2024-03-28T08:09:00Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:50252024-03-27ycba:ps
YCBA/lido-TMS-5025
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015636
landscape
300033618
Painting
Dedham Lock
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.118
https://www.wikidata.org/wiki/Q23758150
Not on view
Yale Center for British Art
41.3080060, -72.9306282
13 1/4 x 19 5/8 inches (33.7 x 49.8 cm)
height
cm
33.7
width
cm
49.8
19 1/2 × 26 1/2 inches (49.5 × 67.3 cm)
height
cm
49.5
width
cm
67.3
Frame
5025
300054713
production
John Constable, 1776–1837, British
ycba_actor_18
http://libris.kb.se/resource/auth/182141
http://isni-url.oclc.nl/isni/0000000122770039
http://en.wikipedia.org/wiki/John_Constable
http://www.oxforddnb.com/view/article/6107?docPos=3
http://id.ndl.go.jp/auth/ndlna/00512631
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX895728
http://viaf.org/viaf/17265725
http://d-nb.info/gnd/118521934
http://vocab.getty.edu/ulan/500115382
https://www.wikidata.org/wiki/Q159297
http://www.idref.fr/030345952/id
http://id.loc.gov/authorities/names/n80007977
https://n2t.net/ark:/99166/w6wm20v2
John Constable
John Constable R. A.
Constable, John, 1776-1837
Constable John, 1776–1837
John Constable, 1776–1837
John Constable, 1776–1837
7011827
7029248
7011781
7011781
British
1776
1837
male
300025103
Artist
300112172
draftsman (artist)
300025136
painter
Royal Academician
300111159
British
between 1819 and 1820
1819
1820
24
19th century
Oil on canvas laid on board
300054216
painting (technique)
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
851
https://media.art.yale.edu/content/lux/exb/3979.json
300054766
exhibition
The Critique of Reason : Romantic Art, 1760–1860
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2015-03-06 - 2015-07-26
2015-03-06
2015-07-26
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
https://viaf.org/viaf/127414571
http://www.wikidata.org/entity/Q705551
http://vocab.getty.edu/ulan/500267593
Art Gallery of New South Wales
Art Gallery of New South Wales
0
0
300311675
Borrower
1998-05-01 - 1998-07-05
1998-05-01
1998-07-05
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
Art Gallery of New South Wales
Sydney
7001923
Sydney
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Queensland Art Gallery
ycba_actor_1294
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
http://id.loc.gov/authorities/names/n81139357
Queensland Art Gallery
0
0
300311675
Borrower
1998-07-15 - 1998-09-06
1998-07-15
1998-09-06
Queensland Art Gallery
ycba_actor_1294
http://id.loc.gov/authorities/names/n81139357
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
Queensland Art Gallery
Brisbane
7001911
Brisbane
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of South Australia
ycba_actor_1295
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
http://vocab.getty.edu/ulan/500304440
http://id.loc.gov/authorities/names/n79007201
Art Gallery of South Australia
Art Gallery of South Australia
0
0
300311675
Borrower
1998-09-16 - 1998-11-15
1998-09-16
1998-11-15
Art Gallery of South Australia
ycba_actor_1295
http://id.loc.gov/authorities/names/n79007201
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
Art Gallery of South Australia
Adelaide
7001904
Adelaide
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
Constable's England (The Metropolitan Museum of Art, 1983-04-13 - 1983-09-04)
332
300054766
exhibition
Constable's England
Yale Center for British Art
The Metropolitan Museum of Art
ycba_actor_1593
http://vocab.getty.edu/ulan/500125157
https://viaf.org/viaf/126238294
http://www.wikidata.org/entity/Q160236
https://n2t.net/ark:/99166/w6nx2pnk
http://id.loc.gov/authorities/names/n79129629
The Metropolitan Museum of Art
The Metropolitan Museum of Art
0
0
300311675
Borrower
1983-04-13 - 1983-09-04
1983-04-13
1983-09-04
The Metropolitan Museum of Art
ycba_actor_1593
http://id.loc.gov/authorities/names/n79129629
http://vocab.getty.edu/ulan/500125157
http://www.wikidata.org/entity/Q160236
