2024-03-29T09:42:04Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:59952024-03-28ycba:pd
YCBA/lido-TMS-5995
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300078925
watercolor
300417318
architectural subject
300033973
drawing
300033973
Drawing & Watercolor
The Great Temple of Amon Karnak, The Hypostyle Hall
Inscribed in graphite, lower right: "<...>ES | KARNAC | Nov. 27th 1838"; in brushed gray watercolor, lower left: "Karnac [. . .] 1838"
Signed and dated in brushed gray watercolor, lower right: "David Roberts R.A. 1838"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1975.4.1579
https://www.wikidata.org/wiki/Q28795864
Not on view
Yale Center for British Art
41.3080060, -72.9306282
19 1/4 x 13 inches (48.9 x 33 cm)
width
cm
33.0
height
cm
48.9
Sheet
5995
300054713
production
David Roberts, 1796–1864, British
ycba_actor_102
https://viaf.org/viaf/32031417
https://n2t.net/ark:/99166/w6zc81g1
http://id.loc.gov/authorities/names/n81126903
https://www.wikidata.org/wiki/Q369776
http://vocab.getty.edu/ulan/500000610
David Roberts
Roberts David, 1796–1864
David Roberts, 1796–1864
David Roberts, 1796–1864
1000095
1000080
7016845
7011781
7001526
1000070
7003683
7002444
1000063
British
1796
1864
male
300025103
Artist
300025136
painter
300025175
lithographer
Royal Academician
300025681
scenographer
300025103
artist
300025164
printmaker
300111159
British
1838
1838
1838
24
19th century
Watercolor and gouache with scratching out and graphite
on moderately thick, slightly textured, beige wove paper
300011098
graphite
300070114
gouache
300014187
wove paper
300015045
watercolor
scratching out
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
851
https://media.art.yale.edu/content/lux/exb/3979.json
300054766
exhibition
The Critique of Reason : Romantic Art, 1760–1860
Yale Center for British Art
Yale University Art Gallery
ycba_actor_1258
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
http://id.loc.gov/authorities/names/n79129213
Yale University Art Gallery
YUAG
0
0
2015-03-06 - 2015-07-26
2015-03-06
2015-07-26
Yale University Art Gallery
ycba_actor_1258
http://id.loc.gov/authorities/names/n79129213
http://vocab.getty.edu/ulan/500303559
http://www.wikidata.org/entity/Q1568434
https://viaf.org/viaf/158793816
Yale University Art Gallery
New Haven
7014210
New Haven
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
757
300054766
exhibition
Connections
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
63
Organizer
2011-05-26 - 2011-09-11
2011-05-26
2011-09-11
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
BAC
YCBA
Yale Center for British Art
1977
0
66
Lender
2008-06-09 - 2008-08-17
2008-06-09
2008-08-17
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
The State Hermitage Museum
ycba_actor_6557
Olga Ilmenkova
The State Hermitage Museum
0
0
300311675
Borrower
2007-10-23 - 2008-01-13
2007-10-23
2008-01-13
The State Hermitage Museum
ycba_actor_6557
The State Hermitage Museum
Sankt-Peterburg
7010273
Sankt-Peterburg
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
500
https://britishart.yale.edu/node/647
300054766
exhibition
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art
Yale Center for British Art
Virginia Museum of Fine Arts
ycba_actor_1286
https://n2t.net/ark:/99166/w6991x8v
https://viaf.org/viaf/148748621
http://www.wikidata.org/entity/Q4013975
http://vocab.getty.edu/ulan/500310718
http://id.loc.gov/authorities/names/n79046025
Virginia Museum of Fine Arts
0
0
300311675
Borrower
2007-07-11 - 2007-09-30
2007-07-11
2007-09-30
Virginia Museum of Fine Arts
ycba_actor_1286
http://id.loc.gov/authorities/names/n79046025
http://vocab.getty.edu/ulan/500310718
http://www.wikidata.org/entity/Q4013975
https://n2t.net/ark:/99166/w6991x8v
https://viaf.org/viaf/148748621
Virginia Museum of Fine Arts
Richmond
7013964
Richmond
300435424
Great British Watercolors brought together eighty-eight outstanding works in the medium from the Paul Mellon Collection at the Center, including masterpieces by J. M. W. Turner, John Constable, William Blake, Paul Sandby, John Robert Cozens, Thomas Girtin, Thomas Gainsborough, and others. The exhibition was organized as part of the 2007 celebrations commemorating both the Center’s thirtieth anniversary and the centenary of the institution’s founder, Paul Mellon, one of the greatest cultural philanthropists of the twentieth century.
