2024-03-28T17:27:54Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:50652024-03-27ycba:ps
YCBA/lido-TMS-5065
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300117546
marine art
300033618
Painting
Nocturne in Blue and Silver
Signed in monogram with butterfly, lower left
500303557
Yale Center for British Art
http://britishart.yale.edu
B1994.19
https://www.wikidata.org/wiki/Q23758301
On view at the Yale University Art Gallery
Yale Center for British Art
41.3080060, -72.9306282
17 1/2 x 24 inches (44.5 x 61 cm)
height
cm
44.5
width
cm
61.0
27 1/4 × 33 3/8 × 2 5/8 inches (69.2 × 84.8 × 6.7 cm)
height
cm
69.2
width
cm
84.8
depth
cm
6.7
Frame
5065
300054713
production
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
ycba_actor_59
http://vocab.getty.edu/ulan/500012432
https://n2t.net/ark:/99166/w6ns0s96
http://www.oxforddnb.com/index/36/101036855/
http://id.loc.gov/authorities/names/n79032293
https://viaf.org/viaf/46804212
https://www.wikidata.org/wiki/Q203643
James McNeill Whistler
James A. McNeill Whistler
James Abbot MacNeil Whistler
James Abbot McNeil Whistler
James Abbot McNeill Whistler
Whistler James McNeill, 1834–1903
James McNeill Whistler, 1834–1903
James McNeill Whistler, 1834–1903
7013975
7002435
7012611
7018159
7011781
7012149
1000070
7008038
American, active in Britain (from 1859)
1834
1903
male
300025103
Artist
300025164
printmaker
300025136
painter (artist)
1872 to 1878, butterfly added ca. 1885
1872
1885
24
19th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
YUAG European Galleries (Yale University Art Gallery, 2023-12-01 - 2025-01-15)
1108
300054766
exhibition
YUAG European Galleries
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2023-12-01 - 2025-01-15
2023-12-01
2025-01-15
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
1075
https://media.art.yale.edu/content/lux/exb/5069.json
https://britishart.yale.edu/node/1791
300054766
exhibition
In a New Light: Paintings from the Yale Center for British Art
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
https://viaf.org/viaf/158793816
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
http://id.loc.gov/authorities/names/n79129213
YUAG
Yale University Art Gallery
0
0
300311675
Borrower
2023-03-24 - 2023-12-03
2023-03-24
2023-12-03
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
300435424
More than fifty paintings from the Yale Center for British Art are on view at the Yale University Art Gallery through December 3, 2023. The exhibition offers visitors the opportunity to engage with the YCBA’s collection while the museum is closed to the public for a building conservation project. The exhibition spans four centuries of British landscape and portraiture traditions, with works by Mary Beale, John Constable, Thomas Gainsborough, William Hogarth, Gwen John, Angelica Kauffman, George Stubbs, and Joseph Mallord William Turner, among others. Several of these paintings were on view at the Gallery in 2015, where they were featured in The Critique of Reason: Romantic Art, 1760–1860, the first major collaborative exhibition between the two Yale art museums. --- ---
In a New Light occupies the special-exhibition galleries on the fourth floor of the Gallery’s Kahn building, which opened in 1953 and was the architect’s first significant commission and the first modernist structure on Yale’s campus. Directly across the street, Kahn’s final building, the YCBA, was completed after his death and opened to the public in 1977.
Yale Center for British Art
Whistler in Paris, London and Venice (Yale University Art Gallery, 2015-01-30 - 2015-07-15)
860
https://media.art.yale.edu/content/lux/exb/4032.json
300054766
exhibition
Whistler in Paris, London and Venice
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://www.wikidata.org/entity/Q1568434
http://vocab.getty.edu/ulan/500303559
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2015-01-30 - 2015-07-15
2015-01-30
2015-07-15
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
James McNeil Whistler Retrospective (Japan) (The National Museum of Modern Art, Kyoto, 2014-09-13 - 2014-11-16)
808
300054766
exhibition
James McNeil Whistler Retrospective (Japan)
Yale Center for British Art
The National Museum of Modern Art, Kyoto
ycba_actor_11385
The National Museum of Modern Art, Kyoto
0
0
2014-09-13 - 2014-11-16
2014-09-13
2014-11-16
The National Museum of Modern Art, Kyoto
ycba_actor_11385
The National Museum of Modern Art, Kyoto
Kyoto
7004603
Kyoto
James McNeil Whistler Retrospective (Japan) (The Yokohama Museum of Art, 2014-12-16 - 2015-03-01)
808
300054766
exhibition
James McNeil Whistler Retrospective (Japan)
Yale Center for British Art
The Yokohama Museum of Art
ycba_actor_11424
The Yokohama Museum of Art
0
0
2014-12-16 - 2015-03-01
2014-12-16
2015-03-01
The Yokohama Museum of Art
ycba_actor_11424
The Yokohama Museum of Art
Yokohama
7004836
Yokohama
An American in London: Whistler and the Thames (Freer Gallery of Art and Arthur M. Sackler Gallery, 2014-05-02 - 2014-08-14)
