2024-03-28T21:15:40Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:50242024-03-27ycba:ps
YCBA/lido-TMS-5024
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015571
cityscape
300139140
genre subject
300417318
architectural subject
300033618
Painting
Corso Sant'Anastasia, Verona
Corso Sant'Anastasia, Verona, Italy
A highly finished view of the Palace of Count Maffei at Verona
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.58
https://www.wikidata.org/wiki/Q23758126
On view at the Yale University Art Gallery
Yale Center for British Art
41.3080060, -72.9306282
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
height
cm
65.1
width
cm
44.1
30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm)
depth
cm
9.8
height
cm
76.8
width
cm
61.0
Frame
5024
300054713
production
Richard Parkes Bonington, 1802–1828, British
ycba_actor_31
https://www.wikidata.org/wiki/Q380395
http://id.loc.gov/authorities/names/n80089922
http://vocab.getty.edu/ulan/500024171
https://n2t.net/ark:/99166/w65q4xjg
https://viaf.org/viaf/34466889
Bonington, Richard Parkes, 1801-1828
Richard Parkes Bonington
Richard P. Bonington
Richard Bonington
Richard Parkes Bonnington
Bonington Richard Parkes, 1802–1828
Richard Parkes Bonington, 1802–1828
Richard Parkes Bonington, 1802–1828
1028325
7011781
British
1802
1828
male
300025103
Artist
300025157
watercolorist
300025164
printmaker
300025136
painter
300111159
British
1828
1828
1828
24
19th century
Oil on millboard
300014233
millboard
300015050
oil paint
300054216
painting (technique)
YUAG European Galleries (Yale University Art Gallery, 2023-12-01 - 2025-01-15)
1108
300054766
exhibition
YUAG European Galleries
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2023-12-01 - 2025-01-15
2023-12-01
2025-01-15
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
1075
https://media.art.yale.edu/content/lux/exb/5069.json
https://britishart.yale.edu/node/1791
300054766
exhibition
In a New Light: Paintings from the Yale Center for British Art
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
https://viaf.org/viaf/158793816
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
http://id.loc.gov/authorities/names/n79129213
YUAG
Yale University Art Gallery
0
0
300311675
Borrower
2023-03-24 - 2023-12-03
2023-03-24
2023-12-03
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
300435424
More than fifty paintings from the Yale Center for British Art are on view at the Yale University Art Gallery through December 3, 2023. The exhibition offers visitors the opportunity to engage with the YCBA’s collection while the museum is closed to the public for a building conservation project. The exhibition spans four centuries of British landscape and portraiture traditions, with works by Mary Beale, John Constable, Thomas Gainsborough, William Hogarth, Gwen John, Angelica Kauffman, George Stubbs, and Joseph Mallord William Turner, among others. Several of these paintings were on view at the Gallery in 2015, where they were featured in The Critique of Reason: Romantic Art, 1760–1860, the first major collaborative exhibition between the two Yale art museums. --- ---
In a New Light occupies the special-exhibition galleries on the fourth floor of the Gallery’s Kahn building, which opened in 1953 and was the architect’s first significant commission and the first modernist structure on Yale’s campus. Directly across the street, Kahn’s final building, the YCBA, was completed after his death and opened to the public in 1977.
