2024-03-29T13:59:42Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:5032024-03-28ycba:ps
YCBA/lido-TMS-503
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300139140
genre subject
300033618
Painting
A Musician
The musicians
[1867, Royal Academy of Arts, London, exhibition catalogue]
500303557
Yale Center for British Art
http://britishart.yale.edu
B1980.7
https://www.wikidata.org/wiki/Q23758147
Not on view
Yale Center for British Art
41.3080060, -72.9306282
11 1/4 x 15 1/4 inches (28.6 x 38.7 cm)
height
cm
28.6
width
cm
38.7
18 3/4 × 22 3/4 × 1 3/4 inches (47.6 × 57.8 × 4.4 cm)
depth
cm
4.4
length
cm
57.8
height
cm
47.6
Frame
503
300054713
production
Albert Joseph Moore, 1841–1893, British
ycba_actor_48
http://id.loc.gov/authorities/names/nr93002544
https://viaf.org/viaf/8253944
https://www.wikidata.org/wiki/Q1399837
http://vocab.getty.edu/ulan/500020062
https://n2t.net/ark:/99166/w6vq3td8
Moore, Albert Joseph, 1841-1893
Albert Joseph Moore
Moore Albert Joseph, 1841–1893
Albert Joseph Moore, 1841–1893
Albert Joseph Moore, 1841–1893
7000874
7011995
7011781
British
1841
1893
male
300025103
Artist
oil painter
300025136
painter
300025153
muralist
300025163
pastelist
300025190
designer
300111159
British
ca. 1867
1862
1872
24
19th century
Oil on canvas
300014078
canvas
300230810
oil paint
300054216
painting (technique)
The Lost Symphony: Whistler and the Perfection of Art (Freer Gallery of Art and Arthur M. Sackler Gallery, 2016-02-01 - 2016-06-01)
868
300054766
exhibition
The Lost Symphony: Whistler and the Perfection of Art
Yale Center for British Art
Freer Gallery of Art and Arthur M. Sackler Gallery
ycba_actor_7320
http://vocab.getty.edu/ulan/500312800
http://www.wikidata.org/entity/Q259767
https://viaf.org/viaf/139247290
http://id.loc.gov/authorities/names/n85298520
Freer Gallery of Art and Arthur M. Sackler Gallery
0
0
300311675
Borrower
2016-02-01 - 2016-06-01
2016-02-01
2016-06-01
Freer Gallery of Art and Arthur M. Sackler Gallery
ycba_actor_7320
http://id.loc.gov/authorities/names/n85298520
http://vocab.getty.edu/ulan/500312800
http://www.wikidata.org/entity/Q259767
https://viaf.org/viaf/139247290
Freer Gallery of Art and Arthur M. Sackler Gallery
Washington
7013962
Washington
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900 (Fine Arts Museums of San Francisco, 2012-02-18 - 2012-06-17)
675
300054766
exhibition
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900
Yale Center for British Art
Fine Arts Museums of San Francisco
ycba_actor_1335
http://www.wikidata.org/entity/Q1416890
https://viaf.org/viaf/150849489
http://vocab.getty.edu/ulan/500308548
http://id.loc.gov/authorities/names/n80051191
Fine Arts Museums of San Francisco
Museum of the Legion of Honor
De Young Museum
0
0
300311675
Borrower
2012-02-18 - 2012-06-17
2012-02-18
2012-06-17
Fine Arts Museums of San Francisco
ycba_actor_1335
http://id.loc.gov/authorities/names/n80051191
http://vocab.getty.edu/ulan/500308548
http://www.wikidata.org/entity/Q1416890
https://viaf.org/viaf/150849489
Fine Arts Museums of San Francisco
San Francisco
7014456
San Francisco
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900 (Victoria and Albert Museum, 2011-04-02 - 2011-07-17)
675
300054766
exhibition
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900
Yale Center for British Art
Victoria and Albert Museum
ycba_actor_5930
http://vocab.getty.edu/ulan/500302040
V&A
Victoria and Albert Museum
0
0
300311675
Borrower
2011-04-02 - 2011-07-17
2011-04-02
2011-07-17
Victoria and Albert Museum
ycba_actor_5930
http://vocab.getty.edu/ulan/500302040
Victoria and Albert Museum
Kensington
4012698
Kensington
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900 (Musée d'Orsay, 2011-09-12 - 2012-01-15)
675
300054766
exhibition
The Cult of Beauty: The Aesthetic Movement in Britain, 1860-1900
Yale Center for British Art
Musée d'Orsay
ycba_actor_2770
http://vocab.getty.edu/ulan/500310001
https://viaf.org/viaf/130307757
http://www.wikidata.org/entity/Q23402
http://id.loc.gov/authorities/names/n84128587
Musée d'Orsay
Musée d'Orsay
0
0
2011-09-12 - 2012-01-15
2011-09-12
2012-01-15
Musée d'Orsay
ycba_actor_2770
http://id.loc.gov/authorities/names/n84128587
http://vocab.getty.edu/ulan/500310001