670
300054766
exhibition
An American in London: Whistler and the Thames
Yale Center for British Art
Freer Gallery of Art and Arthur M. Sackler Gallery
ycba_actor_7320
http://vocab.getty.edu/ulan/500312800
http://www.wikidata.org/entity/Q259767
https://viaf.org/viaf/139247290
http://id.loc.gov/authorities/names/n85298520
Freer Gallery of Art and Arthur M. Sackler Gallery
0
0
300311675
Borrower
2014-05-02 - 2014-08-14
2014-05-02
2014-08-14
Freer Gallery of Art and Arthur M. Sackler Gallery
ycba_actor_7320
http://id.loc.gov/authorities/names/n85298520
http://vocab.getty.edu/ulan/500312800
http://www.wikidata.org/entity/Q259767
https://viaf.org/viaf/139247290
Freer Gallery of Art and Arthur M. Sackler Gallery
Washington
7013962
Washington
An American in London: Whistler and the Thames (Addison Gallery of American Art, 2014-02-01 - 2014-04-13)
670
300054766
exhibition
An American in London: Whistler and the Thames
Yale Center for British Art
Addison Gallery of American Art
ycba_actor_7231
http://vocab.getty.edu/ulan/500445861
Addison Gallery of American Art
0
0
300311675
Borrower
2014-02-01 - 2014-04-13
2014-02-01
2014-04-13
Addison Gallery of American Art
ycba_actor_7231
http://vocab.getty.edu/ulan/500445861
Addison Gallery of American Art
Andover
7013301
Andover
Like Breath on Glass - Painting Softly from James McNeill Whistler through Arthur B. Davies (Clark Art Institute, 2008-06-22 - 2008-10-19)
632
300054766
exhibition
Like Breath on Glass - Painting Softly from James McNeill Whistler through Arthur B. Davies
Yale Center for British Art
Clark Art Institute
ycba_actor_6082
http://vocab.getty.edu/ulan/500125194
https://viaf.org/viaf/145164344
http://www.wikidata.org/entity/Q1465805
http://id.loc.gov/authorities/names/n78096939
Mattie Kelley Registrar
Kris Walton Asst Registrar
Clark Art Institute
Sterling and Francine Clark Art Institute
0
0
300311675
Borrower
2008-06-22 - 2008-10-19
2008-06-22
2008-10-19
Clark Art Institute
ycba_actor_6082
http://id.loc.gov/authorities/names/n78096939
http://vocab.getty.edu/ulan/500125194
http://www.wikidata.org/entity/Q1465805
https://viaf.org/viaf/145164344
Clark Art Institute
Williamstown
7014630
Williamstown
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
Whistler " The Naval Review " (Yale Center for British Art, 2005-05-19 - 2005-08-15)
230
https://britishart.yale.edu/node/667
300054766
exhibition
Whistler " The Naval Review "
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2005-05-19 - 2005-08-15
2005-05-19
2005-08-15
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
During Queen Victoria’s Jubilee in 1887, James McNeill Whistler attended a naval review off Spithead and recorded the occasion in a series of twelve etchings. A proof set of these delicate, breezy etchings, given to the Yale Center for British Art in 2002 by Robert Whittemore, BA 1943, was the focus of this small exhibition. Also included was the Center’s painting Nocturne in Blue and Silver, which came from the same renowned collection of Whistler’s work, and a group of Whistler’s watercolors from the collection of Paul Mellon. A varied selection of recent acquisitions accompanied the Whistler display. --- ---
Credits --- ---
The exhibition was organized by the Center and curated by Scott Wilcox, Curator of Prints and Drawings at the Center.
Yale Center for British Art
300435424
During Queen Victoria’s Jubilee in 1887, James McNeill Whistler attended a naval review off Spithead and recorded the occasion in a series of twelve etchings. A proof set of these delicate, breezy etchings, given to the Yale Center for British Art in 2002 by Robert Whittemore, BA 1943, was the focus of this small exhibition. Also included was the Center’s painting Nocturne in Blue and Silver, which came from the same renowned collection of Whistler’s work, and a group of Whistler’s watercolors from the collection of Paul Mellon. A varied selection of recent acquisitions accompanied the Whistler display. — —
Credits — —
The exhibition was organized by the Center and curated by Scott Wilcox, Curator of Prints and Drawings at the Center. — —
Yale Center for British Art
Turner , Whistler , Monet (Musée d'Orsay, 2004-10-16 - 2005-01-16)
150
300054766
exhibition
Turner , Whistler , Monet
Yale Center for British Art
Musée d'Orsay
ycba_actor_2770
https://viaf.org/viaf/130307757
http://www.wikidata.org/entity/Q23402
http://vocab.getty.edu/ulan/500310001
http://id.loc.gov/authorities/names/n84128587
Musée d'Orsay
Musée d'Orsay
0
0
300311675
Borrower
2004-10-16 - 2005-01-16
2004-10-16
2005-01-16
Musée d'Orsay
ycba_actor_2770
http://id.loc.gov/authorities/names/n84128587
http://vocab.getty.edu/ulan/500310001
http://www.wikidata.org/entity/Q23402
https://viaf.org/viaf/130307757
Musée d'Orsay
Paris
7008038
Paris
After Whistler (High Museum of Art, 2003-11-22 - 2004-02-10)
137
300054766
exhibition
After Whistler
Yale Center for British Art
High Museum of Art
ycba_actor_2726