Yale Center for British Art
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
851
https://media.art.yale.edu/content/lux/exb/3979.json
300054766
exhibition
The Critique of Reason : Romantic Art, 1760–1860
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2015-03-06 - 2015-07-26
2015-03-06
2015-07-26
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Tate Britain, 2003-02-06 - 2003-05-11)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
Tate Britain
ycba_actor_1284
https://viaf.org/viaf/155600523
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
http://id.loc.gov/authorities/names/n80046785
Tate Britain
The Board of Trustees of the Tate Gallery
0
0
300311675
Borrower
63
Organizer
2003-02-06 - 2003-05-11
2003-02-06
2003-05-11
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Minneapolis Institute of Arts, 2003-06-01 - 2003-08-27)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
Minneapolis Institute of Arts
ycba_actor_1640
https://viaf.org/viaf/157703898
http://www.wikidata.org/entity/Q1700481
http://vocab.getty.edu/ulan/500225381
http://id.loc.gov/authorities/names/n80024146
William M. Griswold
Minneapolis Institute of Arts
0
0
300311675
Borrower
2003-06-01 - 2003-08-27
2003-06-01
2003-08-27
Minneapolis Institute of Arts
ycba_actor_1640
http://id.loc.gov/authorities/names/n80024146
http://vocab.getty.edu/ulan/500225381
http://www.wikidata.org/entity/Q1700481
https://viaf.org/viaf/157703898
Minneapolis Institute of Arts
Minneapolis
7014080
Minneapolis
Constable to Delacroix : British Art and the French Romantics 1820-1840 (The Metropolitan Museum of Art, 2003-09-29 - 2004-01-04)
103
300054766
exhibition
Constable to Delacroix : British Art and the French Romantics 1820-1840
Yale Center for British Art
The Metropolitan Museum of Art
ycba_actor_1593
http://vocab.getty.edu/ulan/500125157
http://www.wikidata.org/entity/Q160236
https://viaf.org/viaf/126238294
https://n2t.net/ark:/99166/w6nx2pnk
http://id.loc.gov/authorities/names/n79129629
The Metropolitan Museum of Art
The Metropolitan Museum of Art
0
0
300311675
Borrower
2003-09-29 - 2004-01-04
2003-09-29
2004-01-04
The Metropolitan Museum of Art
ycba_actor_1593
http://id.loc.gov/authorities/names/n79129629
http://vocab.getty.edu/ulan/500125157
http://www.wikidata.org/entity/Q160236
https://n2t.net/ark:/99166/w6nx2pnk
https://viaf.org/viaf/126238294
The Metropolitan Museum of Art
Manhattan Island
7022657
Manhattan Island
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
81
https://britishart.yale.edu/node/695
300054766
exhibition
Edward Lear and the Art of Travel
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
300025633
Curator
2000-09-20 - 2001-01-14
2000-09-20
2001-01-14
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Most accounts of the artistic achievements of Edward Lear (1812–1888) take as their starting point the notion that he is better known as the writer of nonsense verse than as a topographical draughtsman and painter. His art is then considered largely in isolation, as the extraordinary creation of a fascinatingly eccentric Victorian. This exhibition, however, situated Lear’s work as an artist within the great outpouring of images of foreign lands produced by British artists in the later eighteenth and nineteenth centuries. — —
Although Lear suffered from epilepsy, asthma, poor eyesight, and chronic depression, he was an inveterate traveler and an indefatigable sketcher, documenting a lifetime of journeys throughout the Mediterranean and India. — —
In 1997, Donald C. Gallup, alumnus of Yale and former Curator of American literature at the Beinecke Rare Book and Manuscript Library, gave his collection of Edward Lear’s art to the Center. Drawing from this generous gift as well as the Paul Mellon Collection and other gifts, this exhibition featured 114 drawings, twelve paintings, and six books by Lear. Also on display were over sixty works by thirty other artists, including J. M. W. Turner, Richard Parkes Bonington, David Roberts, and John Frederick Lewis. — —
Credits — —
Edward Lear and the Art of Travel was organized by Scott Wilcox, Senior Curator of Prints and Drawings at the Center. An illustrated catalogue accompanied the exhibition and received an honorable mention in the year’s American Association of Museums’ publications competition.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