http://www.wikidata.org/entity/Q23402
https://viaf.org/viaf/130307757
Musée d'Orsay
Paris
7008038
Paris
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
Rossetti in the 1860's "The Blue Bower" (The Barber Institute of Fine Arts, 2000-10-27 - 2001-01-14)
79
300054766
exhibition
Rossetti in the 1860's "The Blue Bower"
Yale Center for British Art
The Barber Institute of Fine Arts
ycba_actor_6002
http://vocab.getty.edu/ulan/500304579
The Barber Institute of Fine Arts
R Verdi Director
Rosemary Poynton Exhibition Registrar
Paul Spencer-Longhurst Senior Curator
0
0
300311675
Borrower
2000-10-27 - 2001-01-14
2000-10-27
2001-01-14
The Barber Institute of Fine Arts
ycba_actor_6002
http://vocab.getty.edu/ulan/500304579
The Barber Institute of Fine Arts
Edgbaston
4003523
Edgbaston
Rossetti in the 1860's "The Blue Bower" (Clark Art Institute, 2001-02-01 - 2001-05-06)
79
300054766
exhibition
Rossetti in the 1860's "The Blue Bower"
Yale Center for British Art
Clark Art Institute
ycba_actor_6082
http://vocab.getty.edu/ulan/500125194
https://viaf.org/viaf/145164344
http://www.wikidata.org/entity/Q1465805
http://id.loc.gov/authorities/names/n78096939
Sterling and Francine Clark Art Institute
Clark Art Institute
Mattie Kelley Registrar
Kris Walton Asst Registrar
0
0
2001-02-01 - 2001-05-06
2001-02-01
2001-05-06
Clark Art Institute
ycba_actor_6082
http://id.loc.gov/authorities/names/n78096939
http://vocab.getty.edu/ulan/500125194
http://www.wikidata.org/entity/Q1465805
https://viaf.org/viaf/145164344
Clark Art Institute
Williamstown
7014630
Williamstown
Pre-Raphaelite Painters and Patrons in the North East (Laing Art Gallery, 1989-10-14 - 1990-01-15)
435
300054766
exhibition
Pre-Raphaelite Painters and Patrons in the North East
Yale Center for British Art
Laing Art Gallery
ycba_actor_5933
http://vocab.getty.edu/ulan/500304023
Sarah Richardson
Laing Art Gallery
0
0
300311675
Borrower
1989-10-14 - 1990-01-15
1989-10-14
1990-01-15
Laing Art Gallery
ycba_actor_5933
http://vocab.getty.edu/ulan/500304023
Laing Art Gallery
Newcastle upon Tyne
7012026
Newcastle upon Tyne
503
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
300054686
publication event
^Acquisitions : The First Decade 1977-1986, Yale Center for British Art ^, Yale Center for British Art, New Haven, CT, 1986, p. 16, no. 40, N590.2 A7 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1986
1986
1986
New Haven, CT
503
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 30-31, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
503
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 5], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
503
9801866
N6767.5 A3 C85 2011 OVERSIZE (YCBA)
1822
300054686
publication event
Stephen Calloway, ^The cult of beauty : the aesthetic movement 1860-1900^, V&A Publishing, London, 2011, p. 71-72,282, pl. 46, N6767.5 A3 C85 2011 OVERSIZE (YCBA)
Yale Center for British Art
Stephen Calloway
ycba_actor_9941
Calloway Stephen
300025526
editor
Lynn Federle Orr
ycba_actor_9943
Orr Lynn Federle
300025526
editor
V&A Publishing
ycba_actor_9942
V&A Publishing
300025574
Publisher
2011
2011
2011
London
503
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 162-163, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
503
4026041
N72 S6 M23 1996 (YCBA)
37441044
3408
300054686
publication event
Dianne Sachko Macleod, ^Art and the Victorian middle class : money and the making of cultural identity^, Cambridge University Press, Cambridge, 1996, p. 440, N72 S6 M23 1996 (YCBA)
Yale Center for British Art
Dianne Sachko Macleod
ycba_actor_12114
Macleod Dianne Sachko
300025492
Author
Cambridge University Press
ycba_actor_8359
Cambridge University Press
300025574
Publisher
1996
1996
1996
Cambridge
503
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
300054686
publication event
Duncan Robinson, ^Acquisitions : The First Decade 1977 - 1986, ^, Burlington Magazine, vol. 128, October 1986, p. 16, no. 40, N1 B87 128:3 OVERSIZE (YCBA)
Yale Center for British Art
Duncan Robinson
ycba_actor_2713
http://vocab.getty.edu/ulan/500281434
Robinson Duncan
300025492
Author
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Joan M. Friedman
ycba_actor_11160
Friedman Joan M.