http://vocab.getty.edu/ulan/500306510
https://viaf.org/viaf/145147151
http://www.wikidata.org/entity/Q953345
http://id.loc.gov/authorities/names/n81029646
Michael E. Shapiro Director
Maureen Morrisette Assoc Reg
High Museum of Art
0
0
300311675
Borrower
2003-11-22 - 2004-02-10
2003-11-22
2004-02-10
High Museum of Art
ycba_actor_2726
http://id.loc.gov/authorities/names/n81029646
http://vocab.getty.edu/ulan/500306510
http://www.wikidata.org/entity/Q953345
https://viaf.org/viaf/145147151
High Museum of Art
Atlanta
7013331
Atlanta
After Whistler (The Detroit Institute of Arts, 2004-03-06 - 2004-05-20)
137
300054766
exhibition
After Whistler
Yale Center for British Art
The Detroit Institute of Arts
ycba_actor_2644
https://viaf.org/viaf/130157151
http://www.wikidata.org/entity/Q1201549
http://vocab.getty.edu/ulan/500306739
http://id.loc.gov/authorities/names/n79045542
Rebecca Hart
Michele Smith
Pamela Watson Head Registrar
The Detroit Institute of Arts
0
0
300311675
Borrower
2004-03-06 - 2004-05-20
2004-03-06
2004-05-20
The Detroit Institute of Arts
ycba_actor_2644
http://id.loc.gov/authorities/names/n79045542
http://vocab.getty.edu/ulan/500306739
http://www.wikidata.org/entity/Q1201549
https://viaf.org/viaf/130157151
The Detroit Institute of Arts
Detroit
7013547
Detroit
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of New South Wales
ycba_actor_1293
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
http://id.loc.gov/authorities/names/n50061030
Art Gallery of New South Wales
Art Gallery of New South Wales
0
0
300311675
Borrower
1998-05-01 - 1998-07-05
1998-05-01
1998-07-05
Art Gallery of New South Wales
ycba_actor_1293
http://id.loc.gov/authorities/names/n50061030
http://vocab.getty.edu/ulan/500267593
http://www.wikidata.org/entity/Q705551
https://viaf.org/viaf/127414571
Art Gallery of New South Wales
Sydney
7001923
Sydney
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Queensland Art Gallery
ycba_actor_1294
https://viaf.org/viaf/137221678
http://www.wikidata.org/entity/Q7270900
http://vocab.getty.edu/ulan/500305672
http://id.loc.gov/authorities/names/n81139357
Queensland Art Gallery
0
0
300311675
Borrower
1998-07-15 - 1998-09-06
1998-07-15
1998-09-06
Queensland Art Gallery
ycba_actor_1294
http://id.loc.gov/authorities/names/n81139357
http://vocab.getty.edu/ulan/500305672
http://www.wikidata.org/entity/Q7270900
https://viaf.org/viaf/137221678
Queensland Art Gallery
Brisbane
7001911
Brisbane
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
7
https://britishart.yale.edu/node/710
300054766
exhibition
This Other Eden : British Paintings from the Paul Mellon Collection at Yale
Yale Center for British Art
Art Gallery of South Australia
ycba_actor_1295
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
http://id.loc.gov/authorities/names/n79007201
Art Gallery of South Australia
Art Gallery of South Australia
0
0
300311675
Borrower
1998-09-16 - 1998-11-15
1998-09-16
1998-11-15
Art Gallery of South Australia
ycba_actor_1295
http://id.loc.gov/authorities/names/n79007201
http://vocab.getty.edu/ulan/500304440
http://www.wikidata.org/entity/Q705557
https://viaf.org/viaf/153106661
Art Gallery of South Australia
Adelaide
7001904
Adelaide
300435424
For the first time since it opened to the public in 1977, the Center exhibited eighty of its greatest masterpieces outside the walls of the museum. The show, spanning four hundred years of British painting, was divided into thematic sections that illustrated the history of British culture and painting from the sixteenth century through modern times. The exhibition provided a narrative of Paul Mellon as a major collector of British art and highlighted his enormous contributions that established the museum’s collection.
Yale Center for British Art
A Palace of Art in Victorian England - The Grosvenor Gallery (Denver Art Museum, 1996-06-01 - 1996-08-25)
519
300054766
exhibition
A Palace of Art in Victorian England - The Grosvenor Gallery
Yale Center for British Art
Denver Art Museum
ycba_actor_2730
http://vocab.getty.edu/ulan/500242559
http://www.wikidata.org/entity/Q1189960
https://viaf.org/viaf/124991483
http://id.loc.gov/authorities/names/n79055441
Denver Art Museum
Lewis I. Sharp
0
0
300311675
Borrower
1996-06-01 - 1996-08-25
1996-06-01
1996-08-25
Denver Art Museum
ycba_actor_2730
http://id.loc.gov/authorities/names/n79055441
http://vocab.getty.edu/ulan/500242559
http://www.wikidata.org/entity/Q1189960
https://viaf.org/viaf/124991483
Denver Art Museum
Denver
7013545
Denver
A Palace of Art in Victorian England - The Grosvenor Gallery (Yale Center for British Art, 1996-03-01 - 1996-04-28)
519
300054766
exhibition
A Palace of Art in Victorian England - The Grosvenor Gallery
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
YCBA
BAC
1977
0
63
Organizer
66
Lender
1996-03-01 - 1996-04-28
1996-03-01
1996-04-28
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
James McNeill Whistler (Tate Britain, 1994-10-12 - 1995-01-08)
494
300054766
exhibition