https://viaf.org/viaf/127414571
http://www.wikidata.org/entity/Q705551
http://vocab.getty.edu/ulan/500267593
Art Gallery of New South Wales
Art Gallery of New South Wales
0
0
300311675
Borrower
1998-05-01 - 1998-07-05
1998-05-01
1998-07-05
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
Art Gallery of New South Wales
Sydney
7001923
Sydney
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Queensland Art Gallery
ycba_actor_1294
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
http://id.loc.gov/authorities/names/n81139357
Queensland Art Gallery
0
0
300311675
Borrower
1998-07-15 - 1998-09-06
1998-07-15
1998-09-06
Queensland Art Gallery
ycba_actor_1294
http://id.loc.gov/authorities/names/n81139357
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
Queensland Art Gallery
Brisbane
7001911
Brisbane
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of South Australia
ycba_actor_1295
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
http://vocab.getty.edu/ulan/500304440
http://id.loc.gov/authorities/names/n79007201
Art Gallery of South Australia
Art Gallery of South Australia
0
0
300311675
Borrower
1998-09-16 - 1998-11-15
1998-09-16
1998-11-15
Art Gallery of South Australia
ycba_actor_1295
http://id.loc.gov/authorities/names/n79007201
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
Art Gallery of South Australia
Adelaide
7001904
Adelaide
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
Richard Parkes Bonington (Musée du Petit Palais, 1992-03-05 - 1992-05-17)
463
300054766
exhibition
Richard Parkes Bonington
Yale Center for British Art
Musée du Petit Palais
ycba_actor_7210
http://vocab.getty.edu/ulan/500306550
Musée du Petit Palais
0
0
300311675
Borrower
1992-03-05 - 1992-05-17
1992-03-05
1992-05-17
Musée du Petit Palais
ycba_actor_7210
http://vocab.getty.edu/ulan/500306550
Musée du Petit Palais
Paris
7008038
Paris
Richard Parkes Bonington (Yale Center for British Art, 1991-11-13 - 1992-01-19)
463
300054766
exhibition
Richard Parkes Bonington
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
300311675
Borrower
66
Lender
1991-11-13 - 1992-01-19
1991-11-13
1992-01-19
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
5024
4081
300054686
publication event
Spencer Alley, ^Views in Oil Paint by Richard Parkes Bonington, ^, , March 10,2018, [[http://spenceralley.blogspot.com/2018/03/views-in-oil-paint-by-richard-parkes.html]]
Yale Center for British Art
Spencer Alley
ycba_actor_13175
Alley Spencer
300025492
Author
March 10,2018
2018
2018
5024
688057
N1 B87 + (YCBA)
05461534
875
300054686
publication event
David Blayney Brown, ^Paris, Petit Palais - Bonington^, Burlington Magazine, v 134, no. 1070, May, 1992, p. 327, fig. 56, N1 B87 + (YCBA)
Yale Center for British Art
David Blayney Brown
ycba_actor_8250
Brown David Blayney
300025492
Author
May, 1992
1992
1992
5024
688057
N1 B87 + OVERSIZE (YCBA)
05461534
869
300054686
publication event
^Christie's Advertisement for Sale on July 16, 1965^, Burlington Magazine, v. 107, no. 748, July, 1965, p. xxii, N1 B87 + OVERSIZE (YCBA) Also available Online (Orbis)
Yale Center for British Art
July, 1965
1965
1965
5024
466842
N1 A54 + (YCBA)
01481683
882
300054686
publication event
^Christie's Advertisement for sale on July 16, 1965^, Apollo, v. 82, no. 41, July 1965, p. xi, N1 A54 + (YCBA)
Yale Center for British Art
July 1965
1965
1965
5024
828092
NJ18 B65 C67 + (YCBA)
19267039
221
300054686
publication event
Malcolm Cormack, ^Bonington^, Phaidon, Oxford, 1989, pp. 113-114, 140, no. 90, NJ18 B65 C67 + (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Phaidon
ycba_actor_8178
Phaidon
300025574
Publisher
1989
1989
1989
Oxford
5024
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 26-27, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
5024
14052
NJ18 B65 +D8 (YCBA)
01209363
1958
300054686
publication event
A. Dubuisson, ^Richard Parkes Bonington, His life and work ^, John Lane The Bodley Head Limited, London, 1924, p. 169, NJ18 B65 +D8 (YCBA)
Yale Center for British Art
A. Dubuisson
ycba_actor_9352
Dubuisson A.