https://n2t.net/ark:/99166/w6nx2pnk
https://viaf.org/viaf/126238294
The Metropolitan Museum of Art
Manhattan Island
7022657
Manhattan Island
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
601
300054766
exhibition
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon
Yale Center for British Art
National Gallery of Art
ycba_actor_1651
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
http://www.wikidata.org/entity/Q214867
http://vocab.getty.edu/ulan/500115983
http://id.loc.gov/authorities/names/n79054426
National Gallery of Art
Sally Freitag Registrar
Stephenie Belt
Earl A. Powell III
Naomi R. Remes
Washington, D.C., National Gallery of Art
0
0
300311675
Borrower
1969-04-30 - 1969-11-01
1969-04-30
1969-11-01
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
Washington
7013962
Washington
5025
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 58-59, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
5025
583357
NJ18 C74 C75 OVERSIZE (YCBA)
12693643
1656
300054686
publication event
Malcolm Cormack, ^Constable^, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 106-9, pl. 104, NJ18 C74 C75 OVERSIZE (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Cambridge University Press
ycba_actor_8359
Cambridge University Press
300025574
Publisher
1986
1986
1986
Cambridge, UK & New York, NY
5025
7774755
NJ18 .H647 A12 2007 (YCBA)
77540646
5393
300054686
publication event
Sir Howard Hodgkin, ^Howard Hodgkin : paintings, 1992-2007^, Yale University Press, New Haven, 2007, pp. 78-83, figs. 30 (detail) and 31, NJ18 .H647 A12 2007 (YCBA)
Yale Center for British Art
Sir Howard Hodgkin, 1932–2017, British
ycba_actor_658
http://id.loc.gov/authorities/names/n82066827
http://vocab.getty.edu/ulan/500027570
https://n2t.net/ark:/99166/w6ns18p9
https://viaf.org/viaf/29552547
https://www.wikidata.org/wiki/Q950746
Hodgkin Howard Sir
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2007
2007
2007
New Haven
5025
50025
Folio A N80 (YCBA)
23162476
321
300054686
publication event
Charles John Holmes, ^Constable and his influence on landscape painting^, Archibald Constable and Company, Limited, Westminster, UK, 1902, p. 248, Folio A N80 (YCBA)
Yale Center for British Art
Charles John Holmes, 1868–1936, British
ycba_actor_6694
2947
http://id.loc.gov/authorities/names/n84806474
http://vocab.getty.edu/ulan/500017106
https://n2t.net/ark:/99166/w69g8t0d
https://viaf.org/viaf/40793485
https://www.wikidata.org/wiki/Q536483
Holmes Charles John
300025492
Author
Archibald Constable and Company, Limited
ycba_actor_8403
Archibald Constable and Company, Limited
300025574
Publisher
1902
1902
1902
Westminster, UK
5025
25384
NJ18 C74 A12 +H66 (YCBA)
5472212
289
300054686
publication event
Robert Hoozee, ^L'opera completa di Constable^, 98, Rizzoli, Milano, Italy, 1979, p. 112, no. 259, NJ18 C74 A12 +H66 (YCBA)
Yale Center for British Art
Robert Hoozee
ycba_actor_8609
Hoozee Robert
300025492
Author
Rizzoli
ycba_actor_8384
Rizzoli
300025574
Publisher
1979
1979
1979
Milano, Italy
5025
3595102
NJ18 C74 U5 (YCBA)
1152948147
273
300054686
publication event
^John Constable : a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon, ^, National Gallery of Art, Washington, DC, 1969, pp. 34-35, no. 30, NJ18 C74 U5 (YCBA)
Yale Center for British Art
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
300025574
Publisher
1969
1969
1969
Washington, DC
5025
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
300054686
publication event
Julia Marciari-Alexander, ^This other Eden : Paintings from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 1998, p. 136, no. 54, ND1314.3 Y36 1998 (YCBA)
Yale Center for British Art
Julia Marciari-Alexander
ycba_actor_2049
Marciari-Alexander Julia
300025492
Author
Malcolm Warner, born 1953
ycba_actor_1214
http://id.loc.gov/authorities/names/n78078373
https://www.wikidata.org/wiki/Q16185655
Warner Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1998
1998
1998
New Haven, CT
5025
3518046
