2024-03-28T10:46:31Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:528242024-03-27ycba:pd
YCBA/lido-TMS-52824
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300041338
intaglio print
300015636
landscape
300417318
architectural subject
300015571
cityscape
300041273
Print
An Elevated View of the New Dock in Wapping
Views of the London Docks
Collector's mark, verso: Paul Mellon
Lettered below image: "An Elevated View of the New Dock in Wapping. | This view represents the first part of the Works, as they will appear when finished, which are now executing in Wapping near the Tower, by the patriotic exertions of the London Dock Company, for the improvement of the Port of London. The Bason which is here shewn is 1260 feet in length & 690 feet in breadth, containing an Area of 20 Acres, and its object is the accommodation of Vessels employed in every branch of Commerce for which extensive ranges of appropriate Warehouses are preparing within the enclosure. This great public work is conceived on a scale calculated to support the dignity of the Nation, and the important interests of Commerce; and will, when compleated, in conjunction with other magnificent works, either in progress or contemplation, render this Metropolis ultimately the first Port, as it is already the first City in the World. | To the Chairman, Deputy Chairman & other Directors of the London Dock Company, this Print is with their permission inscribed buy their Obedient & obliged Servant William Daniell |Drawn & Engraved by Wm. Daniell & Published by him at No. 9, Cleveland Street, Fitzroy Square London, Jany. 1. 1803."
500303557
Yale Center for British Art
http://britishart.yale.edu
B1978.43.848
https://www.wikidata.org/wiki/Q106837336
Not on view
Yale Center for British Art
41.3080060, -72.9306282
20 1/4 x 33 1/4in. (51.4 x 84.5cm)
width
cm
84.5
height
cm
51.4
Sheet
52824
300054713
production
Print made by William Daniell, 1769–1837, British
ycba_actor_76
http://d-nb.info/gnd/100454143
http://en.wikipedia.org/wiki/William_Daniell
https://www.wikidata.org/wiki/Q708629
http://id.loc.gov/authorities/names/n50037797
http://viaf.org/viaf/7449431
http://isni-url.oclc.nl/isni/0000000080863834
http://vocab.getty.edu/ulan/500011732
http://www.idref.fr/031507778/id
https://n2t.net/ark:/99166/w6rj53jg
William Daniell
William Daniell the Elder
William Daniel R. A.
Daniell William, 1769–1837
William Daniell, 1769–1837
Print made by William Daniell, 1769–1837
7011730
7011781
7011730
7011781
7000198
7000198
British
1769
1837
male
300025103
Artist
300025136
painter
300025164
printmaker
300024987
architect
300025165
engraver (printmaker)
Royal Academician
landscape painter
Print made by
Published by William Daniell, 1769–1837, British
ycba_actor_76
http://d-nb.info/gnd/100454143
http://en.wikipedia.org/wiki/William_Daniell
https://www.wikidata.org/wiki/Q708629
http://id.loc.gov/authorities/names/n50037797
http://viaf.org/viaf/7449431
http://isni-url.oclc.nl/isni/0000000080863834
http://vocab.getty.edu/ulan/500011732
http://www.idref.fr/031507778/id
https://n2t.net/ark:/99166/w6rj53jg
William Daniell
William Daniell the Elder
William Daniel R. A.
Daniell William, 1769–1837
William Daniell, 1769–1837
Published by William Daniell, 1769–1837
7011730
7011781
7011730
7011781
7000198
7000198
British
1769
1837
male
300025103
Artist
300025136
painter
300025164
printmaker
300024987
architect
300025165
engraver (printmaker)
Royal Academician
landscape painter
Published by
300111159
British
1803
1803
1803
24
19th century
Etching and aquatint with hand coloring in watercolor
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
198
https://britishart.yale.edu/node/676
300054766
exhibition
Company Culture
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
2003-09-16 - 2004-01-05
2003-09-16
2004-01-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Writing from late eighteenth-century London, Lord Chatham marveled that “the riches of Asia have been poured in upon us.” Tea, spices, fabrics, and other luxury goods from the Indian subcontinent transformed everyday life in Britain. These were the products of an aggressive and dynamic colonial endeavor spearheaded by “the Grandest Society of Merchants in the universe”—the East India Company. Founded in 1600, this powerful collective of London-based merchants controlled every aspect of British involvement in India until 1813. Although Parliament ended its commercial monopoly on all trade east of the southern tip of Africa in that year, the company continued as the governing bureaucratic and military presence on the subcontinent until 1857. — —
Among the “riches of Asia” exported to Europe were paintings, drawings, and prints produced by the many British artists, draftsmen, surveyors, engineers, and amateurs who traveled to the Indian subcontinent in search of patronage and aesthetic inspiration. Company Culture, organized to complement Traces of India: Photography, Architecture, and the Politics of Representation, examined the role played by visual artists in the late eighteenth and early nineteenth centuries in documenting the East India Company’s extraordinary imperial initiative and formulating the image of the British presence in India. Selected from the Center’s rich collection of paintings, works on paper, and rare books, the exhibition focused on the period from 1770 to 1830. It explored shared themes, such as strategies of representation, imperialism, and the formulation of national identity for British India. — —
Credits — —
Company Culture was organized by the Center and curated by Morna O’Neill, PhD candidate in History of Art, Yale University. — —
Yale Center for British Art
52824
6400439
V 1199 (YCBA)
79457806
1720
300054686
publication event
Morna O'Neill, ^Company Culture:, British Artists and the East India Company 1770-1830: October 16, 2003-January 11, 2004 ^, Yale Center for British Art, New Haven, 2003, no. 43, V 1199 (YCBA)
Yale Center for British Art
Morna O'Neill
ycba_actor_9449
O'Neill Morna
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2003
2003
2003
New Haven
52824
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1978
1978
1978
300138913
gift
Morna O'Neill, Company Culture:, British Artists and the East India Company 1770-1830: October 16, 2003-January 11, 2004, Yale Center for British Art, New Haven, 2003, no. 43, V 1199 (YCBA)
6400439
V 1199 (YCBA)
79457806
1720
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
52824
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:52824
oai:tms.ycba.yale.edu:52824
https://manifests.collections.yale.edu/v2/ycba/obj/52824
https://manifests.collections.yale.edu/ycba/obj/52824
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art