300025492
Author
John Lane The Bodley Head Limited
ycba_actor_10748
John Lane The Bodley Head Limited
300025574
Publisher
1924
1924
1924
London
5024
6233988
NJ18 B65 D84 2003 + (YCBA)
51781011
1329
300054686
publication event
Stephen Duffy, ^Richard Parkes Bonington^, Trustees of the Wallace Collection, London, 2003, p. 54, NJ18 B65 D84 2003 + (YCBA)
Yale Center for British Art
Stephen Duffy
ycba_actor_9349
Duffy Stephen
300025492
Author
Trustees of the Wallace Collection
ycba_actor_9350
Trustees of the Wallace Collection
300025574
Publisher
2003
2003
2003
London
5024
4646556
ND467 H47 2000 (YCBA)
44603214
215
300054686
publication event
Luke Herrmann, ^Nineteenth century British painting^, Giles de la Mare, London, 2000, p. 149, no. 101, ND467 H47 2000 (YCBA)
Yale Center for British Art
Luke Herrmann
ycba_actor_8302
Herrmann Luke
300025492
Author
Giles de la Mare
ycba_actor_8303
Giles de la Mare
300025574
Publisher
2000
2000
2000
London
5024
14918161
N1165 S73 H86 2019 (YCBA)
1089568326
5073
300054686
publication event
Peter Humfrey, ^The Stafford Gallery : the greatest art collection of Regency London^, Unicorn Press, Norwich, 2019, pp. 129, 130, fig. 81, N1165 S73 H86 2019 (YCBA)
Yale Center for British Art
Peter Humfrey
ycba_actor_14841
Humfrey Peter
300025492
Author
Unicorn Press
ycba_actor_9311
Unicorn Press
300025574
Publisher
2019
2019
2019
Norwich
5024
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
300054686
publication event
Julia Marciari-Alexander, ^This other Eden : Paintings from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 1998, p. 144, no. 58, ND1314.3 Y36 1998 (YCBA)
Yale Center for British Art
Julia Marciari-Alexander
ycba_actor_2049
Marciari-Alexander Julia
300025492
Author
Malcolm Warner, born 1953
ycba_actor_1214
http://id.loc.gov/authorities/names/n78078373
https://www.wikidata.org/wiki/Q16185655
Warner Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1998
1998
1998
New Haven, CT
5024
6149958
ND457 N66 2003 + (YCBA)
701743249
217
300054686
publication event
Patrick Noon, ^Constable to Delacroix, British art and the French romanticism ^, Tate Publishing, London, 2003, p. 231, no. 141, ND457 N66 2003 + (YCBA)
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
2003
2003
2003
London
5024
12396850
ND467.5.R6 N66 2003 Oversize (YCBA)
52515412
4596
300054686
publication event
Patrick Noon, ^Crossing the Channel : British and French painting in the age of romanticism^, Tate Publishing, London, p. 231, no. 141, ND467.5.R6 N66 2003 Oversize (YCBA)
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
0
0
London
5024
3269072
NJ18 B65 N66 1991 + (YCBA)
25088602
218
300054686
publication event
Patrick Noon, ^Richard Parkes Bonington : "On the pleasure of painting", ^, Yale Center for British Art, New Haven, 1991, p. 292-93..., no. 155, NJ18 B65 N66 1991 + (YCBA)
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1991
1991
1991
New Haven
5024
8446839
NJ18 B65 A12 N66 2008 + (YCBA)
145396590
1328
300054686
publication event
Patrick Noon, ^Richard Parkes Bonington : the complete paintings, ^, Yale University Press, New Haven, 2008, p. 49, 59, 60, no. 221, NJ18 B65 A12 N66 2008 + (YCBA)
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2008
2008
2008
New Haven
5024
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5024
582833
NJ18 B65 A12 P65 (YCBA)
12539156
291
300054686
publication event
Marcia R. Pointon, ^Bonington, Francia & Wyld^, B.T. Batsford, London, 1985, p. 137-38, fig. 65, NJ18 B65 A12 P65 (YCBA)
Yale Center for British Art
Marcia R. Pointon
ycba_actor_8352
Pointon Marcia R.
300025492
Author
B.T. Batsford
ycba_actor_8385
B.T. Batsford
300025574
Publisher
1985
1985
1985
London
5024
828089
NJ18 B65 S74 (YCBA)
159687
257
300054686
publication event
Marion L. Spencer, ^R.P. Bonington, 1802-1828.^, Nottingham Castle Museum and Art Gallery, Nottingham, 1965, p. 30, no. 219, pl. 11, NJ18 B65 S74 (YCBA)
Yale Center for British Art
Marion L. Spencer
ycba_actor_8354
Spencer Marion L.