ND466 V57 v.1-2 (YCBA)
2187354
230
300054686
publication event
^Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, ^, 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 79 (v.1), no. 105 (v.1), pl. 45 (v.2), ND466 V57 v.1-2 (YCBA)
Yale Center for British Art
Virginia Museum of Fine Arts
ycba_actor_1286
http://id.loc.gov/authorities/names/n79046025
http://vocab.getty.edu/ulan/500310718
http://www.wikidata.org/entity/Q4013975
https://n2t.net/ark:/99166/w6991x8v
https://viaf.org/viaf/148748621
Virginia Museum of Fine Arts
300025574
Publisher
1963
1963
1963
Richmond, VA
5025
688057
N1 B87 + (YCBA)
05461534
1224
300054686
publication event
Leslie Parris, ^The Later Paintings and Drawings of John Constable, Book Review ^, Burlington Magazine, vol. 127, March 1985, p. 165, N1 B87 + (YCBA)
Yale Center for British Art
Leslie Parris
ycba_actor_8356
Parris Leslie
300025492
Author
Ian Fleming-Williams
ycba_actor_9191
Fleming-Williams Ian
300025492
Author
March 1985
1985
1985
5025
579897
NJ18 C74 P374 + (YCBA)
8111921
1605
300054686
publication event
Leslie Parris, ^The Tate Gallery Constable collection : a catalogue, ^, Tate Britain, London, UK, 1981, pp. 101-02, fig. 3, NJ18 C74 P374 + (YCBA)
Yale Center for British Art
Leslie Parris
ycba_actor_8356
Parris Leslie
300025492
Author
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
300025574
Publisher
1981
1981
1981
London, UK
5025
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v.3, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5025
580867
NJ18 C74 R496 (YCBA)
9669273
304
300054686
publication event
Graham Reynolds, ^Constable's England^, The Metropolitan Museum of Art, New York, NY, 1983, p. 70-1, no. 20, NJ18 C74 R496 (YCBA)
Yale Center for British Art
Graham Reynolds
ycba_actor_8357
Reynolds Graham
300025492
Author
The Metropolitan Museum of Art
ycba_actor_1593
http://id.loc.gov/authorities/names/n79129629
http://vocab.getty.edu/ulan/500125157
http://www.wikidata.org/entity/Q160236
https://n2t.net/ark:/99166/w6nx2pnk
https://viaf.org/viaf/126238294
The Metropolitan Museum of Art
300025574
Publisher
1983
1983
1983
New York, NY
5025
582470
NJ18 C74 R485 + (YCBA)
10948407
260
300054686
publication event
Graham Reynolds, ^The later paintings and drawings of John Constable^, Yale University Press, New Haven, CT, 1984, p. 65 (v. 1), no. 20.92, pl. 211, NJ18 C74 R485 + (YCBA)
Yale Center for British Art
Graham Reynolds
ycba_actor_8357
Reynolds Graham
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1984
1984
1984
New Haven, CT
5025
5380678
ND466 Y35 (YCBA)
702612521
317
300054686
publication event
Yale University Art Gallery, ^Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, ^, vol. 1, W. Clowes and sons, New Haven, 1965, p.13 (v.1), no. 44, ND466 Y35 (YCBA)
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
300025492
Author
W. Clowes and sons
ycba_actor_8398
W. Clowes and sons
300025574
Publisher
1965
1965
1965
New Haven
5025
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981-01-01
1981-01-01
1981-01-01
300138913
gift
This is one of the relatively small studio sketches which Constable used as stepping stones toward far more ambitious landscape paintings, of which Stratford Mill in the next bay, a full-scale sketch for the “finished” painting (National Gallery, London) demonstrates the penultimate stage of the artist’s long, careful and deliberate process of compositional refinement. In this case, there exist a number of versions of this preliminary treatment of Dedham Lock none of which ever made it to the next stage. Constable chose instead to broaden his composition to encompass the neighboring mill (which belonged to his family business), and to embark upon a more complex view of Dedham from a vantage point thirty paces or so further distant from the lock. A full-scale, unfinished sketch for the resulting Dedham Lock and Mill, ca. 1816–17, is in Tate (London), while the finished or “exhibition” version is in a private collection.