In a period of a little over fifteen years, beginning in the early 1960s, Mr. Mellon assembled one of the world’s greatest collections of British drawings and watercolors. As part of his extensive collecting of British art, he purchased several distinguished private collections of British watercolors, enriching and expanding them with astute purchases reflecting his own taste. In his memoirs he praised “the beauty and freshness of English drawings and watercolors, their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” — —
Great British Watercolors spanned more than a century of British artistic production, from the emergence of watercolor painting in the mid-eighteenth century to its flowering in the early nineteenth century. The exhibition highlighted the diversity of British watercolor painting, showing both landscapes and figurative works by some of the principal artists who worked in the medium. Paul Mellon’s collecting activity helped to revive the study of British watercolor. — —
Venues — —
Virginia Museum of Fine Arts, Richmond: — —
July 11–September 30, 2007 — —
The State Hermitage Museum, St. Petersburg, Russia: — —
October 23, 2007–January 13, 2008 — —
Yale Center for British Art: — —
une 10–August 17, 2008 — —
Credits — —
Organized by the Center in association with the Virginia Museum of Fine Arts, Richmond, Great British Watercolors was curated by Scott Wilcox, Curator of Prints and Drawings at the Center; Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, Virginia Museum of Fine Arts; and Matthew Hargraves, Postdoctoral Research Associate in the Department of Paintings and Sculpture at the Center.
Yale Center for British Art
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
81
https://britishart.yale.edu/node/695
300054766
exhibition
Edward Lear and the Art of Travel
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
300025633
Curator
2000-09-20 - 2001-01-14
2000-09-20
2001-01-14
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Most accounts of the artistic achievements of Edward Lear (1812–1888) take as their starting point the notion that he is better known as the writer of nonsense verse than as a topographical draughtsman and painter. His art is then considered largely in isolation, as the extraordinary creation of a fascinatingly eccentric Victorian. This exhibition, however, situated Lear’s work as an artist within the great outpouring of images of foreign lands produced by British artists in the later eighteenth and nineteenth centuries. — —
Although Lear suffered from epilepsy, asthma, poor eyesight, and chronic depression, he was an inveterate traveler and an indefatigable sketcher, documenting a lifetime of journeys throughout the Mediterranean and India. — —
In 1997, Donald C. Gallup, alumnus of Yale and former Curator of American literature at the Beinecke Rare Book and Manuscript Library, gave his collection of Edward Lear’s art to the Center. Drawing from this generous gift as well as the Paul Mellon Collection and other gifts, this exhibition featured 114 drawings, twelve paintings, and six books by Lear. Also on display were over sixty works by thirty other artists, including J. M. W. Turner, Richard Parkes Bonington, David Roberts, and John Frederick Lewis. — —
Credits — —
Edward Lear and the Art of Travel was organized by Scott Wilcox, Senior Curator of Prints and Drawings at the Center. An illustrated catalogue accompanied the exhibition and received an honorable mention in the year’s American Association of Museums’ publications competition.
Yale Center for British Art
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
443
300054766
exhibition
Egypt - The Legacy
Yale Center for British Art
Sarah Lawrence College Art Gallery
ycba_actor_7196
Sarah Lawrence College Art Gallery
0
0
300311675
Borrower
1990-02-13 - 1990-04-22
1990-02-13
1990-04-22
Sarah Lawrence College Art Gallery
ycba_actor_7196
Sarah Lawrence College Art Gallery
Bronxville
7013456
Bronxville
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
590
300054766
exhibition
Oil on Water - Oil Sketches by British Watercolorists
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
BAC
YCBA
British Art Center
1977
0
300025633
Curator
1986-08-26 - 1986-11-09
1986-08-26
1986-11-09