James McNeill Whistler
Yale Center for British Art
Tate Britain
ycba_actor_1284
https://viaf.org/viaf/155600523
http://www.wikidata.org/entity/Q430682
http://vocab.getty.edu/ulan/500266827
http://id.loc.gov/authorities/names/n80046785
The Board of Trustees of the Tate Gallery
Tate Britain
0
0
300311675
Borrower
1994-10-12 - 1995-01-08
1994-10-12
1995-01-08
Tate Britain
ycba_actor_1284
http://id.loc.gov/authorities/names/n80046785
http://vocab.getty.edu/ulan/500266827
http://www.wikidata.org/entity/Q430682
https://viaf.org/viaf/155600523
Tate Britain
London
7011781
London
James McNeill Whistler (National Gallery of Art, 1995-05-28 - 1995-08-20)
494
300054766
exhibition
James McNeill Whistler
Yale Center for British Art
National Gallery of Art
ycba_actor_1651
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://viaf.org/viaf/157699250
https://n2t.net/ark:/99166/w69638c2
http://id.loc.gov/authorities/names/n79054426
National Gallery of Art
Earl A. Powell III
Naomi R. Remes
Sally Freitag Registrar
Stephenie Belt
Washington, D.C., National Gallery of Art
0
0
1995-05-28 - 1995-08-20
1995-05-28
1995-08-20
National Gallery of Art
ycba_actor_1651
http://id.loc.gov/authorities/names/n79054426
http://vocab.getty.edu/ulan/500115983
http://www.wikidata.org/entity/Q214867
https://n2t.net/ark:/99166/w69638c2
https://viaf.org/viaf/157699250
National Gallery of Art
Washington
7013962
Washington
5065
466989
N1 A415 OVERSISE (HAAS)
1514378
947
300054686
publication event
M. V. Alper, ^American Mythologies in Painting^, Arts Magazine, vol. 46, Summer 1972, p. 50, N1 A415 OVERSISE (HAAS)
Yale Center for British Art
M. V. Alper
ycba_actor_9090
Alper M. V.
300025492
Author
Summer 1972
1972
1972
5065
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 30-31, 34, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
5065
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 6], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
5065
8461320
N6761 +H57 2008 Oversize (YCBA)
277579752
1465
300054686
publication event
David Bindman, ^The History of British Art^, Yale Center for British Art, New Haven, CT, 2008, p. 85 (v.3), fig. 55, N6761 +H57 2008 Oversize (YCBA)
Yale Center for British Art
David Bindman
ycba_actor_1353
Bindman David
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2008
2008
2008
New Haven, CT
5065
3936280
N1165 G76 G76 1996 (YCBA)
33666523
774
300054686
publication event
Susan P. Casteras, ^The Grosvenor Gallery, a palace of art in Victorian England ^, Yale University Press, New Haven, CT, 1996, pp. 97, 199, no. 68, fig. 53, pl. 32, N1165 G76 G76 1996 (YCBA)
Yale Center for British Art
Susan P. Casteras
ycba_actor_8377
Casteras Susan P.
300025526
editor
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1996
1996
1996
New Haven, CT
5065
3778624
NJ18 W57 D67 1994 (YCBA) +
31492606
775
300054686
publication event
Richard Dorment, ^James McNeill Whistler^, Tate Publishing, London, 1994, p. 128, no. 52, NJ18 W57 D67 1994 (YCBA) +
Yale Center for British Art
Richard Dorment
ycba_actor_8179
Dorment Richard
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
1994
1994
1994
London
5065
15622555
Available in British Periodicals Database.
951
300054686
publication event
^Facetiae [The Newest Thing in Wall-Paper]^, London Reader: Of Literature, Science, Art and General Information, vol. 32, January 1879, p. 238, Available in British Periodicals Database.
Yale Center for British Art
January 1879
1879
1879
5065
4973
300054686
publication event
^Grosvenor notes 1878 : an illustrated catalogue of the summer exhibition^, Accessed January 13, 2023, p. 20, no. 53, [[https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t52g3463j&view=1up&seq=1]]
Yale Center for British Art
Accessed January 13, 2023
13
13
5065
466829
NK1125 A3 OVERSIZE (HAAS)
04063090
949
300054686
publication event
Susan Hobbs, ^Whistler at the Freer Gallery of Art, Washington, D.C.^, Magazine Antiques, vol. 120, November 1981, pp. 1194-202, NK1125 A3 OVERSIZE (HAAS)
Yale Center for British Art
Susan Hobbs
ycba_actor_9092
Hobbs Susan
300025492
Author
November 1981
1981
1981
5065
466608
N1 A243 OVERSIZE (HAAS)
01479320
948
300054686
publication event
Donald Holden, ^James McNeill Whistler: Master of Limited Color^, American Artist, vol. 37, April 1973, pp. 38-43, N1 A243 OVERSIZE (HAAS)
Yale Center for British Art
Donald Holden
ycba_actor_9091
Holden Donald
300025492
Author
April 1973
1973
1973
5065
473367
N1 A6 OVERSIZE (HAAS)
02392716
950
300054686
publication event
Terry Ingram, ^A Win for Yale^, ART News, February 1995, p. 33, N1 A6 OVERSIZE (HAAS)
Yale Center for British Art
Terry Ingram
ycba_actor_9093
Ingram Terry
300025492
Author
February 1995
1995
1995
5065
12352644
NJ18.W57 J35 2014 OVERSIZE (YCBA)
896881991
3420
300054686
publication event
^James McNeill Whistler retrospective^, Nihon Ho¯so¯ Kyo¯kai, Tokyo, 2014, pp. 181, 277, cat. no. 124, NJ18.W57 J35 2014 OVERSIZE (YCBA)
Yale Center for British Art
Yokohama Bijutsukan