--- --- Gallery label for installation of YCBA collection, 2005
5025
300048722
Gallery label
2005
Painted in a busy variety of different kinds of brushstroke, often with areas of rich impasto, Constable's small oil sketches played a key part in his working process. He made many of them outdoors on the spot, at the favorite sites in the Stour Valley that were the mainstay of his subject matter throughout his career; his studies of clouds were also done in the open air (see no. 55). Such quick, private visual notes would serve him in the studio as points of departure, aides-mémoires, and raw material for the larger, more finished pictures that he would show at the London exhibitions. In the course of synthesizing and adapting, he would make further oil sketches to strike the right balance of compositional elements and lights and darks, sometimes completing his preparations with a sketch on the same scale-as large as six feet across-as the projected exhibition piece (no. 53 is an example). The present work is one of the smaller-scale studio sketches, a step toward a larger, more finished work that appears never to have been realized. ---
It shows the view looking south from Dedham Lock toward Dedham itself, with the skyline dominated by the tower of the village church. The vessel with a sail to the left is a barge waiting inside the lock for the water to rise to the level of the river beyond. The view is similar in form and content to another painted by Constable repeatedly between 1817 and 1820, looking in more or less the same direction but from the other end of the lock, i. e. from a point some distance back and to the left. The composition also centers on the church tower rising above the lock; the main difference is that in the position occupied by the row of trees on the left is a building instead, Dedham Mill. There are four relatively large versions of this other Dedham view, including one that is unfinished; two of the finished versions, both datable to 1820, show a barge in the lower left corner like the one here.1 The present view, without the mill, is seen in only three works, all of which are sketches; the others, both smaller, are at the Tate Gallery and also at the Yale Center for British Art.2 The three may represent an idea for a full-scale Dedham view that was superseded by the one with the mill, which would suggest a date of about 1817 or earlier. In style, however, they seem to belong with other sketches datable to about 1819-20; the present work, for instance, relates to the small compositional sketch for Stratford Mill (see no. 53). Constable may have painted them for the same purpose as the latter, as a preparatory work for an exhibition picture on his largest scale, a never-realized "six-footer." ---
As the scene of boyhood memories, Dedham was full of sentimental associations for Constable, and the mill featured in the other, similar view was part of his own family's business. But in his paintings of this and other places along the Stour, he sought to suggest ideas of more than personal importance. He painted the locks that made the river navigable in large part for their symbolic connotations: they represented the man-made at its best, a positive and productive intervention in nature. Dedham Church was also a favorite motif. At 130 feet in height, it was actually one of the valley's most prominent landmarks. But its position at the heart of so many of Constable's compositions is more a matter of theology than topography. He was devoutly religious and saw the beauty and well-being of his home countryside as inseparable from the idea of a presiding, beneficent God. ---
As Graham Reynolds has noted, the first known owner of the sketch was Albert Hecht, the early collector of works by the French Impressionists. The Impressionist painters probably would have seen it at Hecht's and no doubt appreciated its remarkably free, spontaneous-looking touch. --- ---
[1] Parris and Fleming-Williams, 186-91 (nos. 93-96); Graham reynolds 1984, 47-49 (nos. 20.10-20.13). ---
[2] Graham Reynolds 1984, 64-65 )nos. 20.90 and 20.91).