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
Orientalism - Near East in French Painting (Memorial Art Gallery of Rochester, 1982-08-27 - 1982-10-17)
319
300054766
exhibition
Orientalism - Near East in French Painting
Yale Center for British Art
Memorial Art Gallery of Rochester
ycba_actor_1638
http://vocab.getty.edu/ulan/500310928
Memorial Art Gallery of Rochester
0
0
300311675
Borrower
1982-08-27 - 1982-10-17
1982-08-27
1982-10-17
Memorial Art Gallery of Rochester
ycba_actor_1638
http://vocab.getty.edu/ulan/500310928
Memorial Art Gallery of Rochester
Rochester
7014348
Rochester
Orientalism - Near East in French Painting (Neuberger Museum of Art, Purchase College, 1982-11-04 - 1982-12-23)
319
300054766
exhibition
Orientalism - Near East in French Painting
Yale Center for British Art
Neuberger Museum of Art, Purchase College
ycba_actor_2727
http://vocab.getty.edu/ulan/500310276
Neuberger Museum of Art, Purchase College
Pat Magnani Registrar
Lucinda H. Gedeon
0
0
300311675
Borrower
1982-11-04 - 1982-12-23
1982-11-04
1982-12-23
Neuberger Museum of Art, Purchase College
ycba_actor_2727
http://vocab.getty.edu/ulan/500310276
Neuberger Museum of Art, Purchase College
Purchase
7015836
Purchase
5995
583617
ND467 C67 (YCBA)
14254730
368
300054686
publication event
Malcolm Cormack, ^Oil on water, oil sketches by British watercolorists ^, Yale Center for British Art, New Haven, 1986, pp. 48-49, fig. 49, ND467 C67 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1986
1986
1986
New Haven
5995
254390
ND547 .R79 1982 (YCBA)
08974385
4926
300054686
publication event
Donald A. Rosenthal, ^Orientalism, the Near East in French painting, 1800-1880^, Memorial Art Gallery of the University of Rochester, Rochester, NY, 1982, pp. 136-37, fig. 135, ND547 .R79 1982 (YCBA)
Yale Center for British Art
Donald A. Rosenthal
ycba_actor_14416
Rosenthal Donald A.
300025492
Author
Memorial Art Gallery of the University of Rochester
ycba_actor_14417
Memorial Art Gallery of the University of Rochester
300025574
Publisher
1982
1982
1982
Rochester, NY
5995
3051465
N7381 .E58 1989 + Oversize (YCBA)
21298618
4927
300054686
publication event
Sarah Lawrence College Art Gallery, ^Egypt : the source and the legacy : ancient Egyptian and Egyptian Revival objects^, Sarah Lawrence College Art Gallery, Bronxville, NY, 1989, pp. 14, 16, 21, no. 85, N7381 .E58 1989 + Oversize (YCBA)
Yale Center for British Art
Sarah Lawrence College Art Gallery
ycba_actor_7196
Sarah Lawrence College Art Gallery
300025492
Author
Sarah Lawrence College Art Gallery
ycba_actor_7196
Sarah Lawrence College Art Gallery
300025574
Publisher
1989
1989
1989
Bronxville, NY
5995
4629427
NJ18 L455 W55 2000 (YCBA)
45840854
505
300054686
publication event
Scott Wilcox, ^Edward Lear and the art of travel^, Yale Center for British Art, New Haven, CT, 2000, pp. 34, 174, no. 193, NJ18 L455 W55 2000 (YCBA)
Yale Center for British Art
Scott Wilcox
ycba_actor_1252
Wilcox Scott
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2000
2000
2000
New Haven, CT
5995
7842306
ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
71833360
4877
300054686
publication event
Yale Center for British Art, ^Great British watercolors : from the Paul Mellon Collection^, Yale University Press, New Haven, 2007, pp. 166-67, no. 72, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025492
Author
Matthew Hargraves
ycba_actor_7112
Hargraves Matthew
300025492
Author
Scott Wilcox
ycba_actor_1252
Wilcox Scott
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
2007
2007
2007
New Haven
5995
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1975-01-01
1975-01-01
1975-01-01
300138913
gift
David Roberts’s The Holy Land, Idumea, Egypt, and Nubia, which appeared in six volumes between 1842 and 1849, is one of the most monumental illustrated travel books of the nineteenth century. This watercolor, dated November 27, 1838, depicting the vast Hypostyle Hall at Karnak built by Seti I and Rameses II, was reproduced as a lithograph in the fourth volume. Roberts frequently exaggerated the scale of the Egyptian ruins by depicting the human figures artificially small, in this case suggesting the fearsome immensity of the temple by playing the unstable masonry off against the seemingly insignificant modern Egyptians who shelter within it.
