577
300054686
publication event
Christopher Johnstone, ^John Martin^, Academy Editions, London, 1974, p. 17-18, 72, 75, NJ18 M39 +J65 Oversize (YCBA)
Yale Center for British Art
Christopher Johnstone
ycba_actor_8656
Johnstone Christopher
300025492
Author
Academy Editions
ycba_actor_8657
Academy Editions
300025574
Publisher
1974
1974
1974
London
5017
Not Available at Yale
1815
300054686
publication event
Lars Kokkonen, ^Apocalypse Now (Nachtliche Ergusse), John Martins Profanitat im England des 19. Jahrhunderts ^, Belvedere : Zeitschrift fur Bildende Kunst, 9 Jahr, Heft 1, 2003, pp. 33,34-35, Abb. 2, Not Available at Yale
Yale Center for British Art
Lars Kokkonen
ycba_actor_9929
Kokkonen Lars
300025492
Author
2003
2003
2003
5017
15797685
N8239.S65 075 2020+ (YCBA)
1230410133
4634
300054686
publication event
^Les origines du monde : l'invention de la nature au XIXe siècle^, Gallimard, Paris : FR, p. 121, fig. 84, N8239.S65 075 2020+ (YCBA)
Yale Center for British Art
Gallimard
ycba_actor_9827
Gallimard
300025574
Publisher
Laura Bossi
ycba_actor_14100
Bossi Laura
300025492
Author
0
0
Paris : FR
5017
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
300054686
publication event
Julia Marciari-Alexander, ^This other Eden : Paintings from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 1998, p. 150, no. 61, ND1314.3 Y36 1998 (YCBA)
Yale Center for British Art
Julia Marciari-Alexander
ycba_actor_2049
Marciari-Alexander Julia
300025492
Author
Malcolm Warner, born 1953
ycba_actor_1214
http://id.loc.gov/authorities/names/n78078373
https://www.wikidata.org/wiki/Q16185655
Warner Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1998
1998
1998
New Haven, CT
5017
486973
N1 F16 OVERSIZE (HAAS)
10764669
1155
300054686
publication event
Giovanni Mariotti, ^John Martin: Visions of the Biblical Flood^, FMR, October/November 1997, pp. 20-32, N1 F16 OVERSIZE (HAAS)
Yale Center for British Art
Giovanni Mariotti
ycba_actor_9170
Mariotti Giovanni
300025492
Author
October/November 1997
1997
1997
5017
583814
Film B43 (YCBA)
54249591
576
300054686
publication event
Lynn Robert Matteson, ^Apocalyptic themes in British romantic landscape painting^, 1984, Film B43 (YCBA)
Yale Center for British Art
Lynn Robert Matteson
ycba_actor_8655
Matteson Lynn Robert
300025492
Author
1984
1984
1984
5017
762936
N3 P3 OVERSIZE (HAAS)
823004
1154
300054686
publication event
Lynn Robert Matteson, ^John Martin's Deluge: A Study in Romantic Catastrophe^, Pantheon, vol. XXXIX/III, July-August-September 1981, pp. 220-228, N3 P3 OVERSIZE (HAAS)
Yale Center for British Art
Lynn Robert Matteson
ycba_actor_8655
Matteson Lynn Robert
300025492
Author
July-August-September 1981
1981
1981
5017
720909
Film An Sy25 (SML)
09212287
1782
300054686
publication event
John McDonald, ^A Feast of Mellon^, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)
Yale Center for British Art
John McDonald
ycba_actor_9869
McDonald John
300025492
Author
May 9, 1998
1998
1998
5017
9746078
NJ18 M39 +M67 2010 Oversize (YCBA)
610823185
1797
300054686
publication event
Barbara C. Morden, ^John Martin : Apocalypse Now!, ^, Northumbria University Press, Newcastle Upon Tyne, 2010, pp. 52, 57-58, NJ18 M39 +M67 2010 Oversize (YCBA)
Yale Center for British Art
Barbara C. Morden
ycba_actor_9895
Morden Barbara C.