--- --- Malcolm Warner
--- --- Malcolm Warner, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 136, no. 54, ND1314.3 Y36 1998 (YCBA)
5025
300111999
Published catalog entry
ycba_actor_1214
Malcolm Warner
300025492
Author
1998
300015636
ycba_term_149705
landscape
300178749
ycba_term_41421
boat
300004792
ycba_term_31111
building
300008707
ycba_term_32373
river
300007501
ycba_term_31960
cathedral
ycba_term_2036187
dark
300081053
ycba_term_39516
study (visual work)
ycba_term_2036258
sky
300132410
ycba_term_17587
trees
Essex
7008131
ycba_term_1876325
Essex
51.5830, 0.5500
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
Dedham
4003203
ycba_term_1876530
Dedham
51.9500, 0.9833
Stour
7011543
ycba_term_1880277
Stour
51.9500, 1.3000
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 58-59, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 106-9, pl. 104, NJ18 C74 C75 OVERSIZE (YCBA)
583357
NJ18 C74 C75 OVERSIZE (YCBA)
12693643
1656
related to
Sir Howard Hodgkin, Howard Hodgkin : paintings, 1992-2007, Yale University Press, New Haven, 2007, pp. 78-83, figs. 30 (detail) and 31, NJ18 .H647 A12 2007 (YCBA)
7774755
NJ18 .H647 A12 2007 (YCBA)
77540646
5393
related to
Charles John Holmes, Constable and his influence on landscape painting, Archibald Constable and Company, Limited, Westminster, UK, 1902, p. 248, Folio A N80 (YCBA)
50025
Folio A N80 (YCBA)
23162476
321
related to
Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 112, no. 259, NJ18 C74 A12 +H66 (YCBA)
25384
NJ18 C74 A12 +H66 (YCBA)
5472212
289
related to
John Constable : a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon, , National Gallery of Art, Washington, DC, 1969, pp. 34-35, no. 30, NJ18 C74 U5 (YCBA)
3595102
NJ18 C74 U5 (YCBA)
1152948147
273
related to
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, p. 136, no. 54, ND1314.3 Y36 1998 (YCBA)
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
related to
Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 79 (v.1), no. 105 (v.1), pl. 45 (v.2), ND466 V57 v.1-2 (YCBA)
3518046
ND466 V57 v.1-2 (YCBA)
2187354
230
related to
Leslie Parris, The Later Paintings and Drawings of John Constable, Book Review, Burlington Magazine, vol. 127, March 1985, p. 165, N1 B87 + (YCBA)
688057
N1 B87 + (YCBA)
05461534
1224
related to
Leslie Parris, The Tate Gallery Constable collection : a catalogue, , Tate Britain, London, UK, 1981, pp. 101-02, fig. 3, NJ18 C74 P374 + (YCBA)
579897
NJ18 C74 P374 + (YCBA)
8111921
1605
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v.3, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Graham Reynolds, Constable's England, The Metropolitan Museum of Art, New York, NY, 1983, p. 70-1, no. 20, NJ18 C74 R496 (YCBA)
580867
NJ18 C74 R496 (YCBA)
9669273
304
related to
Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, p. 65 (v. 1), no. 20.92, pl. 211, NJ18 C74 R485 + (YCBA)
582470
NJ18 C74 R485 + (YCBA)
10948407
260
related to
Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p.13 (v.1), no. 44, ND466 Y35 (YCBA)
5380678
ND466 Y35 (YCBA)
702612521
317
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5025
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5025
oai:tms.ycba.yale.edu:5025
https://manifests.collections.yale.edu/v2/ycba/obj/5025
https://manifests.collections.yale.edu/ycba/obj/5025
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art