300025492
Author
October 1986
1986
1986
503
9959302
ND467 .S72 2011 Oversize (YCBA)
711045523
1916
300054686
publication event
Allen Staley, ^The New Painting of the 1860s, between the pre-raphaelites and the aesthetic movement ^, Yale University Press, New Haven, Conn., 2011, pp. 110-11, 130-31, 132, 133, 135, 138, 144, 173, 174, 329, 382, pl. 118, ND467 .S72 2011 Oversize (YCBA)
Yale Center for British Art
Allen Staley
ycba_actor_8753
Staley Allen
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2011
2011
2011
New Haven, Conn.
503
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1980
1980
1980
300417642
purchase
A close friend of James McNeill Whistler, Albert Joseph Moore aimed to use color, line, and rhythmic balance of form to create beautiful visual art in the same way that music used rhythm and tone to create beautiful sound. This painting of two women entranced by a musician with his lyre derives from an ancient Roman wall painting from Herculaneum that Moore studied in the British museum. Here, the pair adopt an enervated, melancholy state, which suggests aesthetic ecstasy. But the classical references are balanced and adapted to the taste of the aesthetic movement with the addition of Japanese fans and unclassical wall decoration. The amoralism of the aesthetic movement, and absence of any narrative or moralizing content in the work of artists like Moore, aroused the suspicions of contemporary critics. Many of its leading members, such as Whistler, Walter Pater, and Oscar Wilde, were investigated, silenced, or jailed for their rejection of Victorian taste and morality and embrace of the cult of beauty.
Gallery label for installation of YCBA collection, 2020
503
300048722
Gallery label
2020
A close friend of James McNeill Whistler, Albert Joseph Moore aimed to use color, line, and rhythmic balance of form to create beautiful visual art in the same way that music used rhythm and tone to create beautiful sound. This painting of two women entranced by a musician with his lyre derives from an ancient Roman wall painting from Herculaneum that he studied in the British museum. Here, the pair adopt an enervated, melancholy state, which suggests aesthetic ecstasy. But the classical references are balanced and adapted to the taste of the aesthetic movement with the addition of Japanese fans and unclassical wall decoration. The amoralism of the aesthetic movement and absence of any narrative or moralizing content in the work of artists like Moore, aroused the suspicions of contemporary critics. Many of its leading members such as Whistler, Walter Pater, and Oscar Wilde were investigated, silenced, or jailed for their rejection of Victorian taste and morality and embrace of the cult of beauty.
--- --- Gallery label for installation of YCBA collection, 2016
503
300048722
Gallery label
2016
300132399
ycba_term_17591
flowers (plants)
300042114
ycba_term_37513
lyre
300178802
ycba_term_21364
costume
300038494
ycba_term_36888
bench
300258857
ycba_term_124450
fans
300025943
ycba_term_7002
women
300139140
ycba_term_2036211
genre subject
300047230
ycba_term_149205
relief (sculpture)
300132254
ycba_term_40157
vase
300010279
ycba_term_1367
interior
300025928
ycba_term_35274
man
300054146
ycba_term_7534
music
300025666
ycba_term_34817
musician
300037772
ycba_term_36755
chair
Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, p. 16, no. 40, N590.2 A7 OVERSIZE (YCBA)
583776
N590.2 A7 OVERSIZE (YCBA)
505788690
192
related to
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 30-31, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 5], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
Stephen Calloway, The cult of beauty : the aesthetic movement 1860-1900, V&A Publishing, London, 2011, p. 71-72,282, pl. 46, N6767.5 A3 C85 2011 OVERSIZE (YCBA)
9801866
N6767.5 A3 C85 2011 OVERSIZE (YCBA)
1822
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 162-163, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Dianne Sachko Macleod, Art and the Victorian middle class : money and the making of cultural identity, Cambridge University Press, Cambridge, 1996, p. 440, N72 S6 M23 1996 (YCBA)
4026041
N72 S6 M23 1996 (YCBA)
37441044
3408
related to
Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 16, no. 40, N1 B87 128:3 OVERSIZE (YCBA)
688057
N1 B87 128:3 OVERSIZE (YCBA)
05461534
2335
related to
Allen Staley, The New Painting of the 1860s, between the pre-raphaelites and the aesthetic movement, Yale University Press, New Haven, Conn., 2011, pp. 110-11, 130-31, 132, 133, 135, 138, 144, 173, 174, 329, 382, pl. 118, ND467 .S72 2011 Oversize (YCBA)
9959302
ND467 .S72 2011 Oversize (YCBA)
711045523
1916
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
503
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:503
oai:tms.ycba.yale.edu:503
https://manifests.collections.yale.edu/v2/ycba/obj/503
https://manifests.collections.yale.edu/ycba/obj/503
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art