300025492
Author
Nottingham Castle Museum and Art Gallery
ycba_actor_5932
Nottingham Castle Museum and Art Gallery
300025574
Publisher
1965
1965
1965
Nottingham
5024
466842
N1 A54 (LC) OVERSIZE (YCBA)
01481683
883
300054686
publication event
^The Sale Room^, Apollo, v. 82, no. 44, October 1965, p. 351, fig. 8, N1 A54 (LC) OVERSIZE (YCBA)
Yale Center for British Art
October 1965
1965
1965
5024
4629427
NJ18 L455 W55 2000 (YCBA)
45840854
505
300054686
publication event
Scott Wilcox, ^Edward Lear and the art of travel^, Yale Center for British Art, New Haven, CT, 2000, pp. 146-7, no. 163, NJ18 L455 W55 2000 (YCBA)
Yale Center for British Art
Scott Wilcox
ycba_actor_1252
Wilcox Scott
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2000
2000
2000
New Haven, CT
5024
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981-01-01
1981-01-01
1981-01-01
300138913
gift
For the romantic traveler, the key associations of Verona were literary. It was where Dante Alighieri lived in exile from Florence, and it provided the setting of plays by William Shakespeare, most famously the tragedy of Romeo and Juliet. Richard Parkes Bonington spent several days in the city in April 1826 as part of a trip to Venice and Florence, the only visit to Italy of his short life. Working in London two years later on the basis of sketches done on site, Bonington sought to capture the brilliant intensity of Italian light and color and to enhance the picturesque nature of the view through the inclusion of a religious procession. This was probably the last painting Bonington completed before the onset of his final illness. It was in his studio at the time of his death.
--- --- Gallery label for installation of YCBA collection, 2016-present
5024
300048722
Gallery label
2016
For the Romantic traveler, the key associations of Verona were literary. It was where Dante Alighieri lived in exile from Florence, and it provided the decidedly notional setting of plays by William Shakespeare, most famously the tragedy of Romeo and Juliet. Bonington's inclusion of the religious procession reflects a fascination felt by many modern Europeans with the ancient, picturesque, and mysterious aspects of Catholicism. The people on the balconies look down as though from one period of history upon another. The Roman Catholic Relief Act of 1829 brought emancipation to English Catholics. Bonington himself was born a Unitarian.
--- --- Gallery label for installation of YCBA collection, 2005
5024
300048722
Gallery label
2005-08-03
Bonington visited Italy in 1826, and some of the masterpieces of his last years are views of Venice and Verona. This exquisite and dazzling Veronese street scene shows the Corso Sant'Anastasia looking toward the Piazza dell'Erbe, the city's main market square. In the middle distance to the right is the projecting facade of the Casa Maffei, the palace of the eighteenth-century historian and man of letters Count Scipio Maffei. For travelers of the Romantic age, the chief importance of Verona lay in its resonant literary associations. It was here that Dante lived in exile during the power struggle between the Black and White Guelph factions in Florence, as described in his Paradiso, and lovers of English literature knew the city well-at least by name-as the setting of plays by Shakespeare. In his guidebook Voyages historiques et littéraires en Italie, pendant les années 1826, 1827, et 1828 (1831), the French writer Antoine Valery remarked: ---
Shakespeare and Dante seem to meet at Verona, the one through his works, the other through his misfortunes, and the imagination delights here in bringing together these two great geniuses, so tremendous, so creative and perhaps the most astonishing of modern literature.[1] ---
Though showing the people on the balconies dressed in the fashion of the day, Bonington gives pride of place to