300025492
Author
Northumbria University Press
ycba_actor_9896
Northumbria University Press
300025574
Publisher
2010
2010
2010
Newcastle Upon Tyne
5017
466842
N1 A54 + (YCBA)
01481683
1381
300054686
publication event
^Morton D. Paley's The Apocalyptic Sublime^, Apollo, v. 125, no. 300, February 1987, pp. 150-51, N1 A54 + (YCBA)
Yale Center for British Art
February 1987
1987
1987
5017
10095954
NJ18.M39 A12 2011 Oversize (YCBA)
751807258
1918
300054686
publication event
Martin Myrone, ^John Martin, apocalypse ^, Tate Publishing, London, 2011, pp. 54, 106, 163, 201, NJ18.M39 A12 2011 Oversize (YCBA)
Yale Center for British Art
Martin Myrone
ycba_actor_8513
Myrone Martin
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
2011
2011
2011
London
5017
12396850
ND467.5.R6 N66 2003 Oversize (YCBA)
52515412
4596
300054686
publication event
Patrick Noon, ^Crossing the Channel : British and French painting in the age of romanticism^, Tate Publishing, London, p. 122-3, no. 56, ND467.5.R6 N66 2003 Oversize (YCBA)
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
0
0
London
5017
583798
ND1432 G73 P34 1986
13185418
572
300054686
publication event
Morton D. Paley, ^The Apocalyptic Sublime^, Yale University Press, New Haven, Conn., 1986, p. 139, no. 66, ND1432 G73 P34 1986
Yale Center for British Art
Morton D. Paley
ycba_actor_8652
Paley Morton D.
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1986
1986
1986
New Haven, Conn.
5017
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5017
148350
NJ18 M39 P4 1923 (YCBA)
3404072
579
300054686
publication event
Mary L. Pendered, ^John Martin, Painter : His Life and Times, ^, Hurst & Blackett, London, 1923, pp. 131-139, p. 132, NJ18 M39 P4 1923 (YCBA)
Yale Center for British Art
Mary L. Pendered
ycba_actor_8660
Pendered Mary L.
300025492
Author
Hurst & Blackett
ycba_actor_8661
Hurst & Blackett
300025574
Publisher
1923
1923
1923
London
5017
15646087
NJ18.T85 R49 2020 (YCBA)
1140105746
4568
300054686
publication event
Graham Reynolds, ^Turner : with a new introduction by David Blayney Brown^, Thames & Hudson, London, fig. 164, NJ18.T85 R49 2020 (YCBA)
Yale Center for British Art
Graham Reynolds
ycba_actor_8357
Reynolds Graham
300025492
Author
Thames & Hudson
ycba_actor_9898
Thames & Hudson
300025574
Publisher
0
0
London
5017
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
300054686
publication event
Duncan Robinson, ^Acquisitions : The First Decade 1977 - 1986, ^, Burlington Magazine, vol. 128, October 1986, pp. 9, 16, no. 38, N1 B87 128:3 OVERSIZE (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Joan M. Friedman
ycba_actor_11160
Friedman Joan M.
300025492
Author
October 1986
1986
1986
5017
4515409
V 0597 (YCBA)
77597653
1380
300054686
publication event
Anny Sadrin, ^John Martin - The Deluge^, Interfaces, v. 7, 1995, pp. 11-26, cover, V 0597 (YCBA)
Yale Center for British Art
Anny Sadrin
ycba_actor_9410
Sadrin Anny
300025492
Author
1995
1995
1995
5017
7287013
Yale Internet Resource
1387
300054686
publication event
^The Exhibition of the Royal Academy^, Monthly Magazine, v. 3:18, June 1840, p. 664, Yale Internet Resource Available online in British Periodicals Database
Yale Center for British Art
June 1840
1840
1840
5017
12028088
Available online: Illus.London News Hist. Archive
0006135
1151
300054686
publication event
^The John Martin Exhibition, a Once-Famous Biblical Painter ^, Illustrated London News, vol. 223, no 5974, October 17, 1953, p. 601, Available online: Illus.London News Hist. Archive
Yale Center for British Art
October 17, 1953
1953
1953
5017
15582957
NJ18.T85 A12 2019b Oversize (YCBA)
1124985436
4570
300054686
publication event
^Turner : horror and delight^, Sandstein Verlag, Dresden, pp. 232-233, no. 101, NJ18.T85 A12 2019b Oversize (YCBA)
