2024-03-28T13:43:39Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:50192024-03-27ycba:ps
YCBA/lido-TMS-5019
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300386045
historical subject
300033618
Painting
The Camden Town Murder, or What Shall We Do for the Rent?
The Camden Town Murder
The Camden Town Murder (also known as What Shall We Do about the Rent?)
[1998, This Other Eden: Paintings from the Yale Center for British Art, exhibition catalogue]
Signed, lower right: "Sickert"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1979.37.1
https://www.wikidata.org/wiki/Q23758118
Not on view
Yale Center for British Art
41.3080060, -72.9306282
10 1/16 × 14 inches (25.6 × 35.6 cm)
height
cm
25.6
width
cm
35.6
17 1/8 × 21 × 3 inches (43.5 × 53.3 × 7.6 cm)
height
cm
43.5
width
cm
53.3
depth
cm
7.6
Frame
5019
300054713
production
Walter Richard Sickert, 1860–1942, British, born in Germany
ycba_actor_27
https://n2t.net/ark:/99166/w60580k6
http://en.wikipedia.org/wiki/Walter_Sickert
http://d-nb.info/gnd/118797034
https://www.wikidata.org/wiki/Q703369
http://id.loc.gov/authorities/names/n50024008
http://libris.kb.se/resource/auth/212201
http://isni-url.oclc.nl/isni/0000000083430698
http://viaf.org/viaf/39554004
http://vocab.getty.edu/ulan/500001141
http://www.idref.fr/027515370/id
Camden Town Group
New English Art Club
Walter Richard Sickert
Sickert, Walter, 1860-1942
Sickert Walter Richard, 1860–1942
Walter Richard Sickert, 1860–1942
Walter Richard Sickert, 1860–1942
7018159
7008922
7004333
7011781
1009430
7008038
7002886
7002981
7008153
7008180
7008103
British, born in Germany
1860
1942
male
300025103
Artist
300025492
writer
300025164
printmaker
300025529
teacher
300025136
painter
Royal Academician
300111159
British
ca. 1908
1903
1913
26
20th century
Oil on canvas
300054216
painting (technique)
Walter Sickert (Tate Britain, 2022-04-25 - 2022-09-18)
1057
300054766
exhibition
Walter Sickert
Yale Center for British Art
Tate Britain
ycba_actor_1284
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
https://viaf.org/viaf/155600523
http://id.loc.gov/authorities/names/n80046785
The Board of Trustees of the Tate Gallery
Tate Britain
0
0
2022-04-25 - 2022-09-18
2022-04-25
2022-09-18
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
Edwardian Opulence (Yale Center for British Art, 2013-02-28 - 2013-06-02)
780
https://britishart.yale.edu/node/617
300054766
exhibition
Edwardian Opulence
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
British Art Center
YCBA
BAC
Yale Center for British Art
1977
0
63
Organizer
2013-02-28 - 2013-06-02
2013-02-28
2013-06-02
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Edwardian Opulence: British Art at the Dawn of the Twentieth Century was the ?rst survey in more than a generation of the full extent, breadth, and depth of the visual arts in Britain during the reign of King Edward VII (1901–10). Among other themes, the exhibition explored the pan-imperial, international, and transatlantic character of British art in that complex period, and considered the impact of new technologies—such as electri?cation, the motor car, recorded sound, and cinema—on painting, sculpture, photography, and the decorative arts. Many of the objects in the exhibition were chosen to reveal the full and often startling magni?cence of elite consumption during that turbulent decade. The emphasis on the theme of opulence served to illuminate a social and artistic dreamscape that was shattered by World War I. — —
Recently made popular by the British television series Downton Abbey, the Edwardian period has been depicted as an indolent summer afternoon of imperial and elite complacency, a lingering coda of the Victorian era that resisted the advent of the Modern, but also as a period of tremendous and rapid political, economic, and artistic change that affected every aspect of British life. Edwardian Opulence explored issues of creation, consumption, and display through a range of objects, including portraits by John Singer Sargent and Giovanni Boldini, diamond tiaras and ostrich-feather fans, jewel-like Autochrome color photography, and a spectacular embroidered gown that belonged to the American-born Vicereine of India. Spanning divides of class and geography, the exhibition identi?ed opulence and leisure as driving forces for the domestic and imperial British economic engine in the early years of the twentieth century.
Among the lenders to Edwardian Opulence were public art museums and private individuals spread over four continents. These included Her Majesty Queen Elizabeth II, His Grace the Duke of Devonshire, the Right Hon. Lord Rothschild, the British Museum, the Victoria and Albert Museum, Tate Britain, the Royal Academy of Arts, the Metropolitan Museum of Art, the Musée d’Orsay, the Collection Cartier in Geneva, the South African National Gallery in Cape Town, the Johannesburg Art Gallery, the National Gallery of Victoria, the Art Gallery of New South Wales, and many others. — —
The exhibition included a special program of historic sound recordings that were selected from the Yale Collection of Historical Sound Recordings in the Irving S. Gilmore Music Library at Sterling Memorial Library. Some of the recordings related directly to works on display in the exhibition, but the majority were selected with broader themes in mind, such as patriotism, politics, memory, language, sentiment, and a peculiarly Edwardian sense of wistful nostalgia. — —
Credits — —
Edwardian Opulence: British Art at the Dawn of the Twentieth Century was organized by the Center and curated by Angus Trumble, Senior Curator of Paintings and Sculpture, and Andrea Wolk Rager, Visiting Assistant Professor, Case Western Reserve University. The exhibition was accompanied by a major publication, edited by the curators and published by the Center in association with Yale University Press.
