2024-03-28T22:45:02Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:56492024-03-27ycba:pd
YCBA/lido-TMS-5649
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300033973
drawing
300139140
genre subject
300033973
Drawing & Watercolor
Reflections, or the Music Lesson
The Reflection, or the Music Lesson
Verso: Watercolor Test
Signed in pen and red ink, lower left: "T. Rowlanson"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1975.4.701
https://www.wikidata.org/wiki/Q28796549
Not on view
Yale Center for British Art
41.3080060, -72.9306282
Baskett and Snelgrove: 216
4 5/8 x 6 3/16 inches (11.7 x 15.7 cm)
width
cm
15.7
height
cm
11.7
Sheet
5649
300054713
production
Thomas Rowlandson, 1756–1827, British
ycba_actor_731
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX882200
http://d-nb.info/gnd/118603485
http://libris.kb.se/resource/auth/260637
http://www.idref.fr/031710905/id
http://id.loc.gov/authorities/names/n50022330
http://en.wikipedia.org/wiki/Thomas_Rowlandson
http://viaf.org/viaf/56672964
http://www.oxforddnb.com/view/article/24221
http://isni-url.oclc.nl/isni/0000000121341830
https://n2t.net/ark:/99166/w6jd529p
http://vocab.getty.edu/ulan/500006930
https://www.wikidata.org/wiki/Q318584
Thomas Rollandson
Thomas Rowlandson
Rowlandson Thomas, 1756–1827
Thomas Rowlandson, 1756–1827
Thomas Rowlandson, 1756–1827
1000080
1000070
7011781
7011781
British
1756
1827
male
300025103
Artist
300025123
illustrator
300025165
engraver (printmaker)
300025157
watercolorist
300025108
caricaturist
300112172
draftsman (artist)
300025164
printmaker
300111159
British
undated
1772
1827
23
18th century-19th century
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
300011098
graphite
300014187
wove paper
300015045
watercolor
300022452
pen
https://www.wikidata.org/wiki/Q58344150
brown ink
gray ink
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
562
https://britishart.yale.edu/node/660
300054766
exhibition
Art and Music in Britain: Four Encounters, 1730-1900
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
63
Organizer
2006-10-05 - 2006-12-31
2006-10-05
2006-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Art and Music in Britain: Four Encounters, 1730–1900 was an innovative exploration of the relationship between art and music. Many of us have sensed the kinship between church music and a stained glass window, or between the sweeping perspectives of a Romantic symphony and a panoramic landscape painting of the same era. The juxtaposition of art and music has the potential to enrich our understanding of, and response to, each medium and the cultural milieu that produced them. — —
This exhibition offered a tightly focused historical exploration of this theme by examining four moments in British history when the conjunction of art and music took on a distinctive character. “Handel’s London” looked at sites for viewing art and hearing musical performances around 1740. “Music and Polite Society” explored the way in which artists presented music-making as an emblem of social harmony in the late eighteenth century. “Romantic Landscapes” traced the responses of composer Felix Mendelssohn and painter J. M. W. Turner to a particular Scottish landscape that both visited in the years around 1830. Finally, “Aspiring to the Condition of Music” examined the ways in which the painters of the aesthetic movement attempted to emulate music’s direct, sensory appeal. Drawn primarily from the Center’s permanent collection, the exhibition also included period instruments on loan from the Yale Collection of Historical Musical Instruments. Each section of the exhibition contained listening stations at which relevant musical extracts could be heard. — —
Credits — —
The exhibition was organized by the Center and it was curated by Tim Barringer, Paul Mellon Professor of the History of Art at Yale; and Eleanor Hughes, Postdoctoral Research Associate at the Center.
Yale Center for British Art
5649
7704025
V 1699 (YCBA)
122379394
61
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain : four encounters, 1730-1900, ^, Yale Center for British Art, New Haven, 2006, pp. 16, 19, V 1699 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2006
2006
2006
New Haven
5649
7777354
V 1699:1 (YCBA)
1121265127
532
300054686
publication event
Timothy J. Barringer, ^Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) ^, New Haven, 2006, [p. 45], V 1699:1 (YCBA)
Yale Center for British Art
Timothy J. Barringer
ycba_actor_5763
Barringer Timothy J.
300025492
Author
2006
2006
2006
New Haven
5649
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1975-01-01
1975-01-01
1975-01-01
300138913
gift
300037776
ycba_term_140893
Chair - Arm
300025944
ycba_term_6962
youth
300025913
ycba_term_6963
elderly
300139140
ycba_term_2036211
genre subject
300038435
ycba_term_141121
Stool - Foot
300037682
ycba_term_36740
mirror
300052267
ycba_term_38236
fireplace
300025928
ycba_term_35274
man
300054146
ycba_term_7534
music
300056034
ycba_term_514
reflections
300025913
ycba_term_64997
elderly persons
300010279
ycba_term_1367
interior
300025943
ycba_term_35295
woman
300002944
ycba_term_30612
window
300042909
ycba_term_37721
piano
300038450
ycba_term_141125
Stool - music
sheet music
ycba_term_27562
Timothy J. Barringer, Art & music in Britain : four encounters, 1730-1900, , Yale Center for British Art, New Haven, 2006, pp. 16, 19, V 1699 (YCBA)
7704025
V 1699 (YCBA)
122379394
61
related to
Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text), New Haven, 2006, [p. 45], V 1699:1 (YCBA)
7777354
V 1699:1 (YCBA)
1121265127
532
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5649
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5649
oai:tms.ycba.yale.edu:5649
https://manifests.collections.yale.edu/v2/ycba/obj/5649
https://manifests.collections.yale.edu/ycba/obj/5649
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art