Yale Center for British Art
Sandstein Verlag
ycba_actor_13612
Sandstein Verlag
300025574
Publisher
Hermann Arnhold
ycba_actor_14008
Arnhold Hermann
300025492
Author
0
0
Dresden
5017
688057
N1 B87 + (YCBA)
05461534
1385
300054686
publication event
Richard Verdi, ^Poussin's Deluge: The Aftermath^, Burlington Magazine, v. 123,no.940, July 1981, p. 398, N1 B87 + (YCBA)
Yale Center for British Art
Richard Verdi
ycba_actor_8790
Verdi Richard
300025492
Author
July 1981
1981
1981
5017
Available Online: British Periodicals II
1145
300054686
publication event
Gustav Friedrich Waagen, ^Works of Art and Artists in England. By G.F. Waagen, Director of the Royal Gallery at Berlin^, British and Foreign Review, July 1839, pp. 31, 39 -41, Available Online: British Periodicals II Also available: WC 18931 (LSF - Mudd)
Yale Center for British Art
Gustav Friedrich Waagen
ycba_actor_8693
Waagen Gustav Friedrich
300025492
Author
July 1839
1839
1839
5017
583871
NJ18 M39 W44 (YCBA)
14241559
573
300054686
publication event
J. Dustin Wees, ^Darkness Visible : The Prints of John Martin, ^, Clark Art Institute, Williamstown, Mass., 1986, p. 33, no. 23, NJ18 M39 W44 (YCBA)
Yale Center for British Art
J. Dustin Wees
ycba_actor_8653
Wees J. Dustin
300025492
Author
Clark Art Institute
ycba_actor_6082
http://id.loc.gov/authorities/names/n78096939
http://vocab.getty.edu/ulan/500125194
http://www.wikidata.org/entity/Q1465805
https://viaf.org/viaf/145164344
Clark Art Institute
300025574
Publisher
1986
1986
1986
Williamstown, Mass.
5017
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1978-01-01
1978-01-01
1978-01-01
300138913
gift
A larger version of a painting shown in 1826 at the British Institution, this work of 1834 won a gold medal at the Paris Salon of 1835 and was called his “favourite picture” by the artist. Using the Bible and Byron’s verse drama Heaven and Earth (1821) as sources, John Martin re-creates the biblical flood story amid extraordinary astronomical circumstances, depicting the sun, moon, and a comet in conjunction. In an effort to reconstruct geological conditions, the artist also noted that “relative to the scale of proportion, viz. the figures and trees, the highest mountain in the Picture will be found to be 15,000 Ft., the next in height 10,000 Ft., and the middle ground perpendicular rock 4,000 feet.” On one of the rock ledges in the background, Noah’s ark sits barely visible, illumined by the last rays of the sun, while in the center of the composition, a lightning bolt strikes a blasphemer whose wife attempts to cover his mouth with her hand to silence his sacrilegious curses.
--- --- Gallery label for installation of YCBA collection, 2016
5017
300048722
Gallery label
2016
John Martin’s art deals with themes of the sublime power of nature over man. Martin believed that, at some point in the past, the sun, the moon, and a comet collided, causing a massive flood that extinguished many forms of life on earth. He shared this belief with the French naturalist Baron Georges Cuvier, who is known to have seen The Deluge in Martin’s studio. In addition to referencing this collision and the resulting cataclysmic flood, The Deluge—with its drowning and ravaged figures scattered across the canvas—also takes inspiration from the story of the flood in the first book of the Bible, in which God punished man’s wickedness by destroying nearly every living thing on earth. In the painting, Martin mingled religion with science as well as Romantic literature, drawing inspiration from Lord Byron’s drama Heaven and Earth (1821). When The Deluge was shown at the Paris Salon in 1835, Martin’s painting was awarded a gold medal by King Louis-Philippe.