Yale Center for British Art
The Camden Town Group (Tate Britain) (Tate Britain, 2008-02-13 - 2008-05-05)
639
300054766
exhibition
The Camden Town Group (Tate Britain)
Yale Center for British Art
Tate Britain
ycba_actor_1284
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
https://viaf.org/viaf/155600523
http://id.loc.gov/authorities/names/n80046785
The Board of Trustees of the Tate Gallery
Tate Britain
0
0
300311675
Borrower
2008-02-13 - 2008-05-05
2008-02-13
2008-05-05
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
Walter Sickert - The Camden Town Nudes (The Courtauld Gallery, 2007-10-25 - 2008-01-20)
620
300054766
exhibition
Walter Sickert - The Camden Town Nudes
Yale Center for British Art
The Courtauld Gallery
ycba_actor_3955
https://www.wikidata.org/wiki/Q12110695
The Courtauld Gallery
The Courtauld Institute of Art
0
0
300311675
Borrower
2007-10-25 - 2008-01-20
2007-10-25
2008-01-20
The Courtauld Gallery
ycba_actor_3955
https://www.wikidata.org/wiki/Q12110695
The Courtauld Gallery
London
7011781
London
Revisiting Traditions [BAC 20th century painting & sculpture] (Yale Center for British Art, 2002-04-30 - 2005-05-18)
164
300054766
exhibition
Revisiting Traditions [BAC 20th century painting & sculpture]
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
300025633
Curator
2002-04-30 - 2005-05-18
2002-04-30
2005-05-18
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Bloomsbury Contemporaries (Yale Center for British Art, 2000-05-20 - 2000-09-03)
86
300054766
exhibition
Bloomsbury Contemporaries
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2000-05-20 - 2000-09-03
2000-05-20
2000-09-03
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
20th Century Paintings and Sculpture (Yale Center for British Art, 2000-01-27 - 2000-04-30)
78
300054766
exhibition
20th Century Paintings and Sculpture
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2000-01-27 - 2000-04-30
2000-01-27
2000-04-30
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of New South Wales
ycba_actor_1293
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
http://vocab.getty.edu/ulan/500267593
http://id.loc.gov/authorities/names/n50061030
Art Gallery of New South Wales
Art Gallery of New South Wales
0
0
300311675
Borrower
1998-05-01 - 1998-07-05
1998-05-01
1998-07-05
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
Art Gallery of New South Wales
Sydney
7001923
Sydney
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Queensland Art Gallery
ycba_actor_1294
http://vocab.getty.edu/ulan/500305672
https://viaf.org/viaf/137221678
http://www.wikidata.org/entity/Q7270900
http://id.loc.gov/authorities/names/n81139357
Queensland Art Gallery
0
0
300311675
Borrower
1998-07-15 - 1998-09-06
1998-07-15
1998-09-06
Queensland Art Gallery
ycba_actor_1294
http://id.loc.gov/authorities/names/n81139357
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
Queensland Art Gallery
Brisbane
7001911
Brisbane
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of South Australia
ycba_actor_1295
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
http://vocab.getty.edu/ulan/500304440
http://id.loc.gov/authorities/names/n79007201
Art Gallery of South Australia
Art Gallery of South Australia
0
0
300311675
Borrower
1998-09-16 - 1998-11-15
1998-09-16
1998-11-15
Art Gallery of South Australia
ycba_actor_1295
http://id.loc.gov/authorities/names/n79007201
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
Art Gallery of South Australia
Adelaide
7001904
Adelaide
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
Walter Richard Sickert (RA) (Royal Academy of Arts, 1992-11-18 - 1993-02-14)
471
300054766
exhibition
Walter Richard Sickert (RA)
Yale Center for British Art
Royal Academy of Arts
ycba_actor_5870
http://vocab.getty.edu/ulan/500115632
https://viaf.org/viaf/153543255
http://www.wikidata.org/entity/Q270920
http://id.loc.gov/authorities/names/n80032672
RA
Royal Academy of Arts
0
0
300311675
Borrower
1992-11-18 - 1993-02-14
1992-11-18
1993-02-14
Royal Academy of Arts
ycba_actor_5870
http://id.loc.gov/authorities/names/n80032672
http://vocab.getty.edu/ulan/500115632
http://www.wikidata.org/entity/Q270920
https://viaf.org/viaf/153543255
Royal Academy of Arts
Piccadilly
https://en.wikipedia.org/wiki/Piccadilly
Piccadilly
Twentieth Century British Art Featuring Twenty Artists (Hirschl & Adler Galleries, Inc., 1990-11-10 - 1991-01-05)
451
300054766
exhibition
Twentieth Century British Art Featuring Twenty Artists
Yale Center for British Art
Hirschl & Adler Galleries, Inc.
ycba_actor_7145
http://vocab.getty.edu/ulan/500303956
Hirschl & Adler Galleries, Inc.