ycba_actor_12137
Yokohama Bijutsukan
300403974
contributor
Nihon Ho¯so¯ Kyo¯kai
ycba_actor_12136
Nihon Ho¯so¯ Kyo¯kai
300025574
Publisher
2014
2014
2014
Tokyo
5065
3367571
J10 Ar918 OVERSIZE (HAAS)
01514372
1410
300054686
publication event
^Lagoon, Venice : Nocturne in Blue and Silver (Art Reproduction)^, ArtsCanada, v. 28, October 1971, p. 18, J10 Ar918 OVERSIZE (HAAS)
Yale Center for British Art
October 1971
1971
1971
5065
13038062
ND1340 .L63 2016 (LC) Oversize
954671182
4056
300054686
publication event
Katharine Jordan Lochnan, ^Mystical Landscapes From Vincent van Gogh to Emily Carr^, Toronto, Ontario, p. 174-175, ND1340 .L63 2016 (LC) Oversize
Yale Center for British Art
Katharine Jordan Lochnan
ycba_actor_8948
Lochnan Katharine Jordan
300025526
editor
0
0
Toronto, Ontario
5065
6652822
NJ18 T85 L5652 2004 (YCBA) +
60318132
772
300054686
publication event
Katharine Jordan Lochnan, ^Turner, Whistler, Monet^, Tate Publishing, London, 2004, no. 48, NJ18 T85 L5652 2004 (YCBA) +
Yale Center for British Art
Katharine Jordan Lochnan
ycba_actor_8948
Lochnan Katharine Jordan
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
2004
2004
2004
London
5065
11962945
NJ18.W57 M2422 2013 OVERSIZE (YCBA)
854618611
3259
300054686
publication event
Margaret F. MacDonald, ^An American in London : Whistler and the Thames^, London, 2013, pp. 128, 174, cat. no. 65, NJ18.W57 M2422 2013 OVERSIZE (YCBA)
Yale Center for British Art
Margaret F. MacDonald
ycba_actor_12003
MacDonald Margaret F.
300025492
Author
Patricia de Montfort
ycba_actor_12004
Montfort Patricia de
300025492
Author
Philip Wilson Publishers Ltd
ycba_actor_8918
Philip Wilson Publishers Ltd
300025492
Author
2013
2013
2013
London
5065
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
300054686
publication event
Julia Marciari-Alexander, ^This other Eden : Paintings from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 1998, p. 164, no. 67, ND1314.3 Y36 1998 (YCBA)
Yale Center for British Art
Julia Marciari-Alexander
ycba_actor_2049
Marciari-Alexander Julia
300025492
Author
Malcolm Warner, born 1953
ycba_actor_1214
http://id.loc.gov/authorities/names/n78078373
https://www.wikidata.org/wiki/Q16185655
Warner Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1998
1998
1998
New Haven, CT
5065
720909
Film An Sy25 (SML)
09212287
1782
300054686
publication event
John McDonald, ^A Feast of Mellon^, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)
Yale Center for British Art
John McDonald
ycba_actor_9869
McDonald John
300025492
Author
May 9, 1998
1998
1998
5065
6447827
NJ18 W57 A4 2003 + (YCBA)
52079577
773
300054686
publication event
Linda Merrill, ^After Whistler, the artist and his influence on American painting ^, Yale University Press, New Haven, CT, 2003, pp. 4, 110-11, no. 6, NJ18 W57 A4 2003 + (YCBA)
Yale Center for British Art
Linda Merrill
ycba_actor_8949
Merrill Linda
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2003
2003
2003
New Haven, CT
5065
467764
S3 C68 + (YCBA)
06506223
1409
300054686
publication event
Christopher Neve, ^View of the River: James McNeill Whistler in London^, Country Life, v. 148, December 10 1970, pp. 1122-23, S3 C68 + (YCBA)
Yale Center for British Art
Christopher Neve
ycba_actor_9142
Neve Christopher
300025492
Author
December 10 1970
1970
1970
5065
4993
300054686
publication event
Jon Newman, ^Whistler and Battersea : the aesthetics of erasure and redevelopment^, British Art Studies, Accessed January 26, 2023, fig. 10, [[https://www.britishartstudies.ac.uk/issues/issue-index/issue-22/whistler-and-battersea]]
Yale Center for British Art
Jon Newman
ycba_actor_14474
Newman Jon
300025492
Author
Accessed January 26, 2023
26
26
5065
473367
N1 A6 OVERSIZE (HAAS)
02392716
1412
300054686
publication event
^Nocturne in Blue and Silver : Lagoon in Venice (Art Reproduction)^, ART News, v. 44, November 1, 1945, p. 21, N1 A6 OVERSIZE (HAAS)
Yale Center for British Art
November 1, 1945
1945
1945
5065
466981
J10 Ar81 + (LSF)
01514304
1411
300054686
publication event
^Nocturne in Blue and Silver, no. 1 (Art Reproduction)^, Art Quarterly, v. 10, 1947, p. 11?, J10 Ar81 + (LSF)
Yale Center for British Art
1947
1947
1947
5065
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
5065
1171666
NJ18 W57 P37 1911 (HAAS)
00818304
788
300054686
publication event
Elizabeth Robins Pennell, ^The life of James McNeill Whistler^, J.B. Lippincott Company, Philadelphia London, 1911, pp. 161-67, NJ18 W57 P37 1911 (HAAS)
Yale Center for British Art
Elizabeth Robins Pennell
ycba_actor_8959
Pennell Elizabeth Robins
300025492
Author
J.B. Lippincott Company
ycba_actor_8960
J.B. Lippincott Company
300025574
Publisher
1911
1911
1911
Philadelphia London
5065
465320
N6505 A618 (HAAS)
01000070
953
300054686
publication event
Dianne Hauserman Pilgrim, ^Revival of Pastels in Nineteenth Century America: The Society of Painters in Pastel^, American Art Journal, vol. 10, November 1978, pp. 43-62, N6505 A618 (HAAS) Available online through JStor.
