2024-03-19T11:33:08Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:512562024-03-18ycba:pd
YCBA/lido-TMS-51256
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300015571
cityscape
300417318
architectural subject
300041273
Print
A View of Pont Neuf, the Mint, & c.
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
Vue du Pont Neuf & de L'Hotel de la Monoie, & c.
Lettered, lower ledt: "Drawn & Etch'd by Thos. Girtin | A View of Pont Neuf & the Mint, & c. | Subsc. Print"; lower right: "Aquatinted by F.C. Lewis | Vue du Pont Neuf & ee L'Hotel de la Monoie, & c." | lower center: "London: Pub. Jan'y. 25, 1803, by Jon. Girtin, No. 330 Oxford Street | 8"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.2599
https://www.wikidata.org/wiki/Q106837460
Not on view
Yale Center for British Art
41.3080060, -72.9306282
15 3/4 × 24 1/2 inches (40 × 62.2 cm)
height
cm
40.0
width
cm
62.2
Sheet
10 3/4 × 24 3/8 inches (27.3 × 61.9 cm)
height
cm
27.3
width
cm
61.9
Plate
7 3/4 × 22 3/4 inches (19.7 × 57.8 cm)
height
cm
19.7
width
cm
57.8
Image
51256
300054713
production
Print made by Thomas Girtin, 1775–1802, British
ycba_actor_254
http://vocab.getty.edu/ulan/500009169
http://isni-url.oclc.nl/isni/0000000083430751
http://d-nb.info/gnd/102481997
http://id.loc.gov/authorities/names/n85306897
http://www.idref.fr/058660267/id
http://viaf.org/viaf/39651268
http://en.wikipedia.org/wiki/Thomas_Girtin
https://www.wikidata.org/wiki/Q714243
Thomas Girton
Thomas Girtin
Girtin Thomas, 1775–1802
Thomas Girtin, 1775–1802
Print made by Thomas Girtin, 1775–1802
7012017
7011786
7012077
7011326
7012017
1030157
7012077
7010052
7010027
7011786
7012032
7011326
7010027
1030157
7012032
7010052
7011961
4004816
7011961
7008171
4004816
7008171
7011781
7011781
7008038
7008038
7002443
7002443
7011995
7011995
7008165
7008165
British
1775
1802
male
300025103
Artist
300025164
printmaker
300025157
watercolorist
300025136
painter
300112172
draftsman (artist)
Print made by
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
ycba_actor_1997
http://vocab.getty.edu/ulan/500029664
https://viaf.org/viaf/56875391
http://id.loc.gov/authorities/names/no99022190
https://n2t.net/ark:/99166/w65f042d
https://www.wikidata.org/wiki/Q3087098
Frederick Christian Lewis the Elder
Lewis Frederick Christian the Elder, 1779–1856
Frederick Christian Lewis the Elder, 1779–1856
Print made by Frederick Christian Lewis the Elder, 1779–1856
British
1779
1856
male
300025103
Artist
Print made by
after Thomas Girtin, 1775–1802, British
ycba_actor_254
http://vocab.getty.edu/ulan/500009169
http://isni-url.oclc.nl/isni/0000000083430751
http://d-nb.info/gnd/102481997
http://id.loc.gov/authorities/names/n85306897
http://www.idref.fr/058660267/id
http://viaf.org/viaf/39651268
http://en.wikipedia.org/wiki/Thomas_Girtin
https://www.wikidata.org/wiki/Q714243
Thomas Girton
Thomas Girtin
Girtin Thomas, 1775–1802
Thomas Girtin, 1775–1802
after Thomas Girtin, 1775–1802
7012017
7011786
7012077
7011326
7012017
1030157
7012077
7010052
7010027
7011786
7012032
7011326
7010027
1030157
7012032
7010052
7011961
4004816
7011961
7008171
4004816
7008171
7011781
7011781
7008038
7008038
7002443
7002443
7011995
7011995
7008165
7008165
British
1775
1802
male
300025103
Artist
300025164
printmaker
300025157
watercolorist
300025136
painter
300112172
draftsman (artist)
after
300111159
British
1803
1803
1803
24
19th century
Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
300053242
aquatint
300053241
etching (printing process)
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
199
300054766
exhibition
The Romantic Print in Britain - Yale Center for British Art
Yale Center for British Art