0
0
300311675
Borrower
1990-11-10 - 1991-01-05
1990-11-10
1991-01-05
Hirschl & Adler Galleries, Inc.
ycba_actor_7145
http://vocab.getty.edu/ulan/500303956
Hirschl & Adler Galleries, Inc.
Manhattan Island
7022657
Manhattan Island
British Painters and Sculptors 1905 to 1930 (Hirschl & Adler Galleries, Inc., 1987-11-14 - 1988-01-09)
399
300054766
exhibition
British Painters and Sculptors 1905 to 1930
Yale Center for British Art
Hirschl & Adler Galleries, Inc.
ycba_actor_7145
http://vocab.getty.edu/ulan/500303956
Hirschl & Adler Galleries, Inc.
0
0
300311675
Borrower
1987-11-14 - 1988-01-09
1987-11-14
1988-01-09
Hirschl & Adler Galleries, Inc.
ycba_actor_7145
http://vocab.getty.edu/ulan/500303956
Hirschl & Adler Galleries, Inc.
Manhattan Island
7022657
Manhattan Island
5019
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
300054686
publication event
^Acquisitions : The First Decade 1977-1986, Yale Center for British Art ^, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 19, no. 51, fig. 11, N590.2 A7 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1986
1986
1986
New Haven, CT
5019
3794325
N6420 T68 1995 (YCBA)
32411082
642
300054686
publication event
Brian Allen, ^Towards a modern art world^, Vol. 1, The Paul Mellon Centre for Studies in British Art, New Haven, 1995, fig. 34, N6420 T68 1995 (YCBA)
Yale Center for British Art
Brian Allen
ycba_actor_8531
Allen Brian
300025492
Author
The Paul Mellon Centre for Studies in British Art
ycba_actor_5853
http://id.loc.gov/authorities/names/n79109777
http://vocab.getty.edu/ulan/500301928
http://www.wikidata.org/entity/Q7152454
https://viaf.org/viaf/131545782
The Paul Mellon Centre for Studies in British Art
300025574
Publisher
1995
1995
1995
New Haven
5019
466842
N1 A54 + (YCBA)
01481683
1080
300054686
publication event
W. Archer, ^Walter Sickert: The High and the Low^, Apollo, Vol. 104, No.173, July 1976, pp. 73-74, N1 A54 + (YCBA)
Yale Center for British Art
W. Archer
ycba_actor_9143
Archer W.
300025492
Author
July 1976
1976
1976
5019
3448275
NJ18 Si12 B372 1992 (YCBA)
26590650
644
300054686
publication event
Wendy Baron, ^Sickert Paintings^, Royal Academy of Arts, London & New Haven, 1992, no. 69, NJ18 Si12 B372 1992 (YCBA)
Yale Center for British Art
Wendy Baron
ycba_actor_8214
Baron Wendy
300025526
editor
Richard Shone
ycba_actor_5991
Shone Richard
300025526
editor
Royal Academy of Arts
ycba_actor_5870
http://id.loc.gov/authorities/names/n80032672
http://vocab.getty.edu/ulan/500115632
http://www.wikidata.org/entity/Q270920
https://viaf.org/viaf/153543255
Royal Academy of Arts
300025574
Publisher
1992
1992
1992
London & New Haven
5019
15191
NJ18 Si12 +B37 Oversize (YCBA)
795757
660
300054686
publication event
Wendy Baron, ^Sickert^, Phaidon, London, 1973, pp. 108, 348, no. 269, fig. 192, NJ18 Si12 +B37 Oversize (YCBA)
Yale Center for British Art
Wendy Baron
ycba_actor_8214
Baron Wendy
300025492
Author
Phaidon
ycba_actor_8178
Phaidon
300025574
Publisher
1973
1973
1973
London
5019
579154
ND468.5 C35 B376 + (YCBA)
6352052
659
300054686
publication event
Wendy Baron, ^The Camden Town Group^, Scholar Press, London, 1979, pp. 278-79, 281, no. 106, ND468.5 C35 B376 + (YCBA)
Yale Center for British Art
Wendy Baron
ycba_actor_8214
Baron Wendy
300025492
Author
Scholar Press
ycba_actor_8806
Scholar Press
300025574
Publisher
1979
1979
1979
London
5019
7838392
N5220 M552 P38 2007 OVERSIZE (YCBA)
74916141
48
300054686
publication event
John Baskett, ^Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 2007, p. 32, fig. 5, N5220 M552 P38 2007 OVERSIZE (YCBA)
Yale Center for British Art
John Baskett
ycba_actor_6645
Baskett John
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5019
8461320
N6761 +H57 2008 Oversize (YCBA)
277579752
1465
300054686
publication event
David Bindman, ^The History of British Art^, Yale Center for British Art, New Haven, CT, 2008, pp. 85-86 (v.3), fig. 54, N6761 +H57 2008 Oversize (YCBA)
Yale Center for British Art
David Bindman
ycba_actor_1353
Bindman David
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2008
2008
2008
New Haven, CT
5019
779509
N6768.5 M63 B75 1987 (YCBA)
17347441
652
300054686
publication event
^British Modernist art, 1905-1930, November 14, 1987-January 9, 1988. ^, Hirschl & Adler Galleries, Inc., New York, N.Y., 1987, pp. 8-9, 43, no. 37, N6768.5 M63 B75 1987 (YCBA)
Yale Center for British Art
Hirschl & Adler Galleries, Inc.
ycba_actor_7145
http://vocab.getty.edu/ulan/500303956
Hirschl & Adler Galleries, Inc.