Yale Center for British Art
Dianne Hauserman Pilgrim
ycba_actor_9103
Pilgrim Dianne Hauserman
300025492
Author
November 1978
1978
1978
5065
8252084
NJ18 W57 S57 2008 (YCBA)
183531729
1350
300054686
publication event
Marc SImpson, ^Like breath on glass, Whistler, Inness, and the art of painting softly ^, Clark Art Institute, Williamstown, Mass. New Haven, 2008, pp. 112-3, pl. 1, NJ18 W57 S57 2008 (YCBA)
Yale Center for British Art
Marc SImpson
ycba_actor_9401
SImpson Marc
300025492
Author
Clark Art Institute
ycba_actor_6082
http://id.loc.gov/authorities/names/n78096939
http://vocab.getty.edu/ulan/500125194
http://www.wikidata.org/entity/Q1465805
https://viaf.org/viaf/145164344
Clark Art Institute
300025574
Publisher
2008
2008
2008
Williamstown, Mass. New Haven
5065
7418933
V 1671 (YCBA)
771
300054686
publication event
Robert Slifkin, ^James Whistler as the invisible man, anti-aestheticism and artistic vision ^, Oxford Art Journal, vol. 29, no. 1, March, 2006, p. 58, fig. 3, V 1671 (YCBA) Also available online (Orbis)
Yale Center for British Art
Robert Slifkin
ycba_actor_8947
Slifkin Robert
300025492
Author
March, 2006
2006
2006
5065
3130720
WD 9118 (LSF - Mudd)
01567955
952
300054686
publication event
Honora Twycross, ^Japanese Pictures^, English Illustrated Magazine, vol. 18, September 1904, p. 529, WD 9118 (LSF - Mudd)
Yale Center for British Art
Honora Twycross
ycba_actor_9094
Twycross Honora
300025492
Author
September 1904
1904
1904
5065
579279
NJ18 W57 Y69 1980 (YCBA) +
06142494
776
300054686
publication event
Andrew McLaren Young, ^The paintings of James McNeill Whistler^, Yale University Press, New Haven, 1980, no. 151 (v. 1), pl. 150 (v. 2), NJ18 W57 Y69 1980 (YCBA) +
Yale Center for British Art
Andrew McLaren Young
ycba_actor_8950
Young Andrew McLaren
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1980
1980
1980
New Haven
5065
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1994-01-01
1994-01-01
1994-01-01
300417642
purchase
In the 1870s, James McNeill Whistler exhibited a series of paintings depicting the Thames at night. He focused on the stretch of river in Battersea seen from his Chelsea home, a view dominated by the industrial buildings of Morgan’s Patent Plumbago Crucible Company (whose clock tower can be seen to the left of the canvas). The artist used a limited palette, thin layers of paint, and simple compositions inspired by Japanese woodblock prints. Originally referred to as "moonlights," Whistler responded to his patron Frederick Leyland’s suggestion that he retitle the paintings as "nocturnes," a phrase commonly associated with the music of Frédéric Chopin. Though first exhibited in 1878, Whistler did not add his famous butterfly signature to this painting until the early 1880s. --- ---
Gallery label for installation of YCBA collection, 2020
5065
300048722
Gallery label
2020
The series of paintings Whistler called his "nocturnes" (from the famous piano pieces by Chopin) were the result of evening rides in a boat on the river Thames, near his house in Chelsea. He studied what he saw intently but without making sketches, painting the view in his studio the following day; the riverscape half-emerges through veils of darkness, mist, and memory. The industrial waterfront of Battersea was unconventional material from an aesthetic point of view, but Whistler sought that moment of poetry "When . . . the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us." This painting, which was probably exhibited in 1878 at Sir Coutts and Lady Lindsay's famous Grosvenor Gallery in Bond Street, is in flawless condition, and demonstrates Whistler's technical brilliance, as well as his unique handling of the vast, polluted, and more often ululating metropolis of London.
--- --- Gallery label for Paul Mellon's Legacy: A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5065
300048722
Gallery label
2007
The series of paintings Whistler called his "nocturnes" resulted from evening expeditions on the river Thames near his home in Chelsea. Rowed out by the Greaves brothers, young men from a nearby boatyard who worked as his assistants, he would study a prospective subject intently but without making any sketches or notes. The painting that resulted, a view through the veil of memory as well as those of darkness and mist, would come the following day in the studio. Whistler's aim in this was anti-topographical: he wished people to enjoy his painting not as the image of a given place, but as a refined arrangement of forms and colors, free of all anecdotal content.
