2024-03-29T15:16:21Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:590422024-03-28ycba:ps
YCBA/lido-TMS-59042
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300139140
genre subject
300033618
Painting
Children with Horse and Dog
Signed and dated in brown paint, lower left: "HYW Barraud 1836"
500303557
Yale Center for British Art
http://britishart.yale.edu
B2007.11.1
https://www.wikidata.org/wiki/Q23758863
Not on view
Yale Center for British Art
41.3080060, -72.9306282
34 1/2 x 44 1/2 inches (87.6 x 113 cm)
height
cm
87.6
width
cm
113.0
59042
300054713
production
Henry Barraud, 1811–1874, British
ycba_actor_5736
http://vocab.getty.edu/ulan/500032311
http://id.loc.gov/authorities/names/nr93030080
https://viaf.org/viaf/26938686
https://n2t.net/ark:/99166/w6jf4pzm
https://www.wikidata.org/wiki/Q5717829
Henry Barraud
Barraud, Henry, 1811-1874
Barraud Henry, 1811–1874
Henry Barraud, 1811–1874
Henry Barraud, 1811–1874
7011781
7011781
British
1811
1874
male
300025103
Artist
300112172
draftsman (artist)
300025136
painter
and William Barraud, 1810–1850, British
ycba_actor_5505
http://vocab.getty.edu/ulan/500003934
http://id.loc.gov/authorities/names/no2011148711
https://viaf.org/viaf/54420022
https://www.wikidata.org/wiki/Q8005106
William Barraud
Barraud, William, 1810-1850
Barraud William, 1810–1850
William Barraud, 1810–1850
and William Barraud, 1810–1850
7011781
7011781
British
1810
1850
male
300025103
Artist
300025161
animal painter
300025136
painter
and
ca. 1836
1831
1841
24
19th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
946
https://britishart.yale.edu/node/461
300054766
exhibition
A Decade of Gifts and Acquisitions
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
2017-06-01 - 2017-08-13
2017-06-01
2017-08-13
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The Yale Center for British Art first opened to the public in April 1977. In celebration of this fortieth anniversary, a suite of exhibitions showcased the most recent additions to the Center’s exceptional collection of British art. Offering visitors a behind-the-scenes look at the growth and evolution of the collection, the displays featured several groupings of newly acquired works—some organized thematically, others focused on specific artists, such as the abstract painter John Golding, and some highlighting individual gifts to the Center, including from the institution’s founder, Paul Mellon (Yale College, Class of 1929). — —
Mr. Mellon’s final gifts to the Center were largely intimate, personal objects with which he and his wife Rachel Lambert Mellon enjoyed living, and many of which she possessed until her death in 2014. They ranged from James Seymour’s The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August 1750 (1750) to a group of eight paintings by the pre-eminent British modernist Ben Nicholson, which augmented the Center’s existing collection of eight works by the artist originally assembled by Mr. Mellon. Gifts from other significant donors, such as Joseph McCrindle and Brian Sewell, were also featured. Highlights from the McCrindle and Sewell bequests included paintings and drawings by Augustus John, fashionable society portraits by Sir William Orpen and Glyn Warren Philpot, and a number of works by the landscape and still-life painter Eliot Hodgkin. — —
Other exhibitions were thematic, focusing on childhood and education, war and conflict, and the natural world. The works here were chosen primarily from recent additions to the Center’s collection of rare books and manuscripts. Among the objects on display included an early map sampler (1806) by a nine-year-old girl; a manuscript by a French naval officer who took part in the Battle of Trafalgar (1805); a Second World War silk escape map; a rare early sciagraph (X-ray) of a lizard from a series of images of British reptiles (1897); and a number of works by contemporary artists, such as Barbara Ciurej and Lindsay Lochman, whose portfolio of cyanotype prints (Natural History, 2014) was inspired by the work of the nineteenth-century naturalist Anna Atkins. — —
A display of modern and contemporary prints featured two outstanding print portfolios shown in their entirety for the first time at the Center—Shadow IV (2011), by Anish Kapoor, and Thirty Pieces of Silver (2015), by Cornelia Parker, as well as prints by Richard Hamilton and other exponents of British pop art. — —
Some of the most important additions to the Center’s outstanding collection of historic British drawings, including masterpieces in watercolor by Thomas Girtin and David Cox, were showcased in another section. — —
Known as an outstanding teacher, writer, and curator, John Golding was first and foremost a painter. The display John Golding: From the Artist’s Estate drew extensively on the rich gift of his work to the Center that charts his journey from figurative art to abstraction.
Objects that document the experience of British India were also highlighted here. Works by both British and Indian artists provided a visual record of the subcontinent for British and continental audiences. — —
Works in pastel have been a collecting focus of the Center in recent years. This exhibition brought together pastel portraits, with more unusual uses of the medium in landscape and in copying old master paintings. Other portraits, studies for portraits, and portrait miniatures in a variety of graphic media were on display, including works by Sir Peter Lely and Sir Thomas Lawrence.
Over the last decade, the Center’s photographic holdings have grown dramatically through gift and purchase. On view were works from pioneering British photographer Roger Fenton to twentieth-century photographers Bill Brandt, Cecil Beaton, Lewis Morley, and contemporary artist Yinka Shonibare MBE (RA). — —
Credits — —
A Decade of Gifts and Acquisitions was curated by Elisabeth Fairman, Chief Curator of Rare Books and Manuscripts; Matthew Hargraves, Chief Curator of Art Collections; Lars Kokkonen, Assistant Curator of Paintings and Sculpture; and Sarah Welcome, Assistant Curator of Rare Books and Manuscripts; under the direction of Scott Wilcox, Deputy Director for Collections.
Yale Center for British Art
59042
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
2007-11-02
2007-11-02
2007-11-02
300138913
gift
William Barraud and his younger brother, Henry, were both painters and often worked collaboratively in the 1830s and 1840s producing sporting pictures and small portraits in the tradition of the conversation piece. It has often been assumed that William specialized in animal painting and Henry in landscape, but the exact nature of their collaboration is in fact harder to unravel. Their clientele was mostly country gentry, and in this example four children play outdoors, the son riding a horse with his youngest sister while one older girl feeds the horse as the other gathers flowers. Their identity has not been established conclusively, but this picture may be The children of Thomas Keen, Esq. with their favorite pony, which was exhibited at the Royal Academy in 1836.
--- --- Gallery label for A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
59042
300048722
Gallery label
2017-06-26
300217875
ycba_term_44932
ball (recreational artifact)
300002588
ycba_term_30509
balcony
300250130
ycba_term_2036348
dog (animal)
1
ycba_term_2036302
animals
300194498
ycba_term_42390
basket
300046113
ycba_term_37969
top hat
300025945
ycba_term_114139
children
300256888
ycba_term_107717
games
300021232
ycba_term_4857
Victorian
300211068
ycba_term_44249
bat
300054156
ycba_term_7537
architecture
300005567
ycba_term_31358
country house
300139140
ycba_term_2036211
genre subject
300250148
ycba_term_2036751
horse (animal)
300178802
ycba_term_21364
costume
300004792
ycba_term_31111
building
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Gift of Mr. & Mrs. Peter L. Malkin
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
59042
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:59042
oai:tms.ycba.yale.edu:59042
https://manifests.collections.yale.edu/v2/ycba/obj/59042
https://manifests.collections.yale.edu/ycba/obj/59042
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art