--- --- Gallery label for the Critique of Reason: Romantic Art (Yale Center for British Art, 2015-03-06 - 2015-07-26)
5017
300048722
Gallery label
2015
According to the Book of Genesis, mankind showed such wickedness in the generations after Adam that God repented of the whole of Creation and sent down a huge flood, destroying almost every living thing on earth. Martin attempts to capture the divine violence at its most destructive, when "all the fountains of the great deep [were] broken up, and the windows of heaven were opened." The only people to be spared were the righteous Noah and his family, whom God instructed to build an ark. Martin makes this symbol of hope and redemption barely visible, resting on one of the highest rocky ledges near the ominous conjunction of sun, moon, and blood-red comet.
--- --- Gallery label for installation of YCBA collection, 1999
5017
300048722
Gallery label
1999
As a painter fascinated with cataclysms, in which humanity appears as the plaything of terrible, "sublime" natural forces, Martin was almost inevitably drawn to the biblical story of the Deluge. According to the Book of Genesis, mankind showed such wickedness in the generations after Adam that God repented of the whole of Creation and sent down a huge flood, destroying almost every living thing on earth. The only people spared were the old and righteous Noah and his family, whom God warned of the impending disaster and instructed to build an ark, taking on board with them a male and female of every animal species. The flood rose throughout forty days and forty nights of rain, until even the tops of the highest mountains were covered, and lasted in all about a year. When the land was finally dry again, Noah made a sacrifice to God, who told him and his family to go forth, procreate and "replenish the earth" (Genesis 9:1). He undertook never again to visit such destruction upon the world, and set a rainbow in the sky as a sign of his new covenant with Creation. ---
In The Deluge Martin attempts to capture the divine violence at the moment of its greatest destructiveness, when "all the fountains of the great deep [were] broken up, and the windows of heaven were opened" (Genesis 7:11). What he lacked in technical skill he made up for with his genius for conception and spectacle, and his master stroke in this work is to show the great mountains crashing down upon humanity in a tidal wave of stone; this is a universal storm, erupting not merely through air and water, but through earth as well. Perhaps Martin associated the flood of Genesis, coming at the beginning of the Bible, with the apocalyptic events described in the Book of Revelation at its end. Some of the figures hint at damned souls from a Last Judgment. Certainly it is the horror of the scene, and the futility of mankind's struggle against fate, that have caught the artist's imagination. Noah's ark, the symbol of hope and redemption, is barely visible, resting on one of the highest rocky ledges, near the ominous conjunction of sun, moon, and blood-red comet. ---
This appears to have been Martin's second Deluge picture. He exhibited an earlier treatment of the subject at the British Institution in 1826; although the actual work is lost, we know its appearance from a reproductive print published in 1828. He first showed the present version at the Paris Salon in 1835, where it was much admired by the French and won him a gold medal. In 1837 he exhibited the work again, this time at the Royal Academy in London; in the exhibition catalogue the title was accompanied by quotations from Genesis and from Byron's dark poetic drama on the Deluge, Heaven and Earth. In 1839 Prince Albert, the husband of Queen Victoria, paid a visit to Martin's studio, saw The Deluge (it was as yet unsold) and suggested that he should paint further works on the same theme to create a narrative cycle. Martin took up the idea and conceived a kind of triptych, with The Deluge as centerpiece and slightly smaller "wings" showing scenes before and after the cataclysm. He painted his new subjects and exhibited them at the Royal Academy in 1840. In the first, The Eve of the Deluge (Royal Collection), Noah and his family appear grouped around the ancient Methuselah, who recognizes the coming