300025574
Publisher
1987
1987
1987
New York, N.Y.
5019
16360904
NJ18.Si12 A12 2022+ (YCBA)
1295380553
4942
300054686
publication event
Emma Chambers, ^Walter Sickert^, Tate Publishing, London, p. 172, fig. 123, NJ18.Si12 A12 2022+ (YCBA)
Yale Center for British Art
Emma Chambers
ycba_actor_12788
Chambers Emma
300025526
editor
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
0
0
London
5019
478390
N1 A75 (YCBA)
03952807
1405
300054686
publication event
D. Corbett, ^Gross Material Facts: Sexuality, Identity and the City in Walter Sickert^, Art History, v. 21, March 1998, pp. 45-64, N1 A75 (YCBA) Also available online (Orbis).
Yale Center for British Art
D. Corbett
ycba_actor_9424
Corbett D.
300025492
Author
March 1998
1998
1998
5019
478917
Film S748 (SML)
219931366
1849
300054686
publication event
Richard Cork, ^The Very Painting of Our Fear, Walter Sickert's short-lived obsession with death and the "gross-material facts" ^, TLS, the Times Literary Supplement, Issue no. 5293, September 10, 2004, p. 17, Film S748 (SML) Also Available Online in TLS Historical Archive
Yale Center for British Art
Richard Cork
ycba_actor_8517
Cork Richard
300025492
Author
September 10, 2004
2004
2004
5019
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 202-203, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
5019
4582666
N6761 B74 + (YCBA)
43427170
1397
300054686
publication event
Rebecca Daniels, ^Walter Sickert and Urban Realism, Ordinary Life and Tragedy in Camden Town ^, British Art Journal, vol. 3, no. 2, Spring 2002, pp. 58-69, N6761 B74 + (YCBA)
Yale Center for British Art
Rebecca Daniels
ycba_actor_9417
Daniels Rebecca
300025492
Author
Spring 2002
2002
2002
5019
688057
N1 B87 + (YCBA)
05461534
1395
300054686
publication event
Rebecca Daniels, ^Walter Sickert: London^, Burlington Magazine, vol. 150, January 2008, p. 45-6, N1 B87 + (YCBA) Available online through JSTOR
Yale Center for British Art
Rebecca Daniels
ycba_actor_9417
Daniels Rebecca
300025492
Author
January 2008
2008
2008
5019
579754
N6768 H37 1981 (YCBA)
213795293
653
300054686
publication event
Charles Harrison, ^English art and modernism, 1900-1939^, Allen Lane, London Indiana University Press, 1981, p. 351, no. 21, N6768 H37 1981 (YCBA)
Yale Center for British Art
Charles Harrison
ycba_actor_8798
Harrison Charles
300025492
Author
Allen Lane
ycba_actor_8799
Allen Lane
300025574
Publisher
1981
1981
1981
London Indiana University Press
5019
4646556
ND467 H47 2000 (YCBA)
44603214
215
300054686
publication event
Luke Herrmann, ^Nineteenth century British painting^, Giles de la Mare, London, 2000, p. 391, no. 237, ND467 H47 2000 (YCBA)
Yale Center for British Art
Luke Herrmann
ycba_actor_8302
Herrmann Luke
300025492
Author
Giles de la Mare
ycba_actor_8303
Giles de la Mare
300025574
Publisher
2000
2000
2000
London
5019
478917
Film S748 (SML)
219931366
1851
300054686
publication event
Timothy Hyman, ^Sickert's Evasive Blur, from the fudged feature to a weird discovery ^, TLS, the Times Literary Supplement, Issue no. 4683, January 1, 1983, p. 14, Film S748 (SML) Also Available Online in TLS Historical Archive
Yale Center for British Art
Timothy Hyman
ycba_actor_9980
Hyman Timothy
300025492
Author
January 1, 1983
1983
1983
5019
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
300054686
publication event
Julia Marciari-Alexander, ^This other Eden : Paintings from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 1998, p. 174, no. 71, ND1314.3 Y36 1998 (YCBA)
Yale Center for British Art
Julia Marciari-Alexander
ycba_actor_2049
Marciari-Alexander Julia
300025492
Author
Malcolm Warner, born 1953
ycba_actor_1214
http://id.loc.gov/authorities/names/n78078373
https://www.wikidata.org/wiki/Q16185655
Warner Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1998
1998
1998
New Haven, CT
5019
688057
N1 B87 + (YCBA)
05461534
1398
300054686
publication event
James Merlin Ingli, ^London and Amsterdam Sickert^, Burlington Magazine, v. 135,n0.1080, March 1993, pp. 231-33, N1 B87 + (YCBA) Available online in JSTOR.