Carnegie Museum of Art
ycba_actor_2987
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://viaf.org/viaf/141998508
https://n2t.net/ark:/99166/w6hx588k
http://id.loc.gov/authorities/names/n88065070
Richard Armstrong
Madeleine Grynsztein
Monika Tomko
Allison Revello Assoc Reg
Carnegie Museum of Art
0
0
300311675
Borrower
2004-02-14 - 2004-05-09
2004-02-14
2004-05-09
Carnegie Museum of Art
ycba_actor_2987
http://id.loc.gov/authorities/names/n88065070
http://vocab.getty.edu/ulan/500260427
http://www.wikidata.org/entity/Q1043967
https://n2t.net/ark:/99166/w6hx588k
https://viaf.org/viaf/141998508
Carnegie Museum of Art
Pittsburgh
7013927
Pittsburgh
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
166
https://britishart.yale.edu/node/683
300054766
exhibition
The Romantic Landscape Prints - The Chiaroscuro of Nature
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2002-09-25 - 2002-12-29
2002-09-25
2002-12-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Printmaking flourished in Britain during the late eighteenth and early nineteenth centuries, providing an ideal vehicle for Romantic artists who were constantly exploring new means of personal expression. Many painters turned to graphic media, either working independently or collaborating closely with professional engravers, to create some of the most compelling and immediate visual statements of the period. This fascinating subject was explored in successive exhibitions, The Romantic Landscape Print and The Romantic Print in the Age of Revolutions, selected from the Center’s rich print and rare book collections to complement two major exhibitions taking place at the Center that year: Romantic Watercolor: The Hickman Bacon Collection and Romantics & Revolutionaries. — —
The Romantic period was marked by a passionate aesthetic and spiritual engagement with the natural world. The Romantic Landscape Print charted this preoccupation from its origins in the late eighteenth century to its blossoming in the nineteenth century. It featured the work of artists such as J. M. W. Turner, John Constable (who coined the resonant phrase, “The chiaroscuro of Nature”), Thomas Girtin, William Blake, Samuel Palmer, and Norwich School members John Sell Cotman and John Crome. The final section, entitled “Modern Romanticism,” explored the movement’s enduring legacy in twentieth and twenty-first century landscape art, and included works by Richard Long, Hamish Fulton, and Peter Doig, whose spectacular 2001 etching Country Rock was exhibited for the first time in the United States. Special emphasis was placed on technical issues. — —
Credits — —
The exhibition was curated by Gillian Forrester, Associate Curator of Prints and Drawings at the Center, and Eric Stryker, doctoral candidate in the History of Art, Yale University. — —
Yale Center for British Art
51256
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
300008707
ycba_term_32373
river
France
1000070
ycba_term_1821421
France
46.0000, 2.0000
Pont Neuf
6452939
ycba_term_2036616
Pont Neuf
Europe
1000003
ycba_term_1816338
Europe
56.2000, 15.0160
Seine
7009707
ycba_term_1830214
Seine
49.4330, 0.4330
Paris
7008038
ycba_term_1825498
Paris
48.8660, 2.3330
Île-de-France
7002883
ycba_term_1824978
Île-de-France
49.0000, 2.4160
Bourse de Paris
ycba_term_2036630
Bourse de Paris
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
51256
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:51256
oai:tms.ycba.yale.edu:51256
https://manifests.collections.yale.edu/v2/ycba/obj/51256
https://manifests.collections.yale.edu/ycba/obj/51256
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art