As a leading figure in the Aesthetic Movement, Whistler worked very much in the spirit of Walter Pater's famous dictum, first published in 1873, that "all art constantly aspires towards the condition of music."1 He borrowed the title of "nocturne" from the famous piano pieces by Chopin and hoped that it would lead his viewers to appreciate his night scenes on the abstract rather than the representational level. As he declared in his "Ten O'Clock" lecture (1885): --- ---
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful-as the musician gathers his notes, and forms his chords, until he brings forth from chaos glorious harmony.2 --- ---
Bringing forth his glorious harmony from as squalid, unaesthetic a chaos as that of the industrial riverfront near his home was typical of his taste for mischief and the unexpected. Then again, he would argue, part of the task of the artist was to see poetry and beauty where others might be blind to them: --- ---
When…the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us-then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone.3 --- ---
Here the basic "notes" from which he composed his painting were the buildings and lights on the Battersea side of the Thames, opposite Chelsea, looking upriver: on the left appears the large illuminated clock tower known as "Morgan's Folly," which stood by Morgan's Crucible Works; behind this are some factory chimneys and in the foreground a river barge. --- ---
When painting his nocturnes Whistler had the Greaves brothers prepare quantities of various tones of the keynote color, generally blue, thinning the paint to such a washy "sauce" that the canvas would sometimes have to be laid flat on the floor to prevent it from running off. Usually he made a number of attempts at the image, simply wiping the failures off the canvas until he arrived at what he wanted. The thinness of the paint lends the nocturnes an air of cool virtuosity-there is no gestural or finicky brushwork to betray labor, changes of mind, or anything but the purest aesthetic feelings on the part of the artist. Here, typically, the fairly rough weave of the canvas shows through across the entire surface. Like the pervasive blue, this helps bind each element to the whole. It also reproduces the slight vibration of night vision. --- ---
The stylized butterfly near the lower edge is a signature derived from the artist's monogram (an "M" above a "W" with a "J" through the middle); he probably added this at some time in the 1880s. He associated the butterfly with beauty, delicacy, and the lack of any useful function in life, the essential qualities of the artist. The design mimics the stamps on Japanese woodblock prints. --- ---
1 Pater 1910, 135 ---
2 Whistler 1890, 142-43 ---
3 Ibid., 144 --- ---
Malcolm Warner --- ----
Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 164, no. 67
5065
300111999
Published catalog entry
ycba_actor_1214
Malcolm Warner
300025492
Author
1998
300056508
ycba_term_2036209
abstract art
300235692
ycba_term_2036210
marine art
300008733
ycba_term_32379
shore (landform)
ycba_term_2036187
dark
300006232
ycba_term_18436
factories
300133095
ycba_term_823
night
300004792
ycba_term_17956
buildings
0
ycba_term_947393
waterfront
0
ycba_term_947636
town
300028705
ycba_term_36071
signature (name)
300011772
ycba_term_10082
water
300054146
ycba_term_7534
music
300117546
ycba_term_39843
seascape
300008694
ycba_term_32367
sea
300069689
ycba_term_14244
lights
300056031
ycba_term_510
darkness
300178749
ycba_term_41421
boat
300129361
ycba_term_2227
blue
300055718
ycba_term_337
industry
300008707
ycba_term_32373
river
300004857
ycba_term_31133
clock tower
England
7002445
ycba_term_1875229
England
53.0000, -2.0000
United Kingdom
7008591
ycba_term_1872354
United Kingdom
54.0000, -4.5000
Thames
7011913
ycba_term_1880280
Thames
51.5000, 0.4667
Battersea
1004054
ycba_term_1879895
Battersea
51.4660, -0.1660
Greater London
7008136
ycba_term_1879853
Greater London
51.5000, -0.1660
London
7011781
ycba_term_1879855
London
51.5000, -0.1660
Chelsea
4012680
ycba_term_1880038
Chelsea
51.4830, -0.1500
M. V. Alper, American Mythologies in Painting, Arts Magazine, vol. 46, Summer 1972, p. 50, N1 A415 OVERSISE (HAAS)
466989
N1 A415 OVERSISE (HAAS)
1514378
947
related to
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 30-31, 34, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 6], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, p. 85 (v.3), fig. 55, N6761 +H57 2008 Oversize (YCBA)
8461320
N6761 +H57 2008 Oversize (YCBA)
277579752
1465
related to
Susan P. Casteras, The Grosvenor Gallery, a palace of art in Victorian England, Yale University Press, New Haven, CT, 1996, pp. 97, 199, no. 68, fig. 53, pl. 32, N1165 G76 G76 1996 (YCBA)
3936280
N1165 G76 G76 1996 (YCBA)
33666523
774
related to
Richard Dorment, James McNeill Whistler, Tate Publishing, London, 1994, p. 128, no. 52, NJ18 W57 D67 1994 (YCBA) +
3778624
NJ18 W57 D67 1994 (YCBA) +
31492606
775
related to
Facetiae [The Newest Thing in Wall-Paper], London Reader: Of Literature, Science, Art and General Information, vol. 32, January 1879, p. 238, Available in British Periodicals Database.
15622555
Available in British Periodicals Database.