Yale Center for British Art
James Merlin Ingli
ycba_actor_9420
Merlin Ingli James
300025492
Author
March 1993
1993
1993
5019
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5019
13881004
N7574.5.G7 P47 2018 (LC) (YCBA)
1041529602
4433
300054686
publication event
Lucy Merello Peterson, ^The women who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century^, Pen and Sword Books, Barnsley, South Yorkshire, p. 66, N7574.5.G7 P47 2018 (LC) (YCBA)
Yale Center for British Art
Lucy Merello Peterson
ycba_actor_13539
Peterson Lucy Merello
300025492
Author
Pen and Sword Books
ycba_actor_13540
Pen and Sword Books
300025574
Publisher
0
0
Barnsley, South Yorkshire
5019
4648305
NJ18 P681 L83 1008 (YCBA)
405844357
641
300054686
publication event
Lucien Pissarro, ^Lucien Pissarro et le post-impressionisme anglais, Harold Gilman, Spencer F. Gore, Lucien Pissarro, Walter R. Sickert : Musâee de Pontoise, 28 novembre 1998-7 mars 1999, Chãateau-Musâee de Dieppe, 27 mars 1999-6 juin 1999 ^, Musée de Pontoise, Pontoise, France, 1998, NJ18 P681 L83 1008 (YCBA)
Yale Center for British Art
Lucien Pissarro, 1863–1944, French, active in Britain (from 1890)
ycba_actor_665
http://id.loc.gov/authorities/names/n50010996
http://vocab.getty.edu/ulan/500028996
https://n2t.net/ark:/99166/w6z89g2c
https://viaf.org/viaf/49320353
https://www.wikidata.org/wiki/Q964608
Pissarro Lucien
300025492
Author
Musée de Pontoise, French
ycba_actor_8776
Musée de Pontoise
300025574
Publisher
1998
1998
1998
Pontoise, France
5019
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
300054686
publication event
Duncan Robinson, ^Acquisitions : The First Decade 1977 - 1986, ^, Burlington Magazine, vol. 128, October 1986, pp. 9, 19, no. 51, fig. 11, N1 B87 128:3 OVERSIZE (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Joan M. Friedman
ycba_actor_11160
Friedman Joan M.
300025492
Author
October 1986
1986
1986
5019
3622
300054686
publication event
Samuel Shaw, ^Narrative and Anti-Narrative [Website]^, Accessed March 2, 2016, p. 7 of 13, Available Online [[http://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/narrative-and-anti-narrative]]
Yale Center for British Art
Samuel Shaw
ycba_actor_12407
Shaw Samuel
300025492
Author
Accessed March 2, 2016
2016
2016
5019
9651469
N7475 )35 (YCBA)
1152931608
1810
300054686
publication event
Jon Shirland, ^The Pill in the Jam of Modern Art, Masculinity, Visual Pleasure and Social Positioning in Walter Sickert's Camden Town Murder Series ^, Object, no. 2, 1999/2000, p. 58, fig. 7, N7475 )35 (YCBA)
Yale Center for British Art
Jon Shirland
ycba_actor_9924
Shirland Jon
300025492
Author
1999/2000
1999
2000
5019
764468
NJ18 Si12 S56 (YCBA)
23868372
638
300054686
publication event
Richard Shone, ^Walter Sickert^, Phaidon, Oxford, 1988, pl. 38, NJ18 Si12 S56 (YCBA)
Yale Center for British Art
Richard Shone
ycba_actor_5991
Shone Richard
300025492
Author
Phaidon
ycba_actor_8178
Phaidon
300025574
Publisher
1988
1988
1988
Oxford
5019
8039153
NJ18 Si12 A12 2007 (YCBA)
174130615
1396
300054686
publication event
The Courtauld Gallery, ^Walter Sickert, The Camden Town nudes ^, London, 2007, pp. 45-52, 86-7, cat. no. 15, , NJ18 Si12 A12 2007 (YCBA)
Yale Center for British Art
The Courtauld Gallery
ycba_actor_3955
https://www.wikidata.org/wiki/Q12110695
The Courtauld Gallery
300025492
Author
Barnaby Wright
ycba_actor_9418
Wright Barnaby
300025526
editor
2007
2007
2007
London
5019
4580721
ND468 T53 2000 (YCBA)
43115046
640
300054686
publication event
Lisa Tickner, ^Modern life & modern subjects, British art in the early twentieth century ^, Yale University Press, New Haven, Conn., 2000, no. 8, ND468 T53 2000 (YCBA)
Yale Center for British Art
Lisa Tickner
ycba_actor_8775
Tickner Lisa
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2000
2000
2000
New Haven, Conn.