--- --- Gallery label for Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
5995
300048722
Gallery label
2008-06-24
Robert's identity quickly became bound up with his depictions of the exotic East. When Robert Scott Lauder (1803-1869) painted his portrait in 1840, he chose to depict Roberts in the Arab dress he had acquired on his travels to facilitate safe passage through Egypt and the Holy Land in preparation for making chromolithographs produced in a six-volume set between 1842 and 1849, titled The Holy Land, Idumea, Arabia, Egypt and Nubia. The watercolor The Great Temple of Amon Karnak, the Hypostyle Hall was made for the fourth volume, devoted to Egyptian remains, and was based on the sketches he had made while traveling through the region in late 1838. At that time, the history of Egypt was still myserious and in the process of being unraveled. The discovery of the Rosetta Stone by French sikduiers in 1799 opened up the possibility of deciphering Egyptian hieroglyphics for the first time, a task accomplished in 1822. In the meantime, the uninitiated looked upon the ruins with perplexity. As Roscoe put it, "The remains of Egyptian magnitude bewilder the mind with doubt and strange inquiry." --- ---
Roberts set out to illustrate the principal sites in Egypt, and this view, dated November 27, 1838, depicts the vast Hypostyle Hall at Karnak, built by Sety I and Ramases II, which was already a famous ruin by the time Roberts sketched it. "What shall I say about Carnac?" he wondered in a letter home: "Its grandeur cannot be imagined, were I to write what I think it would be merely rhapsody." His stage background suggested one possible solution. While the viewer is initially seduced by Robert's evocation of a calm oasis in the foreground shade, the eye is quickly drawn to the dramatic coup de théâtre in the background, where the serenity is shattered by the sudden appearance of a giant column slanting at a precipitous angle. Roberts frequently exaggerated the scale of the Egyptian ruins by depicting the human figures artificially small, in this case suggesting the fearsome immensity of the ancient temple by playing the unstable masonry off against the seemingly insignificant modern Egyptians who shelter within it. The fallen columns not only hints at the decline of modern Egypt, but it also suggests a moral lesson on the transience of earthly glory for imperial Britain, just as Shelley's celebrated poem "Ozymandias" (1818) pointed to the absurdity of the worldy pretensions of Karnak's builder, Ramases II.
--- --- Matthew Hargraves
--- --- Hargraves, Matthew, and Scott Wilcox. Great British Watercolors: from the Paul Mellon collection. New Haven: Yale Center for British Art, 2007, p. 166, 72
5995
300111999
Published catalog entry
ycba_actor_7112
Matthew Hargraves
300025492
Author
2007
300025928
ycba_term_7001
men
ycba_term_2036212
architectural subject
300002737
ycba_term_137529
columns
300007595
ycba_term_31985
temple
300250148
ycba_term_2036751
horse (animal)
Africa
7001242
ycba_term_1963289
Africa
2.3830, 16.0660
Luxor
7017995
ycba_term_1982716
Luxor
25.6830, 32.6500
Qina
7000123
ycba_term_1982626
Qina
26.1160, 32.7500
Egypt
7016833
ycba_term_1980480
Egypt
27.0000, 30.0000
Temple of Amon
ycba_term_2038165
Temple of Amon
As Said
7001437
ycba_term_1982088
As Said
26.0000, 32.0000
Al Karnak
7001446
ycba_term_1982696
Al Karnak
25.7160, 32.6500
Malcolm Cormack, Oil on water, oil sketches by British watercolorists, Yale Center for British Art, New Haven, 1986, pp. 48-49, fig. 49, ND467 C67 (YCBA)
583617
ND467 C67 (YCBA)
14254730
368
related to
Donald A. Rosenthal, Orientalism, the Near East in French painting, 1800-1880, Memorial Art Gallery of the University of Rochester, Rochester, NY, 1982, pp. 136-37, fig. 135, ND547 .R79 1982 (YCBA)
254390
ND547 .R79 1982 (YCBA)
08974385
4926
related to
Sarah Lawrence College Art Gallery, Egypt : the source and the legacy : ancient Egyptian and Egyptian Revival objects, Sarah Lawrence College Art Gallery, Bronxville, NY, 1989, pp. 14, 16, 21, no. 85, N7381 .E58 1989 + Oversize (YCBA)
3051465
N7381 .E58 1989 + Oversize (YCBA)
21298618
4927
related to
Scott Wilcox, Edward Lear and the art of travel, Yale Center for British Art, New Haven, CT, 2000, pp. 34, 174, no. 193, NJ18 L455 W55 2000 (YCBA)
4629427
NJ18 L455 W55 2000 (YCBA)
45840854
505
related to
Yale Center for British Art, Great British watercolors : from the Paul Mellon Collection, Yale University Press, New Haven, 2007, pp. 166-67, no. 72, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
7842306
ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
71833360
4877
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
5995
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:5995
oai:tms.ycba.yale.edu:5995
https://manifests.collections.yale.edu/v2/ycba/obj/5995
https://manifests.collections.yale.edu/ycba/obj/5995
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art