2024-03-29T01:51:44Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:542692024-03-27ycba:ps
YCBA/lido-TMS-54269
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300015636
landscape
300386044
animal art
300033618
Painting
The Indian Rhinoceros
A Forest Scene in the Northern Part of Hindoostan with as Rhinoceros
500303557
Yale Center for British Art
http://britishart.yale.edu
B2006.14.3
https://www.wikidata.org/wiki/Q23758677
Not on view
Yale Center for British Art
41.3080060, -72.9306282
32 x 27 inches (81.3 x 68.6 cm)
height
cm
81.3
width
cm
68.6
54269
300054713
production
Thomas Daniell, 1749–1840, British, active in India
ycba_actor_75
http://vocab.getty.edu/ulan/500028064
https://viaf.org/viaf/71525491
http://id.loc.gov/authorities/names/n50037796
https://n2t.net/ark:/99166/w6xd5gdd
https://www.wikidata.org/wiki/Q708907
Thomas Daniell
Thomas Daniel
Thomas Daniels
Thomas Daniel Esq. R. A.
Daniell, Thomas, 1749-1840
Daniell Thomas, 1749–1840
Thomas Daniell, 1749–1840
Thomas Daniell, 1749–1840
7011969
4012698
7000208
British, active in India
1749
1840
male
300025103
Artist
300249564
aquatinter
300112172
draftsman (artist)
300025165
engraver (printmaker)
300025136
painter
300025164
printmaker
Royal Academician
landscape painter
ca. 1790
1785
1795
22
18th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
752
https://britishart.yale.edu/node/623
300054766
exhibition
Adapting the Eye: an archive of the British in India, 1770-1830
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
YCBA
BAC
British Art Center
1977
0
63
Organizer
2011-10-11 - 2011-12-31
2011-10-11
2011-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Organized to complement the Center’s major exhibition on Johan Zoffany, who spent six productive years in India, Adapting the Eye explored the complex and multifaceted networks of British and Indian professional and amateur artists, patrons, and scholars in British India in the later eighteenth and early nineteenth centuries, and their drive to create and organize knowledge for both aesthetic and political purposes. Selected from the Center’s rich holdings, the exhibition included a diverse range of objects from both high art and popular culture, including albums, scrapbooks, prints, paintings, miniatures, and sculpture, demonstrating how collecting practices and artistic patronage in India during that period constituted a complex intersection of culture and power. — —
The starting point and central focus of the exhibition was a remarkable and little-known archive in the Center’s collection assembled by Charles Warre Malet and the British artist James Wales. Warre Malet was the East India Company’s Resident in Pune between 1785 and 1798. He and Wales commissioned over a hundred works on paper by British and Indian artists, which are included in the archive together with extensive manuscript material and vivid sketches of landscape, architectural sites, scenes from everyday life, and diplomatic ceremonial events. An extensive selection of drawings from the archive, complemented by other works from the collections, provided a unique window into central India at a critical historical moment. A pivotal figure in this rich cultural interchange was the highly accomplished Indian draftsman and sculptor Gangaram Tambat, who drew on both indigenous and European artistic conventions; his remarkable hybrid drawings were juxtaposed with works by British artists, including William Hodges, William and Thomas Daniell, Robert Mabon, and James Wales. — —
Credits — —
The curator for the exhibition was Holly Shaffer, Graduate Research Assistant at the Center and PhD candidate in History of Art at Yale, under the supervision of Gillian Forrester, the Center’s Curator of Prints and Drawings.
Yale Center for British Art
54269
7188492
N6766 D36 2005 (YCBA)
60798505
2140
300054686
publication event
Hermione De Almeida, ^Indian Renaissance, British romantic art and the prospect of India ^, Ashgate Publishing, Aldershot, England ; Burlington, VT, 2005, pp.278, 324, N6766 D36 2005 (YCBA)
Yale Center for British Art
Hermione De Almeida
ycba_actor_10999
De Almeida Hermione
300025492
Author
George H. Gilpin
ycba_actor_11036
Gilpin George H.
300025492
Author
Ashgate Publishing
ycba_actor_7024
Ashgate Publishing
300025574
Publisher
2005
2005
2005
Aldershot, England ; Burlington, VT
54269
3649104
N5054 A53 v. 2 (YCBA)
40211893
1574
300054686
publication event
^Exhibition catalogue. 1799. 31th^, Exhibition of the Royal Academy of Arts, no. 31, Royal Academy of Arts, London, 1799, p.13, no. 299, N5054 A53 v. 2 (YCBA)
Yale Center for British Art
Cooper and Graham
ycba_actor_11006
Cooper and Graham
300025574
Publisher
Royal Academy of Arts
ycba_actor_5870
http://id.loc.gov/authorities/names/n80032672
http://vocab.getty.edu/ulan/500115632
http://www.wikidata.org/entity/Q270920
https://viaf.org/viaf/153543255
Royal Academy of Arts
300025574
Publisher
1799
1799
1799
London
54269
10074658
V2359 (YCBA)
1878
300054686
publication event
Holly Shaffer, ^Adapting the eye, An archive of the British in India, 1770-1830 ^, Yale Center for British Art, New Haven, CT, 2011, pp. 35-36, no. 140, V2359 (YCBA)
Yale Center for British Art
Holly Shaffer
ycba_actor_9552
Shaffer Holly
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2011
2011
2011
New Haven, CT
54269
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
2006-10-31
2006-10-31
2006-10-31
300079440
bequest
300015636
ycba_term_149705
landscape
300132410
ycba_term_17587
trees
300386044
ycba_term_2036638
animal art
300055631
ycba_term_38807
oval
9415
ycba_term_2045650
rhinoceros
300011671
ycba_term_12862
boulder
Asia
1000004
ycba_term_1885380
Asia
43.8000, 87.6330
India
7000198
ycba_term_2022198
India
20.0000, 77.0000
Hermione De Almeida, Indian Renaissance, British romantic art and the prospect of India, Ashgate Publishing, Aldershot, England ; Burlington, VT, 2005, pp.278, 324, N6766 D36 2005 (YCBA)
7188492
N6766 D36 2005 (YCBA)
60798505
2140
related to
Exhibition catalogue. 1799. 31th, Exhibition of the Royal Academy of Arts, no. 31, Royal Academy of Arts, London, 1799, p.13, no. 299, N5054 A53 v. 2 (YCBA)
3649104
N5054 A53 v. 2 (YCBA)
40211893
1574
related to
Holly Shaffer, Adapting the eye, An archive of the British in India, 1770-1830, Yale Center for British Art, New Haven, CT, 2011, pp. 35-36, no. 140, V2359 (YCBA)
10074658
V2359 (YCBA)
1878
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
54269
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:54269
oai:tms.ycba.yale.edu:54269
https://manifests.collections.yale.edu/v2/ycba/obj/54269
https://manifests.collections.yale.edu/ycba/obj/54269
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art