2024-03-29T11:14:35Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:5832024-03-28ycba:ps
YCBA/lido-TMS-583
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300117546
marine art
300033618
Painting
English Ships Running before a Gale
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.73
https://www.wikidata.org/wiki/Q23758816
Not on view
Yale Center for British Art
41.3080060, -72.9306282
15 x 23 inches (38.1 x 58.4 cm)
height
cm
38.1
width
cm
58.4
583
300054713
production
Charles Brooking, 1723–1759, British
ycba_actor_69
http://id.loc.gov/authorities/names/nr92042770
http://isni-url.oclc.nl/isni/0000000067084596
http://viaf.org/viaf/71258959
http://en.wikipedia.org/wiki/Charles_Brooking
http://vocab.getty.edu/ulan/500005055
http://www.idref.fr/056590873/id
https://www.wikidata.org/wiki/Q5075815
Charles Booking
Charles Bracking
Charles Brocking
Charles Brooken
Charles Brookin
Charles Brookins
Charles Brooking
Brooking, Charles, 1723-1759
Brooking Charles, 1723–1759
Charles Brooking, 1723–1759
Charles Brooking, 1723–1759
7011800
7011781
British
1723
1759
male
300025103
Artist
300025136
painter
before 1759
1749
1759
22
18th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
Out to Art (Yale Center for British Art, 2022-03-11 - 2022-03-28)
1069
300054766
exhibition
Out to Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
2022-03-11 - 2022-03-28
2022-03-11
2022-03-28
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
872
https://britishart.yale.edu/node/464
https://britishart.yale.edu/node/464
300054766
exhibition
Spreading Canvas - Eighteenth - Century British Marine Painting
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
British Art Center
Yale Center for British Art
YCBA
BAC
1977
0
2016-09-09 - 2016-12-04
2016-09-09
2016-12-04
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
This was the first major exhibition to survey the tradition of marine painting that was inextricably linked to Britain’s rise to prominence as a maritime and imperial power, and to position the genre at the heart of the burgeoning British art world of the eighteenth century. — —
The demand for marine paintings—and the prints made after them—in the eighteenth century, from ship launches to shipwrecks, naval battles to serene coastal views, reflected Britain’s absolute dependence on the sea. In an age when Britain claimed to rule the waves, marine paintings found a new importance and helped the island nation tell its stories of triumph and disaster. — —
Arranged in thematic sections within a broadly chronological framework, Spreading Canvas spanned the period between the arrival in Greenwich of the Dutch marine painters Willem van de Velde the Elder and Younger, in the early 1670s, and J. M. W. Turner’s first responses to the Battle of Trafalgar, displayed at his gallery in 1806. Featuring works by artists such as Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, the exhibition contended that the marine painters who created images of the sea and shipping in eighteenth-century Britain were more than mere stylistic inheritors of a Dutch seventeenth-century tradition; rather, they forged a uniquely British approach to their subject. — —
Drawn primarily from the collections of the Center, Spreading Canvas was augmented by spectacular loans from the National Maritime Museum in Greenwich, London, and other private and institutional collections. The exhibition included ship models, prints, paintings, sketchbooks, and letters, in order to reconstruct the full array of representational modes that were deployed throughout the century to represent the maritime exploits of the nation. Such variety also reflects the fact that marine paintings, and the artists who produced them, were fully embedded in the thriving and cosmopolitan artistic sphere of the period. — —
By including examples of the sketches, plans, and textual accounts that underlay the finished works, Spreading Canvas also revealed the processes through which marine painters constructed depictions of highly complex events that had taken place at great physical and temporal distances. But, far from functioning merely as skillful reportage, marine painting responded to and helped to shape Britain’s role on the global stage. Indeed, this exhibition demonstrated that marine painting was, from the age of tapestries to the advent of the modern panorama, both ubiquitous and fundamentally relevant to eighteenth-century British art and culture. — —
Credits — —
Spreading Canvas: Eighteenth-Century British Marine Painting was organized by the Yale Center for British Art in association with the National Maritime Museum, Greenwich, London, and curated by Eleanor Hughes, Deputy Director for Art & Program at the Walters Art Museum. The organizing curator at the Center was Matthew Hargraves, Chief Curator of Art Collections and Head of Collections Information and Access. — —
The exhibition was accompanied by a fully illustrated book, edited by Eleanor Hughes, with essays by Hughes, Richard Johns, Geoff Quilley, Christine Riding, and Catherine Roach, and contributions by Sophie Lynford, John McAleer, and Pieter van der Merwe. The volume was published by the Center in association with Yale University Press.
Yale Center for British Art
583
6603064
V1308
272572157
4639
300054686
publication event
^Behold, the sea itself^, Yale Center for British Art, New Haven : CT, V1308
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
300005768
museum
300007674
research center
0
0
New Haven : CT
583
6603064
V 1308 (YCBA)
272572157
840
300054686
publication event
^Behold, the sea itself^, Yale Center for British Art, New Haven, 2003, V 1308 (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
300005768
museum
300007674
research center
2003
2003
2003
New Haven
583
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 44-45, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
300005768
museum
300007674
research center
1985
1985
1985
New Haven, CT
583
16742925
N8252 .S56 2023 (YCBA) Oversize
1371842756
5468
300054686
publication event
Robin Simon, ^Shakespeare, Hogarth, and Garrick : plays, paintings and performances^, Paul Holberton Publishing, London, 2023, p. 74, fig. 64, N8252 .S56 2023 (YCBA) Oversize
Yale Center for British Art
Robin Simon
ycba_actor_8543
Simon Robin
300025492
Author
Paul Holberton Publishing
ycba_actor_10681
Paul Holberton Publishing
300025574
Publisher
2023
2023
2023
London
583
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
300054462
ycba_term_7859
science
300233039
ycba_term_148930
square-rigged ships
300054550
ycba_term_7783
meteorology
300195678
ycba_term_42494
flag
300008694
ycba_term_32367
sea
300117546
ycba_term_39843
seascape
300055395
ycba_term_1023
wind
300082981
ycba_term_26163
ships
300343840
ycba_term_2036248
clouds
300235692
ycba_term_2036210
marine art
300054734
300054734
ycba_term_38693
storm
300054733
300054733
ycba_term_2036259
waves (natural events)
Behold, the sea itself, Yale Center for British Art, New Haven : CT, V1308
6603064
V1308
272572157
4639
related to
Behold, the sea itself, Yale Center for British Art, New Haven, 2003, V 1308 (YCBA)
6603064
V 1308 (YCBA)
272572157
840
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 44-45, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
Robin Simon, Shakespeare, Hogarth, and Garrick : plays, paintings and performances, Paul Holberton Publishing, London, 2023, p. 74, fig. 64, N8252 .S56 2023 (YCBA) Oversize
16742925
N8252 .S56 2023 (YCBA) Oversize
1371842756
5468
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
583
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:583
oai:tms.ycba.yale.edu:583
https://manifests.collections.yale.edu/v2/ycba/obj/583
https://manifests.collections.yale.edu/ycba/obj/583
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art