together of the sun, moon, and comet as the fulfillment of prophecies made by his father Enoch. The final work in the sequence, The Assuaging of the Waters (Fine Arts Museums of San Francisco), shows the mountains reappearing as the flood subsides, with the dove sent out by Noah to discover whether the earth is again habitable flying back with the hopeful sign of an olive branch in its beak. These were bought from Martin respectively by Prince Albert and the Duchess of Sutherland, the Queen's Mistress of the Robes, and The Deluge was bought from him in about 1845 by his most important patron, Charles Scarisbrick, a wealthy landowner, developer, and collector from Lancashire. The three paintings remained in different collections and, curiously, appear never to have been exhibited together in the artist's lifetime. --- ---
Malcolm Warner
--- --- Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 150, no. 63, ND1314.3 Y36 1998 (YCBA)
5017
300111999
Published catalog entry
ycba_actor_1214
Malcolm Warner
300025492
Author
1998
300055474
ycba_term_38768
family
300133095
ycba_term_823
night
300221705
ycba_term_25909
Noah's arks
300054546
ycba_term_7779
geology
300024979
ycba_term_6204
people
300185658
ycba_term_967
heaven
300154343
ycba_term_40735
wife
300054462
ycba_term_7859
science
300068795
ycba_term_1020
lightning
300054550
ycba_term_7783
meteorology
300053087
ycba_term_8576
destruction
300192799
ycba_term_187
violence
300008694
ycba_term_32367
sea
300404733
ycba_term_2053004
rocks (landforms)
ycba_term_2046879
religious and mythological subject
300178749
ycba_term_26162
boats
ycba_term_2036328
sun
ycba_term_2036326
moon
300266158
ycba_term_2036818
comet
300151836
300151836
ycba_term_40703
death
300054733
300054733
ycba_term_8400
tidal waves
300054734
300054734
ycba_term_38693
storm
300054731
300054731
ycba_term_38690
flood
300054733
300054733
ycba_term_2036259
waves (natural events)
"Salon de 1835", L'Artiste, IX, Paris, p. 64, 97, J10 +Ar8823 (LSF)
1796452
J10 +Ar8823 (LSF)
07718137
4600
related to
Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 16, no. 38, N590.2 A7 OVERSIZE (YCBA)
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
related to
Thomas Balston, John Martin, 1799-1854, his life and works., G. Duckworth, London, 1947, pp. 18, 56, 88-, NJ18 M39 B35 (YCBA)
14046
NJ18 M39 B35 (YCBA)
31918508
578
related to
Emma Barker, Art & visual culture, 1600-1850 : academy to avant-garde, , Tate Publishing, London, 2012, p. 213, pl. 5.32, N6756 .A78 2012 (YCBA)
11386995
N6756 .A78 2012 (YCBA)
820120145
2872
related to
Julian Bell, Wonderland, TLS, the Times Literary Supplement, Issue no. 5463, December 14, 2007, pp. 11-12, Film S748 (SML) Also Available Online in TLS Archive
478917
Film S748 (SML)
219931366
1847
related to
British Institution: Exhibition of Ancient Masters, Athenaeum, July 1854, p. 819, Available online in British Periodicals II Also available: A88 At421 + (SML) Available online in British Periodicals II
8255329
Available online in British Periodicals II
74330594
1148
related to
Thomas Buser, Religious art in the nineteenth century in Europe and America, v. 28a-28b, Edwin Mellen Press, Lewiston, N.Y., 2002, no. 12, N7875 B88X 2002 (DIVINTY)
5966094
N7875 B88X 2002 (DIVINTY)
702180003
580
related to
Norman Cohn, Noah's flood, the Genesis story in Western thought, Yale University Press, New Haven, CT, 1996, no. 34, BS658 C64X 1996 (Bass)
3980551
BS658 C64X 1996 (Bass)
34699485
581
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 156-157, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Holland Cotter, A Master of Biblical Floods and Final Days, New York Times, 14 September 1997, p. AR33, Yale Internet Resource
14974364
Yale Internet Resource
82870197
1379
related to
Etienne Delecluz, Les Beaux-arts dans les deux mondes en 1855. Architecture, sculpture, peinture, gravure., Charpentier, Paris, p.89, J447 Ex75X 856D (LSF)
5461935
J447 Ex75X 856D (LSF)
17610931
4602
related to
Deluge (mezzotint with etch, 1828), Magazine Antiques, vol. 120, November 1981, p. 1159?, NK1125 A3 (HAAS)
466829
NK1125 A3 (HAAS)
4063090
1153
related to
S. M. Ellis, Current Literature, Fortnightly Review, vol. 116, July 1924, pp. 138-41, A88 F778 (SML) Available online in British Periodicals database.