5019
11226914
N6768 .E39 2013 OVERSIZE (YCBA)
811239062
2779
300054686
publication event
Angus Trumble, ^Edwardian opulence, British art at the dawn of the twentieth century ^, Yale University Press, New Haven, 2013, p. 357, cat. no. 95, N6768 .E39 2013 OVERSIZE (YCBA)
Yale Center for British Art
Angus Trumble
ycba_actor_6799
http://id.loc.gov/authorities/names/n94042948
https://www.wikidata.org/wiki/Q99646880
Trumble Angus
300025526
editor
Andrea Wolk Rager
ycba_actor_11576
Rager Andrea Wolk
300025526
editor
Cassandra Albinson
ycba_actor_7020
Albinson Cassandra
300403974
contributor
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2013
2013
2013
New Haven
5019
8157513
ND468.5.C35 M63 2008 + (YCBA)
181069480
639
300054686
publication event
Robert Upstone, ^Modern painters, the Camden Town Group ^, Tate Publishing, London, 2008, no. 68, ND468.5.C35 M63 2008 + (YCBA)
Yale Center for British Art
Robert Upstone
ycba_actor_8774
Upstone Robert
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
2008
2008
2008
London
5019
3574956
ND547.5 P6 W54 1993 (YCBA)
994433134
643
300054686
publication event
Colin Wiggins, ^Post-impressionism^, Dorling Kindersley, London New York, 1993, p. 51, ND547.5 P6 W54 1993 (YCBA)
Yale Center for British Art
Colin Wiggins
ycba_actor_8778
Wiggins Colin
300025492
Author
Dorling Kindersley
ycba_actor_8779
Dorling Kindersley
300025574
Publisher
1993
1993
1993
London New York
5019
422399
N7442.2 M455 1986 (YCBA)
13010297
668
300054686
publication event
John Wilmerding, ^Essays in honor of Paul Mellon, collector and benefactor, Essays ^, National Gallery of Art, Washington, DC & Hanover, NH, 1986, p. 264, fig. 5, N7442.2 M455 1986 (YCBA)
Yale Center for British Art
John Wilmerding
ycba_actor_8817
Wilmerding John
300025526
editor
Judy Egerton
ycba_actor_6018
Egerton Judy
300403974
contributor
Christopher White
ycba_actor_8406
White Christopher
300403974
contributor
Edmund Pillsbury
ycba_actor_9038
Pillsbury Edmund
300403974
contributor
John Walker, born 1939, British
ycba_actor_901
http://id.loc.gov/authorities/names/n82060849
http://vocab.getty.edu/ulan/500022965
https://n2t.net/ark:/99166/w6z994tf
https://viaf.org/viaf/6276429
https://www.wikidata.org/wiki/Q324571
Walker John
300403974
contributor
John Baskett
ycba_actor_6645
Baskett John
300403974
contributor
Brian Allen
ycba_actor_8531
Allen Brian
300403974
contributor
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300403974
contributor
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300403974
contributor
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
300025574
Publisher
1986
1986
1986
Washington, DC & Hanover, NH
5019
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1979-01-01
1979-01-01
1979-01-01
300417642
purchase
This is one of several paintings Walter Sickert made in response to a gruesome murder of a prostitute that took place in Camden, North London, in September 1907. Sickert, who had worked in the area for several years, was intrigued by the unsolved case, using the title The Camden Town Murder for a group of paintings between 1908 and 1909. None of these works depict an actual murder, with the woman in this painting popularly supposed to be sleeping rather than dead. Sickert's use of the alternative title in parentheses—a wry parody of Victorian narrative paintings—confirms the artist’s refusal to confirm a single meaning for this enigmatic picture. What is never in doubt, however, is Sickert’s commitment to subject matter that many of his contemporaries would have seen as sordid, rendered in a markedly modern style.
--- --- Gallery label for installation of YCBA collection, 2016
5019
300048722
Gallery label
2016
On September 12, 1907, the London prostitute Emily Dimmock was brutally murdered in Camden Town, a seedy working-class district of rented rooms, pubs, and music halls in North London. Sickert had his studio in Camden Town, and titled at least three of his paintings from around this time-all showing an ungainly nude woman and a clothed man sitting on or standing by her bed in a shabby daytime interior-The Camden Town Murder. It is unlikely, however, that he intended them as a literal portrayal of the crime, though he was fascinated by the blanket press coverage of the trial, in which a wan defendant was successfully defended by the great advocate Marshall Hall. There are no signs of violence in Sickert's Camden Town Murder paintings, and later he inscribed a drawing of the same composition with the more mundane but equally bleak title of "What shall we do about the rent?"
--- --- Gallery label for installation of YCBA collection, 2005
5019
300048722
Gallery label
2005
This is the kind of painting for which Sickert is best known, its subject from the life of London's working class, its technique fittingly rough and earthy, its tone one of caustic realism, in this case treating the grand artistic tradition of the female nude with a kind of cockney cheek. The Camden Town Murder was his primary title for this and at least two other paintings of 1908-9, all of them showing an ungainly nude woman with a clothed man on a bed in a shabby interior. On some level he probably intended this as a jokey reference to the paintings as aesthetic murders, perpetrated as they were in Camden Town, in which accepted ideas of good art and good taste were bloodily savaged. In a more literal sense, however, the title refers to the murder of a prostitute named Emily Dimmock, which took place in the early hours of September 12, 1907. The victim lived and died in Camden Town, which was a seedy district of rented rooms, pubs, eating houses, and music halls in north London. She was found in bed with her throat cut, having apparently been killed in her sleep. The police arrested Robert Wood, a commercial artist; he was tried and acquitted, however, and the crime was never solved. The story was widely reported and discussed, even sensationally illustrated in the popular press, and for a time Camden Town and murder were inseparable in the public mind. ---
Sickert had a studio on Mornington Crescent in Camden Town and had been painting nudes there, from models who may well have been prostitutes like Dimmock, just a few weeks before the murder took place. When he began painting more nudes in the following year, now in the company of clothed men, the possible implication of such subjects in connection with the murder would have occurred to him and his viewers inevitably. The murder may even have moved him to try such subjects in the first place, and it has been pointed out that his male character in them bears some resemblance to the chief suspect in the Dimmock case, Robert Wood. But the idea that this or either of the other paintings directly represents the murder seems unlikely. Though strangely awkward, the woman's position on the bed is quite unlike Dimmock's as she was found, and there is no blood or any other definite sign of violence about the scene. ---
Like both of the other paintings called The Camden Town Murder, the present work has also been known as What shall we do about the rent? (sometimes with "for" instead of "about"). Sickert used the latter title, albeit some twenty years later, when he wrote an inscription on a preparatory sketch.1 With its suggestion of worries and tensions over money, this puts an altogether more humdrum construction upon the relation of the man and woman; the question might be a line from one of the music-hall songs that Sickert so enjoyed, dealing as they did in the daily pleasures and tribulations of working-class life. On the other hand, since the answer to the question for women in Camden Town was so often going "on the game," it does evoke much the same sordid world-though in less lurid form-as the story of the Camden Town Murder. Both of Sickert's titles enhance his painting's atmosphere of poverty, squalor, and crime, but he surely never intended us to take them at face value. They are part clues to his meaning, part teases aimed at the suggestible viewer. Small, intense, almost furtive, his painting has us looking through a keyhole, getting a glimpse into the intimate lives of people we know nothing about, and speculating as to what kind of story, whether sensational or mundane, they might be living out before us.