951
related to
Grosvenor notes 1878 : an illustrated catalogue of the summer exhibition, Accessed January 13, 2023, p. 20, no. 53, https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t52g3463j&view=1up&seq=1
4973
related to
Susan Hobbs, Whistler at the Freer Gallery of Art, Washington, D.C., Magazine Antiques, vol. 120, November 1981, pp. 1194-202, NK1125 A3 OVERSIZE (HAAS)
466829
NK1125 A3 OVERSIZE (HAAS)
04063090
949
related to
Donald Holden, James McNeill Whistler: Master of Limited Color, American Artist, vol. 37, April 1973, pp. 38-43, N1 A243 OVERSIZE (HAAS)
466608
N1 A243 OVERSIZE (HAAS)
01479320
948
related to
Terry Ingram, A Win for Yale, ART News, February 1995, p. 33, N1 A6 OVERSIZE (HAAS)
473367
N1 A6 OVERSIZE (HAAS)
02392716
950
related to
James McNeill Whistler retrospective, Nihon Ho¯so¯ Kyo¯kai, Tokyo, 2014, pp. 181, 277, cat. no. 124, NJ18.W57 J35 2014 OVERSIZE (YCBA)
12352644
NJ18.W57 J35 2014 OVERSIZE (YCBA)
896881991
3420
related to
Lagoon, Venice : Nocturne in Blue and Silver (Art Reproduction), ArtsCanada, v. 28, October 1971, p. 18, J10 Ar918 OVERSIZE (HAAS)
3367571
J10 Ar918 OVERSIZE (HAAS)
01514372
1410
related to
Katharine Jordan Lochnan, Mystical Landscapes From Vincent van Gogh to Emily Carr, Toronto, Ontario, p. 174-175, ND1340 .L63 2016 (LC) Oversize
13038062
ND1340 .L63 2016 (LC) Oversize
954671182
4056
related to
Katharine Jordan Lochnan, Turner, Whistler, Monet, Tate Publishing, London, 2004, no. 48, NJ18 T85 L5652 2004 (YCBA) +
6652822
NJ18 T85 L5652 2004 (YCBA) +
60318132
772
related to
Margaret F. MacDonald, An American in London : Whistler and the Thames, London, 2013, pp. 128, 174, cat. no. 65, NJ18.W57 M2422 2013 OVERSIZE (YCBA)
11962945
NJ18.W57 M2422 2013 OVERSIZE (YCBA)
854618611
3259
related to
Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, p. 164, no. 67, ND1314.3 Y36 1998 (YCBA)
4226255
ND1314.3 Y36 1998 (YCBA)
38239347
45
related to
John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)
720909
Film An Sy25 (SML)
09212287
1782
related to
Linda Merrill, After Whistler, the artist and his influence on American painting, Yale University Press, New Haven, CT, 2003, pp. 4, 110-11, no. 6, NJ18 W57 A4 2003 + (YCBA)
6447827
NJ18 W57 A4 2003 + (YCBA)
52079577
773
related to
Christopher Neve, View of the River: James McNeill Whistler in London, Country Life, v. 148, December 10 1970, pp. 1122-23, S3 C68 + (YCBA)
467764
S3 C68 + (YCBA)
06506223
1409
related to
Jon Newman, Whistler and Battersea : the aesthetics of erasure and redevelopment, British Art Studies, Accessed January 26, 2023, fig. 10, https://www.britishartstudies.ac.uk/issues/issue-index/issue-22/whistler-and-battersea
4993
related to
Nocturne in Blue and Silver : Lagoon in Venice (Art Reproduction), ART News, v. 44, November 1, 1945, p. 21, N1 A6 OVERSIZE (HAAS)
473367
N1 A6 OVERSIZE (HAAS)
02392716
1412
related to
Nocturne in Blue and Silver, no. 1 (Art Reproduction), Art Quarterly, v. 10, 1947, p. 11?, J10 Ar81 + (LSF)
466981
J10 Ar81 + (LSF)
01514304
1411
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Elizabeth Robins Pennell, The life of James McNeill Whistler, J.B. Lippincott Company, Philadelphia London, 1911, pp. 161-67, NJ18 W57 P37 1911 (HAAS)
1171666
NJ18 W57 P37 1911 (HAAS)
00818304
788
related to
Dianne Hauserman Pilgrim, Revival of Pastels in Nineteenth Century America: The Society of Painters in Pastel, American Art Journal, vol. 10, November 1978, pp. 43-62, N6505 A618 (HAAS) Available online through JStor.
465320
N6505 A618 (HAAS)
01000070
953
related to
Marc SImpson, Like breath on glass, Whistler, Inness, and the art of painting softly, Clark Art Institute, Williamstown, Mass. New Haven, 2008, pp. 112-3, pl. 1, NJ18 W57 S57 2008 (YCBA)
8252084
NJ18 W57 S57 2008 (YCBA)
183531729
1350
related to
Robert Slifkin, James Whistler as the invisible man, anti-aestheticism and artistic vision, Oxford Art Journal, vol. 29, no. 1, March, 2006, p. 58, fig. 3, V 1671 (YCBA) Also available online (Orbis)
7418933
V 1671 (YCBA)
771
related to
Honora Twycross, Japanese Pictures, English Illustrated Magazine, vol. 18, September 1904, p. 529, WD 9118 (LSF - Mudd)
3130720
WD 9118 (LSF - Mudd)
01567955
952
related to
Andrew McLaren Young, The paintings of James McNeill Whistler, Yale University Press, New Haven, 1980, no. 151 (v. 1), pl. 150 (v. 2), NJ18 W57 Y69 1980 (YCBA) +
579279
NJ18 W57 Y69 1980 (YCBA) +
06142494
776
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Fund
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5065
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5065
oai:tms.ycba.yale.edu:5065
https://manifests.collections.yale.edu/v2/ycba/obj/5065
https://manifests.collections.yale.edu/ycba/obj/5065
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art