2537148
A88 F778 (SML)
3865146
1150
related to
William Feaver, The Art of John Martin, Clarendon Press, Oxford, 1975, NJ18 M39 F43 (YCBA)
3177750
NJ18 M39 F43 (YCBA)
1993523
574
related to
Fine Art Gossip, Athenaeum, no. 1088, September 1848, p. 885, Available online: British Periodicals II Also available: .A88 At421 + (SML)
8255329
Available online: British Periodicals II
1147
related to
Evan R. Firestone, John Linnell: The Eve of the Deluge, Bulletin of the Cleveland Museum of Art, vol. 62, April 1975, pp. 131-9, J418 C65D (SML) Also available on line in JSTOR
467625
J418 C65D (SML)
01554906
1152
related to
Michael Freeman, Victorians and the prehistoric, tracks to a lost world, Yale University Press, New Haven, 2004, p. 171, no. 90, QE 705 G7 F74 2004 (YCBA)
6667036
QE 705 G7 F74 2004 (YCBA)
54929622
528
related to
Joseph Grego, Art on the Queen's Accession, Magazine of Art, January 1887, p. 368, N1 M34 + (YCBA) Available online in the British Periodicals Database
3412232
N1 M34 + (YCBA)
720067463
1386
related to
Gustave Dore, London Review of Politics, Society, Literature, Art and Science, vol. 11, September 1865, p. 668, Film S2228 (SML) Available online in British Periodicals database.
721683
Film S2228 (SML)
6292815
1149
related to
Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 313, 318, 319-23, 362, no. 256, color detail, p. 318fig. 256, N6767 B78 2007 + OVERSIZE (YCBA)
8044288
N6767 B78 2007 + OVERSIZE (YCBA)
183914451
527
related to
John Martin - The Dante-Milton of Painters, Hood's Magazine, July 1846, p. 91, A88 H76 (LSF) Available online in British Periodicals Database.
3880234
A88 H76 (LSF)
702707907
1146
related to
John Martin, 1789-1854, loan exhibition [of] oil paintings, watercolours, prints [held] 30th October-21st November 1975 [at] Hazlitt, Gooden & Fox., Hazlitt, Gooden & Fox, Ltd., London, 1975, pp. 46-7., no. 53, NJ18 M39 H39 (YCBA)
3613616
NJ18 M39 H39 (YCBA)
2132240
575
related to
John Martin, Editions Treville Co., Ltd. , Tokyo, 2009, p. 33, cat. 15, NJ18 M39 A12 2009 (YCBA)
9093234
NJ18 M39 A12 2009 (YCBA)
474755892
1265
related to
John Martin, visions of the biblical flood., Fine Arts Museums of San Francisco, San Francisco, 1997, pp. 2-4, NJ18 M39 S74 1997 (YCBA)
4106913
NJ18 M39 S74 1997 (YCBA)
54257746
571
related to
Christopher Johnstone, John Martin, Academy Editions, London, 1974, p. 17-18, 72, 75, NJ18 M39 +J65 Oversize (YCBA)
3613626
NJ18 M39 +J65 Oversize (YCBA)
1103659
577
related to
Lars Kokkonen, Apocalypse Now (Nachtliche Ergusse), John Martins Profanitat im England des 19. Jahrhunderts, Belvedere : Zeitschrift fur Bildende Kunst, 9 Jahr, Heft 1, 2003, pp. 33,34-35, Abb. 2, Not Available at Yale
Not Available at Yale
1815
related to
Les origines du monde : l'invention de la nature au XIXe siècle, Gallimard, Paris : FR, p. 121, fig. 84, N8239.S65 075 2020+ (YCBA)
15797685
N8239.S65 075 2020+ (YCBA)
1230410133
4634
related to
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, p. 150, no. 61, ND1314.3 Y36 1998 (YCBA)
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
related to
Giovanni Mariotti, John Martin: Visions of the Biblical Flood, FMR, October/November 1997, pp. 20-32, N1 F16 OVERSIZE (HAAS)
486973
N1 F16 OVERSIZE (HAAS)
10764669
1155
related to
Lynn Robert Matteson, Apocalyptic themes in British romantic landscape painting, 1984, Film B43 (YCBA)
583814
Film B43 (YCBA)
54249591
576
related to
Lynn Robert Matteson, John Martin's Deluge: A Study in Romantic Catastrophe, Pantheon, vol. XXXIX/III, July-August-September 1981, pp. 220-228, N3 P3 OVERSIZE (HAAS)