--- --- Malcolm Warner
--- --- Malcolm Warner, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 174, no. 71, ND1314.3 Y36 1998 (YCBA)
5019
300111999
Published catalog entry
ycba_actor_1214
Malcolm Warner
300025492
Author
1998
300178802
ycba_term_21364
costume
300189023
ycba_term_42018
prostitute
300038697
ycba_term_141173
bed
300033898
ycba_term_2036214
historical subject
300025928
ycba_term_35274
man
300185434
ycba_term_137583
brushstrokes
300021503
ycba_term_4955
Impressionist
300037366
ycba_term_36689
wallpaper
300025943
ycba_term_35295
woman
300010279
ycba_term_1367
interior
300189568
ycba_term_42061
nude
300151836
300151836
ycba_term_40703
death
300069676
300069676
ycba_term_39186
murder
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Greater London
7008136
ycba_term_1879853
Greater London
51.5000, -0.1660
Camden Town
4012689
ycba_term_1880040
Camden Town
51.5330, -0.1330
Camden
7011823
ycba_term_1880073
Camden
51.5330, -0.1660
Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 19, no. 51, fig. 11, N590.2 A7 OVERSIZE (YCBA)
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
related to
Brian Allen, Towards a modern art world, Vol. 1, The Paul Mellon Centre for Studies in British Art, New Haven, 1995, fig. 34, N6420 T68 1995 (YCBA)
3794325
N6420 T68 1995 (YCBA)
32411082
642
related to
W. Archer, Walter Sickert: The High and the Low, Apollo, Vol. 104, No.173, July 1976, pp. 73-74, N1 A54 + (YCBA)
466842
N1 A54 + (YCBA)
01481683
1080
related to
Wendy Baron, Sickert Paintings, Royal Academy of Arts, London & New Haven, 1992, no. 69, NJ18 Si12 B372 1992 (YCBA)
3448275
NJ18 Si12 B372 1992 (YCBA)
26590650
644
related to
Wendy Baron, Sickert, Phaidon, London, 1973, pp. 108, 348, no. 269, fig. 192, NJ18 Si12 +B37 Oversize (YCBA)
15191
NJ18 Si12 +B37 Oversize (YCBA)
795757
660
related to
Wendy Baron, The Camden Town Group, Scholar Press, London, 1979, pp. 278-79, 281, no. 106, ND468.5 C35 B376 + (YCBA)
579154
ND468.5 C35 B376 + (YCBA)
6352052
659
related to
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 32, fig. 5, N5220 M552 P38 2007 OVERSIZE (YCBA)
7838392
N5220 M552 P38 2007 OVERSIZE (YCBA)
74916141
48
related to
David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, pp. 85-86 (v.3), fig. 54, N6761 +H57 2008 Oversize (YCBA)
8461320
N6761 +H57 2008 Oversize (YCBA)
277579752
1465
related to
British Modernist art, 1905-1930, November 14, 1987-January 9, 1988., Hirschl & Adler Galleries, Inc., New York, N.Y., 1987, pp. 8-9, 43, no. 37, N6768.5 M63 B75 1987 (YCBA)
779509
N6768.5 M63 B75 1987 (YCBA)
17347441
652
related to
Emma Chambers, Walter Sickert, Tate Publishing, London, p. 172, fig. 123, NJ18.Si12 A12 2022+ (YCBA)
16360904
NJ18.Si12 A12 2022+ (YCBA)
1295380553
4942
related to
D. Corbett, Gross Material Facts: Sexuality, Identity and the City in Walter Sickert, Art History, v. 21, March 1998, pp. 45-64, N1 A75 (YCBA) Also available online (Orbis).