a religious procession that would have looked much the same in the time of Dante or Shakespeare; and he could surely count upon the sight of Veronese balconies and friars to conjure up memories of Romeo and Juliet. The spectacle is redolent of the past in general, of the faded glory that was almost every British or French visitor's leading impression of Italy, and of the fascination with which modern Europeans regarded the picturesque and mysterious aspects of Roman Catholicism. Some of the people on the balconies are undoubtedly tourists, looking down as though from one period of human history upon another. ---
Leaving his home in Paris on April 4, 1826, Bonington came to Italy with his aristocratic friend and patron Charles Rivet. They reached Verona on April 18 and stayed there for a few days before moving on to their principal destination, Venice, where they spent about a month. In Verona Bonington made one or more drawings of the view along the Corso Sant'Anastasia and possibly the watercolor version of the subject now at the Victoria and Albert Museum, London; the watercolor, which he gave to his fellow watercolorist Thomas Shotter Boys, was to become one of his most celebrated works, especially among other artists. The present painting is the second of two oil versions of the same view that followed; he never revisited Italy, and almost certainly based them on the earlier watercolor, in both cases varying the figures and certain architectural details. The first oil, which is smaller, dates from 1827 (private collection). The second was probably painted in the summer of 1828, by which time the artist was living in London. It is the only version to include the religious procession, which Bonington seems to have adapted from a large exhibition picture of a Venetian subject that he had painted in the preceding year, The Ducal Palace with a Religious Procession (Tate Gallery). Corso Sant'Anastasia, Verona may well have been his last painting before the onset of his fatal illness; it was still in his studio at the time of his death on September 23, 1828, appeared in the sale of his remaining works at Sotheby's in 1829, and was bought by the Marquess of Stafford. --- ---
[1] Noon 1991, 251.
--- --- Malcolm Warner
--- --- Malcolm Warner, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 144, no. 58, ND1314.3 Y36 1998 (YCBA)
5024
300111999
Published catalog entry
ycba_actor_1214
Malcolm Warner
300025492
Author
1998
300192793
ycba_term_2034353
observers
300192793
ycba_term_42275
audience
300054156
ycba_term_7537
architecture
300025943
ycba_term_7002
women
300195678
ycba_term_28589
flags
0
ycba_term_947356
square
300025928
ycba_term_7001
men
300015571
ycba_term_32654
cityscape
300008247
ycba_term_32227
street
300025765
ycba_term_64932
friars
300056024
ycba_term_525
light
300056036
ycba_term_38872
shadow
300004792
ycba_term_17956
buildings
ycba_term_2036212
architectural subject
300178802
ycba_term_21364
costume
300002526
ycba_term_30488
facade
300005734
ycba_term_31415
palace
25774
ycba_term_2030430
priests
300139140
ycba_term_2036211
genre subject
0
ycba_term_947382
street
300195679
ycba_term_28726
banners
ycba_term_2036258
sky
0
ycba_term_947357
piazza
300073730
ycba_term_871
Catholicism
300205002
ycba_term_20906
tapestries
300132466
ycba_term_356
tourism
300002588
ycba_term_14537
balconies
300069290
300069290
ycba_term_39151
procession
300112347
300112347
ycba_term_39804
market (event)
Palazzo Maffei
ycba_term_2046733
Palazzo Maffei
Verona
7003262
ycba_term_1834662
Verona
45.4330, 11.0000
Italy
1000080
ycba_term_1833823
Italy
42.8330, 12.8330
Veneto
7002997
ycba_term_1834175
Veneto
45.5000, 11.7500
Corso Sant'Anastasia
ycba_term_2041633
Corso Sant'Anastasia