762936
N3 P3 OVERSIZE (HAAS)
823004
1154
related to
John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)
720909
Film An Sy25 (SML)
09212287
1782
related to
Barbara C. Morden, John Martin : Apocalypse Now!, , Northumbria University Press, Newcastle Upon Tyne, 2010, pp. 52, 57-58, NJ18 M39 +M67 2010 Oversize (YCBA)
9746078
NJ18 M39 +M67 2010 Oversize (YCBA)
610823185
1797
related to
Morton D. Paley's The Apocalyptic Sublime, Apollo, v. 125, no. 300, February 1987, pp. 150-51, N1 A54 + (YCBA)
466842
N1 A54 + (YCBA)
01481683
1381
related to
Martin Myrone, John Martin, apocalypse, Tate Publishing, London, 2011, pp. 54, 106, 163, 201, NJ18.M39 A12 2011 Oversize (YCBA)
10095954
NJ18.M39 A12 2011 Oversize (YCBA)
751807258
1918
related to
Patrick Noon, Crossing the Channel : British and French painting in the age of romanticism, Tate Publishing, London, p. 122-3, no. 56, ND467.5.R6 N66 2003 Oversize (YCBA)
12396850
ND467.5.R6 N66 2003 Oversize (YCBA)
52515412
4596
related to
Morton D. Paley, The Apocalyptic Sublime, Yale University Press, New Haven, Conn., 1986, p. 139, no. 66, ND1432 G73 P34 1986
583798
ND1432 G73 P34 1986
13185418
572
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Mary L. Pendered, John Martin, Painter : His Life and Times, , Hurst & Blackett, London, 1923, pp. 131-139, p. 132, NJ18 M39 P4 1923 (YCBA)
148350
NJ18 M39 P4 1923 (YCBA)
3404072
579
related to
Graham Reynolds, Turner : with a new introduction by David Blayney Brown, Thames & Hudson, London, fig. 164, NJ18.T85 R49 2020 (YCBA)
15646087
NJ18.T85 R49 2020 (YCBA)
1140105746
4568
related to
Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 16, no. 38, N1 B87 128:3 OVERSIZE (YCBA)
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
related to
Anny Sadrin, John Martin - The Deluge, Interfaces, v. 7, 1995, pp. 11-26, cover, V 0597 (YCBA)
4515409
V 0597 (YCBA)
77597653
1380
related to
The Exhibition of the Royal Academy, Monthly Magazine, v. 3:18, June 1840, p. 664, Yale Internet Resource Available online in British Periodicals Database
7287013
Yale Internet Resource
1387
related to
The John Martin Exhibition, a Once-Famous Biblical Painter, Illustrated London News, vol. 223, no 5974, October 17, 1953, p. 601, Available online: Illus.London News Hist. Archive
12028088
Available online: Illus.London News Hist. Archive
0006135
1151
related to
Turner : horror and delight, Sandstein Verlag, Dresden, pp. 232-233, no. 101, NJ18.T85 A12 2019b Oversize (YCBA)
15582957
NJ18.T85 A12 2019b Oversize (YCBA)
1124985436
4570
related to
Richard Verdi, Poussin's Deluge: The Aftermath, Burlington Magazine, v. 123,no.940, July 1981, p. 398, N1 B87 + (YCBA)
688057
N1 B87 + (YCBA)
05461534
1385
related to
Gustav Friedrich Waagen, Works of Art and Artists in England. By G.F. Waagen, Director of the Royal Gallery at Berlin, British and Foreign Review, July 1839, pp. 31, 39 -41, Available Online: British Periodicals II Also available: WC 18931 (LSF - Mudd)
Available Online: British Periodicals II
1145
related to
J. Dustin Wees, Darkness Visible : The Prints of John Martin, , Clark Art Institute, Williamstown, Mass., 1986, p. 33, no. 23, NJ18 M39 W44 (YCBA)
583871
NJ18 M39 W44 (YCBA)
14241559
573
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5017
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5017
oai:tms.ycba.yale.edu:5017
https://manifests.collections.yale.edu/v2/ycba/obj/5017
https://manifests.collections.yale.edu/ycba/obj/5017
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art