478390
N1 A75 (YCBA)
03952807
1405
related to
Richard Cork, The Very Painting of Our Fear, Walter Sickert's short-lived obsession with death and the "gross-material facts", TLS, the Times Literary Supplement, Issue no. 5293, September 10, 2004, p. 17, Film S748 (SML) Also Available Online in TLS Historical Archive
478917
Film S748 (SML)
219931366
1849
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 202-203, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Rebecca Daniels, Walter Sickert and Urban Realism, Ordinary Life and Tragedy in Camden Town, British Art Journal, vol. 3, no. 2, Spring 2002, pp. 58-69, N6761 B74 + (YCBA)
4582666
N6761 B74 + (YCBA)
43427170
1397
related to
Rebecca Daniels, Walter Sickert: London, Burlington Magazine, vol. 150, January 2008, p. 45-6, N1 B87 + (YCBA) Available online through JSTOR
688057
N1 B87 + (YCBA)
05461534
1395
related to
Charles Harrison, English art and modernism, 1900-1939, Allen Lane, London Indiana University Press, 1981, p. 351, no. 21, N6768 H37 1981 (YCBA)
579754
N6768 H37 1981 (YCBA)
213795293
653
related to
Luke Herrmann, Nineteenth century British painting, Giles de la Mare, London, 2000, p. 391, no. 237, ND467 H47 2000 (YCBA)
4646556
ND467 H47 2000 (YCBA)
44603214
215
related to
Timothy Hyman, Sickert's Evasive Blur, from the fudged feature to a weird discovery, TLS, the Times Literary Supplement, Issue no. 4683, January 1, 1983, p. 14, Film S748 (SML) Also Available Online in TLS Historical Archive
478917
Film S748 (SML)
219931366
1851
related to
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, p. 174, no. 71, ND1314.3 Y36 1998 (YCBA)
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
related to
James Merlin Ingli, London and Amsterdam Sickert, Burlington Magazine, v. 135,n0.1080, March 1993, pp. 231-33, N1 B87 + (YCBA) Available online in JSTOR.
688057
N1 B87 + (YCBA)
05461534
1398
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Lucy Merello Peterson, The women who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century, Pen and Sword Books, Barnsley, South Yorkshire, p. 66, N7574.5.G7 P47 2018 (LC) (YCBA)
13881004
N7574.5.G7 P47 2018 (LC) (YCBA)
1041529602
4433
related to
Lucien Pissarro, Lucien Pissarro et le post-impressionisme anglais, Harold Gilman, Spencer F. Gore, Lucien Pissarro, Walter R. Sickert : Musâee de Pontoise, 28 novembre 1998-7 mars 1999, Chãateau-Musâee de Dieppe, 27 mars 1999-6 juin 1999, Musée de Pontoise, Pontoise, France, 1998, NJ18 P681 L83 1008 (YCBA)
4648305
NJ18 P681 L83 1008 (YCBA)
405844357
641
related to
Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 19, no. 51, fig. 11, N1 B87 128:3 OVERSIZE (YCBA)
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
related to
Samuel Shaw, Narrative and Anti-Narrative [Website], Accessed March 2, 2016, p. 7 of 13, Available Online http://www.tate.org.uk/research/publications/in-focus/the-dolls-house-william-rothenstein/narrative-and-anti-narrative
3622
related to
Jon Shirland, The Pill in the Jam of Modern Art, Masculinity, Visual Pleasure and Social Positioning in Walter Sickert's Camden Town Murder Series, Object, no. 2, 1999/2000, p. 58, fig. 7, N7475 )35 (YCBA)
9651469
N7475 )35 (YCBA)
1152931608
1810
related to
Richard Shone, Walter Sickert, Phaidon, Oxford, 1988, pl. 38, NJ18 Si12 S56 (YCBA)
764468
NJ18 Si12 S56 (YCBA)
23868372
638
related to
The Courtauld Gallery, Walter Sickert, The Camden Town nudes, London, 2007, pp. 45-52, 86-7, cat. no. 15, , NJ18 Si12 A12 2007 (YCBA)
8039153
NJ18 Si12 A12 2007 (YCBA)
174130615
1396
related to
Lisa Tickner, Modern life & modern subjects, British art in the early twentieth century, Yale University Press, New Haven, Conn., 2000, no. 8, ND468 T53 2000 (YCBA)
4580721
ND468 T53 2000 (YCBA)
43115046
640
related to
Angus Trumble, Edwardian opulence, British art at the dawn of the twentieth century, Yale University Press, New Haven, 2013, p. 357, cat. no. 95, N6768 .E39 2013 OVERSIZE (YCBA)
11226914
N6768 .E39 2013 OVERSIZE (YCBA)
811239062
2779
related to
Robert Upstone, Modern painters, the Camden Town Group, Tate Publishing, London, 2008, no. 68, ND468.5.C35 M63 2008 + (YCBA)
8157513
ND468.5.C35 M63 2008 + (YCBA)
181069480
639
related to
Colin Wiggins, Post-impressionism, Dorling Kindersley, London New York, 1993, p. 51, ND547.5 P6 W54 1993 (YCBA)
3574956
ND547.5 P6 W54 1993 (YCBA)
994433134
643
related to
John Wilmerding, Essays in honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, p. 264, fig. 5, N7442.2 M455 1986 (YCBA)
422399
N7442.2 M455 1986 (YCBA)
13010297
668
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Copyright Undetermined
300435434
http://rightsstatements.org/vocab/UND/1.0/
5019
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5019
oai:tms.ycba.yale.edu:5019
https://manifests.collections.yale.edu/v2/ycba/obj/5019
https://manifests.collections.yale.edu/ycba/obj/5019
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art