Spencer Alley, Views in Oil Paint by Richard Parkes Bonington, , , March 10,2018, http://spenceralley.blogspot.com/2018/03/views-in-oil-paint-by-richard-parkes.html
4081
related to
David Blayney Brown, Paris, Petit Palais - Bonington, Burlington Magazine, v 134, no. 1070, May, 1992, p. 327, fig. 56, N1 B87 + (YCBA)
688057
N1 B87 + (YCBA)
05461534
875
related to
Christie's Advertisement for Sale on July 16, 1965, Burlington Magazine, v. 107, no. 748, July, 1965, p. xxii, N1 B87 + OVERSIZE (YCBA) Also available Online (Orbis)
688057
N1 B87 + OVERSIZE (YCBA)
05461534
869
related to
Christie's Advertisement for sale on July 16, 1965, Apollo, v. 82, no. 41, July 1965, p. xi, N1 A54 + (YCBA)
466842
N1 A54 + (YCBA)
01481683
882
related to
Malcolm Cormack, Bonington, Phaidon, Oxford, 1989, pp. 113-114, 140, no. 90, NJ18 B65 C67 + (YCBA)
828092
NJ18 B65 C67 + (YCBA)
19267039
221
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 26-27, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
A. Dubuisson, Richard Parkes Bonington, His life and work, John Lane The Bodley Head Limited, London, 1924, p. 169, NJ18 B65 +D8 (YCBA)
14052
NJ18 B65 +D8 (YCBA)
01209363
1958
related to
Stephen Duffy, Richard Parkes Bonington, Trustees of the Wallace Collection, London, 2003, p. 54, NJ18 B65 D84 2003 + (YCBA)
6233988
NJ18 B65 D84 2003 + (YCBA)
51781011
1329
related to
Luke Herrmann, Nineteenth century British painting, Giles de la Mare, London, 2000, p. 149, no. 101, ND467 H47 2000 (YCBA)
4646556
ND467 H47 2000 (YCBA)
44603214
215
related to
Peter Humfrey, The Stafford Gallery : the greatest art collection of Regency London, Unicorn Press, Norwich, 2019, pp. 129, 130, fig. 81, N1165 S73 H86 2019 (YCBA)
14918161
N1165 S73 H86 2019 (YCBA)
1089568326
5073
related to
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, p. 144, no. 58, ND1314.3 Y36 1998 (YCBA)
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
related to
Patrick Noon, Constable to Delacroix, British art and the French romanticism, Tate Publishing, London, 2003, p. 231, no. 141, ND457 N66 2003 + (YCBA)
6149958
ND457 N66 2003 + (YCBA)
701743249
217
related to
Patrick Noon, Crossing the Channel : British and French painting in the age of romanticism, Tate Publishing, London, p. 231, no. 141, ND467.5.R6 N66 2003 Oversize (YCBA)
12396850
ND467.5.R6 N66 2003 Oversize (YCBA)
52515412
4596
related to
Patrick Noon, Richard Parkes Bonington : "On the pleasure of painting", , Yale Center for British Art, New Haven, 1991, p. 292-93..., no. 155, NJ18 B65 N66 1991 + (YCBA)
3269072
NJ18 B65 N66 1991 + (YCBA)
25088602
218
related to
Patrick Noon, Richard Parkes Bonington : the complete paintings, , Yale University Press, New Haven, 2008, p. 49, 59, 60, no. 221, NJ18 B65 A12 N66 2008 + (YCBA)
8446839
NJ18 B65 A12 N66 2008 + (YCBA)
145396590
1328
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Marcia R. Pointon, Bonington, Francia & Wyld, B.T. Batsford, London, 1985, p. 137-38, fig. 65, NJ18 B65 A12 P65 (YCBA)
582833
NJ18 B65 A12 P65 (YCBA)
12539156
291
related to
Marion L. Spencer, R.P. Bonington, 1802-1828., Nottingham Castle Museum and Art Gallery, Nottingham, 1965, p. 30, no. 219, pl. 11, NJ18 B65 S74 (YCBA)
828089
NJ18 B65 S74 (YCBA)
159687
257
related to
The Sale Room, Apollo, v. 82, no. 44, October 1965, p. 351, fig. 8, N1 A54 (LC) OVERSIZE (YCBA)
466842
N1 A54 (LC) OVERSIZE (YCBA)
01481683
883
related to
Scott Wilcox, Edward Lear and the art of travel, Yale Center for British Art, New Haven, CT, 2000, pp. 146-7, no. 163, NJ18 L455 W55 2000 (YCBA)
4629427
NJ18 L455 W55 2000 (YCBA)
45840854
505
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5024
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5024
oai:tms.ycba.yale.edu:5024
https://manifests.collections.yale.edu/v2/ycba/obj/5024
https://manifests.collections.yale.edu/ycba/obj/5024
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art